Five hundred years of incredible music. No expertise is necessary. All you need are ears. If you've ever been even slightly curious about classical music then this is the podcast for you.
Episodes
An American Celebration
A podcast about classical music is maybe not really a place for politics but I'm recording this episode a day after the midterm elections in the US. And I think that a lot of people all over the globe are pleased and perhaps relieved that the complicated machinery of democracy in 2026 was robust enough to survive various attempts to compromise or subvert it… and regardless of one's affiliations I
Sviatoslav Richter - Part Two
The pianist Sviatoslav Richter's life can somewhat conveniently be broken up into two parts… before he was allowed to tour outside the Soviet bloc in 1960 when he was in his mid 40s… and after. This episode is mostly about that second part; and touches on Richter's expanded interest in Chamber Music, some famous recordings, his influence on piano repertoire and his later career. Plus there will be
Longing
We bring meanings to music that the composers often didn't intend. And this episode is going to be an example of that. There is something in some music that for me triggers a sort of longing. The writer and composer Jan Swafford describes some of Mozart's music as having a 'deep yearning' and I think that is in the same general area. And you can't be too prescriptive about this. It is a bit diffe
Sviatoslav Richter - Part One
The Soviet pianist Sviatoslav Richter, as I hope this and the following episode will illustrate, is one of the greatest musicians of the recording era… unsurpassed technical expertise matched with a profound depth of musicality. But those clichés (whilst true) could be applied to a not insignificant number of other players. So why Richter? More than most musicians he was touched by history. Born
Mozart Opera Overtures
Why Mozart Opera Overtures? Well, whilst they were not really intended to be stand-alone pieces they have in many instances become favourites of concert programmers and broadcasters, not to mention the public. And with most of them being about five minutes long you can fit eleven of them into a podcast episode! They are also in a way an interesting lens into the development of a composer… since Mo
Film Music
Who knew that Camille Saint-Saens of 'Carnival of the Animals' fame wrote the world's first film score? Or that the Pulitzer Prize for music has been given to only one work for the screen. Or that five composers, including the American music theatre legend Richard Rodgers, were approached for 'Lawrence of Arabia' before the job fell to an unknown Frenchman who was given six weeks to get the job do
Diving For Pearls – Part Two
[Please feel free to leap straight into this second part of the 'Diving for Pearls' episode but there's background information in the first half you might enjoy if by chance you have missed it.] How did the term 'baroque', the French version of a very old Portuguese word for a misshapen pearl… which became an insult applied to complicated music… and was then rehabilitated as a description of an or
Diving For Pearls – Part One
How did 'baroque', the French version of a very old Portuguese term for a misshapen pearl… which became an insult applied to complicated music… and was then rehabilitated as a description of an ornate style of art and architecture… become the term now almost universally used to describe music written between 1600 and 1750? And what has 'diving' got to do with anything? The answers are in this two
Night and Darkness
It could be argued that Night and Darkness are sort of the same. The Night is Dark. That's kind of the point. But there are brightly moonlit nights and there are very dark nights; in more ways than one, and then there is darkness that is as black as night. So it's "Night and Darkness"… including symphonic night music from Gustav Mahler, a song of a rose on a summer night from Hector Berlioz, a nig
Frederic Chopin
I have been asking myself why it has taken close to a hundred episodes before I got around to one devoted to Chopin. When I was chatting with Claude about doing the episode he described my neglect of the composer as, and I quote, 'an alarming gap… genuinely startling given Chopin's centrality to the repertoire and his obvious appeal to audiences'. So, if even my AI buddy is scratching his virtual
Germans In Italy
Let's be fair, this is a deeply flawed title. Why? Well the idea is to play music written by German composers when they were living in or visiting Italy. But in the 18th century… which is when most of the music comes from… Germany and Italy as we know them today did not exist. And to make things worse… the whole episode is really an excuse to play some music by a man now well and truly owned by m
Chamber Music Three + A Festival Conversation
In two earlier episodes I have referred to Chamber Music as 'Music For Small Spaces'. But if you search more broadly for that term you will come up with very little. If you want music for small groups of instruments often performed in intimate spaces then, in English at least, you are going to be looking for 'chamber music'. And in this episode there will be chamber music from Maurice Ravel, Dougl
Felix Mendelssohn
In the latest episode of the 'Classical For Everyone' podcast… Scottish caves and rescuing Bach, becalmed boats and banking intrigue, Shakespearean fairies and a garment sellers' orchestra, a prophet in the wilderness… and a stolen statue. And… if that wasn't enough… eleven pieces of music from Felix Mendelssohn... perhaps the most gifted and quietly underrated composer of the nineteenth century.
Music For The Very, Very Young
A good friend asked if I could do an episode of music for her very young daughter. So, welcome to a bit of a Classical For Everyone podcast experiment. On the plus side for the intended audience… There's not a lot of talking. And the show is well under an hour. This might be balanced by the host's attempt to channel the children's books of his (distant) youth. Like I said, it's an experiment. But
Sunday Night Special … Camille Saint-Saëns' Symphony No. 3 (Organ Symphony)
The name comes from the night of the week when for some of us, the frustrations of insomnia hit the hardest… and because my preferred antidote is getting lost in some music. Of course this series is for everyone… but it is perhaps intended a little more for those of you whose sleep has been troubled. The idea of the special is to play just one piece, uninterrupted and in its entirety… with a few m
Neglected Beethoven
Is Ludwig van Beethoven neglected? No, not at all. But with the well-deserved emphasis on his symphonies, a couple of piano concertos and a handful of piano sonatas and string quartets; there is another roughly eighty hours of music to explore. And in the same way that maybe Picasso, Rembrandt, Shakespeare and Dickens created very little that is not of extraordinary quality… there is a bunch of in
Not Dead Yet - Two
When a podcast is about five hundred years of music, there is going to be a reasonable amount of music from people who are no longer with us. Now if you combine that with the baggage of the term 'classical' then you can kind of forget that there is a lot of music being written, performed, recorded and released right now. Music by composers who are still very much amongst the living. And you are go
Winter
Winter... Now if you are in the northern hemisphere maybe think of this as a form of aural air conditioning. But if, like me, you are near the bottom of the planet then the music will be bringing up sensations you are all too familiar with. I hope that wherever you are listening to this you are not shivering too much or sweating too much and that for the next hour and a quarter some wintery music
Music For Pets
There may have been wine involved when the decision to put together a show of music for pets was first discussed. But when I was presented with art for the episode featuring a the surprisingly gifted cavoodle, Bob; it was too late to go back. So, music for pets it is. But I don't imagine you lining up your Spots, Tiggers, Fidos, Nuggets and Bobs for them to listen appreciatively to your audio devi
The Other Russians
Who are 'the other Russians'? Well, I've played a fair bit of music by Russian and Soviet era composers in the show. Tchaikovsky got two whole episodes and there has been relatively frequent appearances by Rachmaninoff, Rimsky-Korsakov, Prokofiev, Stravinsky and Shostakovich. But there are a quite a number of other composers more than worthy of a good listen who I have largely ignored… 'the other
Sunday Night Special … Ralph Vaughan Williams' Symphony No. 6
The name comes from the night of the week when for some of us, the frustrations of insomnia hit the hardest… and because my preferred antidote is getting lost in some music. Of course this series is for everyone… but it is perhaps intended a little more for those of you whose sleep has been troubled. The idea of the special is to play just one piece, uninterrupted and in its entirety… with a few m
Franz Schubert 1
He was taught by Antonio Salieri and his music was admired by Ludwig van Beethoven… but he enjoyed very little success in his short lifetime. It would take decades after his death for his music to make its way onto concert stages… and for him to become one of the best loved composers who ever lived. If you are new to his music I hope that over the next hour and a bit I'll give you a sense of why t
Pieter Wispelwey - Cellist
This episode features a living musician, still very much in his prime… the Dutch cellist, Pieter Wispelwey. So, what prompted me to choose him? Well, a few things. I've been a fan for a long while and have been lucky enough to hear him play a number of times over the last three decades. And about 18 months ago the record company Channel Classics released a big box of CDs of recordings he made for
Seville… Love and Dreams
Music from and about Seville, the city of Carmen's tobacco factory and Figaro's barber shop; the city of flamenco and fiestas; the city where more operas are set than any other; and the city where almost eight centuries of Spanish dominance does not seem to have been able to erase the sense of the proximity of North Africa and the cultural heritage of the Moorish world. Music by Isaac Albeniz, Joa
Muses... Worth Repeating*
Much music has been inspired by love, passion or obsession… but only in a handful of cases has the person who was the inspiration… the muse… become publicly linked to a work. Here are the stories of six of them… Alma Schindler, Josephine Brunsvik, Kamila Stösslová, Peter Pears, Clara Wieck and Mathilde Wesendonck. And the music they inspired… by Gustav Mahler, Ludwig van Beethoven, Leos Janacek,
The Sea… Worth Repeating*
Composers have drawn inspiration from the sea for centuries but only with the rise of the larger orchestras of the 1800s did they get the palate needed to create fully persuasive depictions of it. So, apart from one piece for solo piano, major orchestral works are what you will hear in this episode... 'The Sea and Sinbad's Ship' from Nicolai Rimsky-Korsakov's 'Sheherazade', an unfairly short inter
Maurice Ravel... Worth Repeating*
Maurice Ravel (1875 – 1937) is arguably the most beloved composer France has given the world… able to take classical and pre-classical forms, absorb the harmonic colours of Impressionism, draw on the dance traditions of his Basque mother's heritage, and infuse his later work with the energy of early jazz. All of it synthesised into a language that is quite distinctly his own. In this episode… a s
Recent Discoveries Two
Recent Discoveries Two This episode is the second one called 'recent discoveries'. And that should only be taken in the very personal sense of 'recent discoveries' for me. Some of it is indeed recent but in addition to music written in the last few years, there are a couple of pieces that date back to the early and mid-20th century so they were well and truly discovered before I encountered them.
Before Dawn
Music for the hour before dawn. Which is in no way intended to be too prescriptive… the episode can be listened to any time… but I hope it is music that has a calmness and perhaps a contemplative tone that suits the hour when there is a glow in the sky, things are at their most quiet… and you have the world to yourself. The music is by Felix Mendelssohn, Wolfgang Amadeus Mozart, Luys Milan, Josef
The Oboe
Time for some music from one of the oldest instruments in the orchestra. True to the Old French word its English name came from… 'hautbois' with 'haut' meaning both high and loud and 'bois' meaning wood… the oboe found its place as the earliest woodwind instrument through its high range and penetrating volume. And whilst it can be piercing when required, it can also be playful, can manage a soarin
An Exaltation of Bachs
Music written by people related to the composer Johann Sebastian Bach. That may seem an odd way put a show together. If you were to make a playlist of the greatest hits of people related to Taylor Swift, it would be a very short list. But if you ever wanted to get into a complicated debate about nature versus nurture, the Bach clan of what is now northern Germany would be an interesting place to s
Conductors 1 – Antal Dorati
Why a conductor? The outcomes of the complicated relationships conductors have with orchestras and ensembles, with record companies and the public; and with composers living and dead, are in themselves interesting… but for the purposes of this show it is the recorded legacy that matters and Antal Dorati's ranks amongst the finest of his generation. Dorati (1906 - 1988) was a Hungarian Jew who was
Sunday Night Special … Johannes Brahms' Symphony No. 4
The name comes from the night of the week when for some of us, the frustrations of insomnia hit the hardest… and because my preferred antidote is getting lost in some music. Of course this series is for everyone… but it is perhaps intended a little more for those of you whose sleep has been troubled. The idea of the special is to play just one piece, uninterrupted and in its entirety… with a few m
Solace… Music To Hold You
I was listening to the conductor Joshua Weilerstein's podcast 'Sticky Notes' the other day. It was an episode on Ludwig van Beethoven's 8th string quartet. He was playing the second section and he described the music as having a sense of 'consolation'… and there was something about that which really struck me. So I started looking into music connected to the idea of consolation but the more I delv
Music for Shakespeare… Dreams, Lovers and Ghosts
The relationship between classical music and William Shakespeare's writing is one of the longest and most productive partnerships in the history of either art form. Composers have been drawn to Shakespeare's plays for four centuries and there is a vast amount of music to choose from. For this episode I have nine pieces, but only from four plays which suggests that some of the plays are perhaps mor
Joseph Haydn: The Early Years.
Haydn's music is in no way neglected or forgotten but I wonder if, because he lived a long life, during which he achieved significant success and seemed free of personality disorders, he is a little taken for granted. The creative artist dying at the height of his or her powers, or never recognised in their lifetime, or plagued by psychosis all seem to have an extra attraction for us. And Haydn wa
More Brilliant Women.
I did an episode of music by women composers back in November based around a CD Box release by the record label 'Brilliant Classics' and called it 'Brilliant Women'. No prizes for imagination but it was clear and accurate. So, I am going to keep things simple and call this show 'More Brilliant Women'. I could also call it 'music I am genuinely extremely excited to play for you that just happens to
Mozart… Farewell Salzburg, Hello Vienna
Here is the third Classical For Everyone podcast featuring the music of Wolfgang Amadeus Mozart. I've done an episode on the music Mozart wrote in the last year of his life, 1791, back in June and one focused on 1786 last October. This one is still going to use the 'year in the musical life' theme but it will be a little looser… covering the year or so on each side of the pivotal moment in Mozart'
Sunday Night Special 7… Henryk Górecki's Symphony No. 3 – 'Symphony of Sorrowful Songs'
The name comes from the night of the week when for some of us, the frustrations of insomnia hit the hardest… and because my preferred antidote is getting lost in some music. Of course this series is for everyone… but it is perhaps intended a little more for those of you whose sleep has been troubled. The idea of the special is to play just one piece, uninterrupted and in its entirety… with a few m
The Ballets Russes… Firebirds, Fauns and Fighting
Much of the 20th century orchestral music that today dominates concert halls and recording studios started as music for ballets. And the best of it started with the Ballets Russes company; which was largely the creation of one man… the Russian impresario Sergei Diaghilev. It is hard to think of another instance where one man, who was not a composer, has had such an outsize influence on what has co
Beethoven's 9th Symphony
It's Classical For Everyone's 1st Birthday, so here's a personal favourite. This was the first time a choir and soloists had been added to a 'symphony'. Choral and orchestral music had been combined before but at the time there were quite rigid expectations of what a 'symphony' should be. That said there was a fascination amongst some parts of the Viennese audience with the way Ludwig van Beethove
Very Old (Incredible) Music
If from time to time you happen to listen to a podcast with the subtitle 'Five Hundred Years Of incredible Music' then it would be a reasonable expectation to hear some five hundred year old music. I've played a few pieces from the 1500s and 1600s but as you might expect the focus of the show has been sort of the music of Johann Sebastian Bach and Antonio Vivaldi onwards… call it from the early 17
The Music of Philip Glass
On the day this episode is released, the American composer Philip Glass celebrates his 89th birthday. In a career now lasting well over five decades he has somehow achieved two extraordinarily rare things for a contemporary composer of classical music... a prolific amount of creative output and a degree of broad popularity. For the next hour and a quarter please enjoy a quick survey of five decade
Recent Discoveries
Only be taken in the very personal sense of… recent discoveries by me. Not that I actually discovered anything. In my ongoing mission to keep the production of CDs alive, I came across music I didn't know and thought that you, my fine listeners, might enjoy. Incidentally, I was chatting with my friend Claude about the episode and his comment was that my title sounded much more dignified than "Musi
Stormy Weather
Representing the weather with music is probably an ancient practice. In our earliest superstitions the percussive blasts of thunder would probably have been mimicked to either flatter or placate the spirit world. And perhaps whoever was organising the noisy tributes to the sky gods got something of the same thrill as composers might when they decide to use the weather for inspiration. In the next
Sunday Night Special 6… Cesar Franck's Symphony in D minor
The name comes from the night of the week when for some of us, the demon of insomnia hits the hardest… and because my preferred antidote is getting lost in some music. Of course this series is for everyone… but it is perhaps intended a little more for those of you whose sleep has been troubled. The idea of the special is to play just one piece, uninterrupted and in its entirety… with a few minutes
Antonio Salieri – An Injustice Redressed
Antonio Salieri was born near Verona in 1750 but lived most of his life in Vienna. And in the 1780s he was possibly the most successful composer in Europe… writing the music for over forty operas. Later in life he taught Schubert and Liszt. He worked with Beaumarchais and da Ponte, and Goethe was a fan. But if today the name Salieri is even vaguely familiar… it is not because of his music… it is b
Sunrise (Music for The New Year)
Classical Music for New Years Eve seems to be dominated by nineteenth century Viennese waltzes and eighteenth century music for fireworks. All nice stuff but I wasn't after something for New Years Eve. I wanted music for New Years Day. And that led to thoughts about renewals, beginnings, clean slates, optimism and second chances. And mysteriously that line of thought led to the idea of dawn and su
Music For Young People (and their grown-ups)
Sorcerers, Toys, Wolves, Volcanoes and Fossils. Music for young people… but why them… and why now? In some parts of the world people are having a bit of a holiday as this episode goes out… and you may have your children… or nephews, nieces or grandchildren lying around your home or stuck with you in your car. This is music for them. It can be enjoyed by anyone… but this is a collection of music th
Holiday Music (You Can Actually Listen To)
In this episode there will be an amount of Christmas music from the western tradition… which I think you might have to expect from a podcast with the word 'classical' in the title but this is not really a celebration of mangers, shepherds, wise men or difficult to explain conceptions… though I have to confess, some shepherds snuck their way in. A certain amount of the music is just there for the
Lullabies and Reveries
Music from Wolfgang Amadeus Mozart, Maurice Ravel, Morten Lauridsen, Ralph Vaughan-Williams, Philip Glass and Benjamin Britten… chosen pretty deliberately for its calming qualities. I'm guessing that quite a few of you are balancing the joys and challenges of the holiday season. So if you just want to put your feet up… or you've come to the end of a day with too much red and green in your world an
Forgotten Vivaldi… and the Rescue of his Music
The title of this episode is perhaps a little misleading and it certainly contains a contradiction… namely, if I have a recording, and I can play it to you, then really, is 'forgotten' the right adjective? But it is, I hope you'll agree, a little catchier than… 'music from Antonio Vivaldi that might get a bit more prominence if his set of solo violin concertos called 'The Four Seasons' wasn't so e
Sunday Night Special 5… 'Low' Symphony by Philip Glass
The name comes from the night of the week when for some of us, the demon of insomnia hits the hardest… and because my preferred antidote is getting lost in some music. Of course this series is for everyone… but it is perhaps intended a little more for those of you whose sleep has been troubled. The idea of the special is to play just one piece, uninterrupted and in its entirety… with a few minutes
Young Brahms… before the Symphonies.
From playing piano in the waterfront bars of Hamburg in his teens, through the failed premiere of his first Piano Concerto, his fortuitous friendship with Clara & Robert Schumann, reviving the String Sextet… to writing a Requiem more about the living than the dead; Johannes Brahms created incredible music well before he became a grand old man of the nineteenth century symphony. Performances by Ser
Brilliant Women… No. 1
In recent years music written by women has at long last begun to be commissioned, programmed, performed, recorded, discussed, reviewed, studied, and celebrated. And of course, most importantly, composed… in greater and greater quantities. Last time I checked women account for half the planet's human population and if this podcast is called 'Classical For Everyone' then perhaps the music should be
The Clarinet... Masters and Masterworks.
An episode back in late May 2025 featured music written for the clarinet from the 20th century. This is a companion show goes back to close to the invention of the clarinet with a work from 1755 and then finishes up with a gem from 1894. Music from Johann Stamitz, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Carl Maria von Weber and Johannes Brahms. My AI friend Claude came up with the title of
Handel… A very German Italian Englishman. Part Two.
At the end of the last episode Georg Friedrich Handel had just composed the anthem 'Zadok The Priest' for the coronation of King George II of Great Britain. The year was 1727 and it was the same year that Handel; who had grown up and begun his career in what is now Germany, and who had spent an intensely formative four years in the city states of the Italian peninsula, was granted British citizens
Handel… A very German Italian Englishman. Part One.
I hope you're in the mood for some truly beautiful music… much of it involving singing. I don't know if I can convert anyone to the delights of early 18th century opera but the songs I'm going to play you in this episode are I think some of the most exquisite ever written. Handel was born in 1685 in Halle near Leipzig in what is now north-eastern Germany and died in London in 1759. By the time he
A Different Halloween.
Probably adopted from early pagan traditions, 'All Hallows Eve', which became Halloween; was, and perhaps in some places still is, a night of rituals to call on the spirits of saints and martyrs for our protection in the year ahead; and prayers for the souls of loved ones who might not yet be fully at rest. So when I call this episode 'a different Halloween' all I really mean is that some of the m
Sunday Night Special 4… Aaron Copland's Third Symphony
The name comes from the night of the week when for some of us, the demon of insomnia hits the hardest… and because my preferred antidote is getting lost in some music. Of course this series is for everyone… but it is perhaps intended a little more for those of you whose sleep has been troubled. The idea of the special is to play just one piece, uninterrupted and in its entirety… with a few minutes
Music for Small Spaces… Number Two
This corner of classical music is more generally known by the odd term 'chamber music' but please don't let that stop you from experiencing some incredible music. This is music originally intended for smaller performance spaces… sometimes even just a dining room… written for a small number of instruments and by virtue of that the connection between players and audience can be more intimate and mor
Music from the Upper West Side
I am looking out at the New York skyline as I record this episode and in the distance in particular I can glimpse the Ansonia Building. Completed in 1904 as an apartment hotel, it was for the early decades of the 20th century popular with visiting European composer/performers who would supplement their income with concert tours of the USA. In particular Sergei Rachmaninoff and Igor Stravinsky both
Mozart's 1786… Music from a year of Success
On January 27th 1786 Wolfgang Amadeus Mozart turned 30. He had already written an astonishing amount of music of an incredible standard. He had been happily married to Constanze Weber for three years and their son Karl Thomas was fifteen months old. After moving to Vienna from Salzburg in 1781; Mozart had by 1786 reached perhaps the most economically secure position he would ever have. Essentially
Benjamin Britten… An Introduction to a 20th Century Great.
Benjamin Britten is today perhaps best known for his operas which included 'Peter Grimes', 'The Turn of The Screw', 'Billy Budd' and 'Death In Venice'. But I am actually going to feature more of his orchestral work in this episode. There'll be a bit of singing today but I'm going to save up his operas for another time. You'll hear some of his Violin Concerto, Simple Symphony, Ceremony of Carols, S
Sunday Night Special 3… John Luther Adams' 'Become Ocean'
The name comes from the night of the week when for some of us, the demon of insomnia hits the hardest… and because my preferred antidote is getting lost in some music. Of course this series is for everyone… but it is perhaps intended a little more for those of you whose sleep has been troubled. The idea of the special is to play just one piece, uninterrupted and in its entirety… with a few minutes
Highlights and Favourites.. Music That Stayed With Me
Wondering if I could produce an episode without my AI pal Claude and I going down too many rabbit holes… I thought I'd see what I could come up with if I revisited past episodes and cherry-picked some favourite pieces. To be honest I was not that optimistic but I have to say I was pleasantly surprised. I hope you will be too. It has ended up being quite an eccentric and eclectic collection. But it
Glenn Gould - Part 2 – The 1981 'Goldberg Variations' Recording
Johann Sebastian Bach's' The Goldberg Variations' was the only work that Glenn Gould recorded twice. Now, he died only about a year after this recording so it's not possible to say that he would not have re-recorded other works… but there is something a little haunting that the work that took him from quirky prodigy to global star in 1955 was the one he returned to in the final year of his life. I
Glenn Gould - Part 1 – An introduction and an overview.
This is the first episode of 'Classical For Everyone' devoted to just one musician so I better have some good reasons… apart from just a personal affection for his recordings. In the English speaking world, the Canadian Glenn Gould was amongst the most recognised and popular pianists in the second half of the 20th Century. In fact, even today, over forty years after his death at the age of 50 in 1
Astronomy… and a little bit of astrology
Music that takes its inspiration from humanity's gaze out into the cosmos and from our attempts to reach beyond this fragile planet we call home. And to access some music that predated the quite modern science of 'astronomy' I've thrown in some works that may owe rather more to 'astrology' or perhaps even to the realm of 'mythology'. As a result this is I think the most eclectic collection of musi
Vienna… 22/12/1808
I am being a little deliberately opaque with the title of this episode. There is a certain logic to letting people know what they are going to get. But not today. Because I am hoping that for a good selection of listeners out there the date of 22nd December 1808 is pretty much meaningless. And that what follows will be a bit of a surprise. What happened? Well I guess a lot happened but for our pur
South America… Chôros, Tangos and a little bit of Opera.
'Unfairly neglected' is a bit of a cliché and pretty subjective but I do think it could describe a mass of great music that a lot of us (us Anglos at least) are missing out on… music from South America. Before I put this episode together I only knew about half the pieces I am going to play. The rest are as new for me as I suspect they might be for you. Which is, I hope, more of a positive than a n
Sunday Night Special 2… Bruckner's 7th Symphony
The name comes from the night of the week when for some of us, the demon of insomnia hits the hardest… and because my preferred antidote is getting lost in some music. Of course this series is for everyone… but it is perhaps intended a little more for those of you whose sleep has been troubled. The idea of the special is to play just one piece, uninterrupted and in its entirety… with a few minutes
Opera. An Introduction
I get it that for some people opera is just noise that they are not ever going to enjoy but if there are listeners out there with a bit of curiousity and an inquiring mind… and that is how I would describe anyone listening to this podcast… then I urge you to have a listen to this episode. Why? Well because if you enjoy any music with singing… then you can enjoy opera. And the selection I have made
Tchaikovsky. Deep Emotion Of A Russian Soul – Part Two
The second of a two episode special. His music uniquely blended Western European compositional techniques with distinctly Russian melodic and harmonic elements, creating a style that was both internationally appealing and unmistakably Russian. Remarkably successful in his own lifetime and responsible for so much music that remains popular to this day he is still perhaps not quite given his due. In
Tchaikovsky. Deep Emotion Of A Russian Soul – Part One
The first of a two episode special. His music uniquely blended Western European compositional techniques with distinctly Russian melodic and harmonic elements, creating a style that was both internationally appealing and unmistakably Russian. Remarkably successful in his own lifetime and responsible for so much music that remains popular to this day he is still perhaps not quite given his due. In
New York... Sounds of a City
Why New York? Well, mainly because I love the city… and I'm here. I'm recording this episode in a hotel room on West 56th Street in Manhattan around the corner from Carnegie Hall and up the road from The Museum of Modern Art… which is incidentally a very popular place to make TikTok videos. I think there might still be some paintings there… but it was hard to tell today. More importantly… the musi
The Violin... miracle of woodwork… and then there's the music.
I'm going to start with a question. If one thinks of musical instruments as tools… as things humans create to perform tasks… other than the violin, is there any other tool you can think of used in an area of incredibly complex human endeavour where the design and construction of it reached its zenith over three hundred years ago and has not been improved upon since? Whilst you ponder that, enjoy m
Sunday Night Special 1… Mahler's 1st Symphony
The name comes from the night of the week when for some of us, the demon of insomnia hits the hardest… and because my preferred antidote is getting lost in some music. Of course this series is for everyone… but it is perhaps intended a little more for those of you whom distractions and apprehensions… racing imaginations and freewheeling thoughts hold suspended at the edge of sleep. The idea of the
Music For Airports… Immersive, Architectural & Contemplative.
Brian Eno's 1979 LP 'Music For Airports' launched the genre of 'Ambient Music'… an alternative to the dreadful 'muzak' inflicted on humans in most public spaces… music that reduced stress rather than added to it… music for contemplation that rewarded attention but did not require it. This episode takes that idea and rummages around classical music to see if there are works that might do the same…
Secrets and Codes… Music with Hidden Meanings.
Instances where composers have hidden something in their works… sometimes for the sheer ingeniousness of being able to do it… sometimes to send a secret message to someone… sometime to create a puzzle for generations to come… sometimes to create a tortured ambiguity of meaning. The music is from a pretty eclectic mix… Johann Sebastain Bach, Wolfgang Amadeus Mozart, Robert Schumann, Johannes Brahms
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Homemaking with Jesus | Weekly Devotionals, Biblical Application, Simple Living, Home Management, Healthy Relationships
