Writing Excuses
Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler discuss writing techniques in a fast-paced format. A weekly podcast about the craft and business of writing.
Episodes
21.41: Barrier Breaking- Physical Fatigue
What do you do when "take a break" isn't the answer? We’ve all ahd that feeling, "I’m just too tired to concentrate." This can be because you're worn out from work, or due to chronic fatigue or pain. This week, our hosts talk about working with the brain and body you actually have instead of expecting every writing day to look the same. We explore queuing up tasks for our t
21.40: The DREAM of a Structured Character Arc
What if a character arc had a structure you could actually map? This week, our hosts break down the DREAM arc: denial, resistance, exploration, acceptance, and manifestation. We look at how characters move through these stages—and why stopping at acceptance can make an arc feel incomplete. From Casablanca and Avatar: The Last Airbender to Parasite and Kylo Ren, we explore how the structure can cre
21.39: Write What You Feel
Your life is probably weirder—and more useful to your writing—than you think. This week, our hosts explore how to turn lived experience into fiction, from borrowing sensory details and emotional reactions to reshaping real people and events. We dive into the feelings wheel, specificity, and the layers of belief, feeling, thought, and action that can make characters feel human. Plus, how journaling
21.38: Rules, Tools, and History’s Fools
Today, we’re celebrating Erin’s birthday by talking about a topic of her choice. Which means we’re flipping “tools, not rules” its head. Our hosts revisit the Turkey City Lexicon, a snarky collection of writing “rules” that circulated widely among speculative fiction writers in 1988, and ask what still holds up—and what happens when useful terminology turns into rigid prescription. From “show, don
21.37: Barrier Breaking: The World Is on Fire
How do you keep writing when the world is on fire? This week, our hosts talk about protecting our narrative energy when the news, social media, or our own lives feel overwhelming. We explore boundaries, boredom, intentional information consumption, and why sometimes the most useful thing a writer can do is log off. We also look at how writing can become a place to process what’s happening around u
21.36: Twists: How to Make the Unexpected Feel Inevitable
A great twist shouldn’t just surprise us—it should make us rethink everything that came before. This week, our hosts explore reader expectations, misdirection, and hiding clues in plain sight. We look at twists from The Sixth Sense, The Matrix, Ocean’s Eleven, and O. Henry, and ask why some twists make a story even better on a reread. Homework:If your work in progress has a twist, write out all th
21.35: The Four Acts of Kishōtenketsu
This week, our hosts explore kishōtenketsu, an Asian story structure that appears under different names in China, Korea, Japan, and Vietnam. Unlike the Western three-act structure, it isn’t built around conflict. Instead, it moves through four stages: introduction, development, twist, and conclusion. We dig into how stories like Parasite and The Tatami Galaxy create tension through discovery, cont
21.34: Knowing the Distance
How close is your reader to the story? Should they be closer? Today, our hosts get nerdy about narrative distance: the space between reader, narrator, character, and world. We talk POV, sensory detail, and familiarity—and how each can zoom a reader in or pull them back. From The Lord of the Rings to Severance, we look at what changes when we experience one person’s pain up close versus an entire b
21.33: When To Shift Gears
A story doesn’t always need the same tools from beginning to end. In this episode, we talk about recognizing when it’s time to shift gears—and how to make those changes feel intentional rather than abrupt. Our hosts look at transitions between action, dialogue, and tone, while exploring ways to signal those shifts to the reader. We also discuss how to use your own writing environment to help you c
21.32: Barrier Breaking- Time Constraints
There never seems to be enough time to write—but is time really the problem? Our hosts explore the reality of working within limited hours, changing life circumstances, and competing priorities. We share practical strategies like time blocking, micro writing sessions, and the Pomodoro Technique that do and don’t work for us. We hope this conversation helps you build systems that support your writi
21.31: Deconstructing Save the Cat
Save the Cat! The Last Book on Screenwriting You'll Ever Need by Blake Snyder was published in 2005 and is widely popular because it offers a reliable, repeatable storytelling framework. Today we are joined by guest Margaret Dunlap as we attempt to answer: why Save the Cat is such an influential story structure and why so many writers have strong opinions about it. Our hosts break down Blake S
21.30: Chapter Breaks Soon
A lot of times people want to know what the "ideal length" is for a chapter. But chapters can range from one sentence, to a single scene, all the way up to Terry Pratchett who doesn't use chapters at all. Our hosts explore chapters as a pacing tool rather than a fixed unit of length, discussing how chapter breaks shape reader momentum, create natural pauses, and influence the experienc
21.29: How to Make a Scene
What makes a scene feel like a scene? This week, we unpack one of storytelling's most basic building blocks. Our hosts explore where scenes begin and end, how they differ from beats, and why framing and narrative purpose matter more than rigid definitions. We also explore practical prompts for troubleshooting scenes that aren't working and discuss how structure and instinct can work togeth
21.28: Narrative Transitions
How do you move readers from one scene to the next without losing momentum? Our hosts dig into different types of transitions—from scene breaks and interruptions to brief “through scenes” that bridge time and space. Along the way, we compare prose techniques to music, film editing, and game design, exploring how transitions can carry emotion, maintain tension, and signal intention. We also discuss
21.27: The Expository Throttle
How can exposition be used as a pacing tool, and not just a way to convey information? We attempt to answer this question on today’s episode! Our hosts discuss how exposition naturally slows a story down, creating space for readers to process events, build tension, and deepen their understanding of the world. We give specific examples for successful exposition (i.e. that won’t bore your reader). W
21.26: Setting the Pace
Our hosts explore the many tools writers can use to control pacing. We discuss how cadence, transitions, tone, sentence structure, and white space can all speed up or slow down a reader’s experience. And remember, fast is not inherently better than slow! This conversation highlights the importance of contrast—pairing fast and slow moments, tension and calm, or different emotional states—to make pa
21.25: Follow the Bouncing Ball
In this episode, our hosts explore how writers control their readers’ attention with the metaphor of a bouncing ball. We break down techniques for guiding focus on the page, including POV choice, selective description, rhythm, and where details appear within sentences and paragraphs. The discussion highlights how structure often matters more than individual word choice, with emphasis on primacy/re
21.24: Deconstructing the Seven Point Plot Structure
Dan Wells joins our conversation as we break down the seven-point plot structure! Using examples from Star Wars, Toy Story, and other films, we discuss how each point creates conflict, drives character growth, and moves a story forward. We explore the difference between plot points that move characters toward their goals and pinch points that place obstacles in their way. We also examine how the m
21.23: Barrier Breaking: Interruptions
In this episode, our hosts explore one of the most persistent barriers to writing: interruptions. From family members and pets to emails, meetings, fatigue, and neurodivergence, they discuss how disruptions can derail creative focus—and how writers can build systems to work with them instead of against them. The conversation touches on hyperfocus, ADHD, task-switching, and the emotional cost of be
21.22: The Order of the Telling
*Time-Sensitive*Our final WXR cruise is almost sold out, grab your spot before June 4th, 2026 here!This week, we are talking about the order in which we present information to the reader as contrasted with the order in which events actually progressed in the universe of this story and why those things might be completely different. We are joined by Margaret Dunlap as we explore nonlinear timeline
21.21: Rhythm and Words
*Time-Sensitive*Our final WXR cruise is almost sold out, grab your spot before June 4th, 2026 here!Today, we’re continuing the conversation on sequencing by focusing on rhythm—how the musicality of language shapes pacing, emphasis, and emotional impact. Our hosts explore how sentence length, stress patterns, sound, negative space, repetition, and even page layout influence the way readers move thr
21.20: Sequencing from Mega to Micro
Today, we explore why writers place information in the order they do. From broad-to-narrow framing and cause-and-effect to repetition, rhythm, and surprise, we discuss how sequencing shapes the pacing, emotion, and clarity of your story. We discuss everything from “windowpane prose” and garden path sentences to recency-primacy effects and the ways readers naturally recognize patterns. Along the wa
21.19: Getting Everything Connected
Today, our hosts discuss how to make every part of your story feel connected through causal chains, thematic resonance, and reader pattern recognition. We take the idea that each action in a story should lead naturally to the next and pair it with how readers instinctively search for meaning and connection (even in randomness). Along the way, our hosts discuss concepts like Edgar Allan Poe’s “unit
21.18: Deconstructing the Three Act Structure
Today, we are joined by Margaret Dunlap as we dive into the three-act structure. This traditional framework—setup, confrontation, and resolution—is a tool to use rather than a formula to follow. We break down each act, exploring the defining questions, try/fail cycles, and emotional shifts that shape a story. We also highlight the importance of identifying your central dramatic question while exam
21.17: The Up and Down Escalators
Today we zoom out from moment-to-moment tension and look at how escalation and de-escalation shape a story at the structural level—how raising stakes, lowering pressure, and shifting focus can control pacing, reader emotion, and narrative momentum. Our hosts explore what happens when stakes escalate too quickly (and lose meaning), and how de-escalation can be used intentionally through humor, dist
21.16: Tension and Release as Call and Response
Today, we’re talking about tension and release as a kind of call and response, and how that dynamic can guide your reader through a story. It explores how different types of tension—conflict, unanswered questions, anticipation, and microtension—can be balanced with moments of release to shape pacing and keep readers engaged. The conversation also looks at how resolving one kind of tension while su
21.15: Using Contrast for Maximum Effect
Today, we’re talking about how to use contrast to make key moments in your story hit harder, especially in the middle. We explore how pairing light and dark beats, shifting expectations, or placing opposing elements side by side can deepen the emotional impact and keep your readers engaged. Our conversation also looks at different kinds of contrast—from big structural turns to subtle tonal juxtapo
21.14: Because at First, They Don’t Succeed
Today, we’re talking about the “try-fail cycle” and why failure is essential to making the middle of your story actually interesting. It allows readers to follow characters as they try something, fail, adjust, and try again until they finally succeed. Our conversation gets into how failure builds tension and empathy and how you can use “yes, but / no, and” to control your story’s momentum. We also
21.13: Does The Middle Have To Be Soggy?
Today, we’re taking on the idea of the “soggy middle” and why stories start to lose momentum—often because characters lack clear action, obstacles feel thin, or scenes repeat without meaningful change. We break down how stalled plots, predictable outcomes, and disconnected side quests can make the middle drag, and offer tools to fix it: focusing on what characters are actually doing, using “same b
21.12: Breaking Down Barriers- Environment
When writing feels harder than it should, the problem might not be the story— it might be the room. In this episode, our hosts explore how environment shapes process, from desks and chairs to light, sound, and visual clutter. We talk about running through your senses to troubleshoot what’s actually pulling your focus, and how small adjustments (a different chair, a cleaner desk, a bowl for your ph
21.11: The Cold Open- Action
Sometimes the fastest way to hook a reader is to start with something exploding. In this episode, our hosts dig into the promise — and the pitfalls — of opening with action, and why survival alone is rarely enough to make us care. We explore how voice, worldbuilding, and character stakes must all be doing work beneath the punches and gunfire, especially in prose where readers can’t “see” the cool
21.10: The Cold Open- Voice
A cold open can hook a reader with nothing more than voice. In this episode, our hosts explore what makes a voice-driven opening work — cadence, rhythm, authority, and a clear reason to care. We break down how aesthetic voice differs from mechanical POV, how to avoid purple prose, and why strong openings often act as both filter and lens for the right reader. From epic poetry to pop songs, from au
21.09: Grounding The Reader
Grounding a reader starts in the very first lines of a story. Where are we? Who are we with? What kind of story are we in? Our hosts explore how emotion, context, and sensory detail work together to create immersion, and why action alone isn’t enough without an emotional lens. From relatable sensory cues to carefully chosen specifics, they break down how small details can anchor even the biggest e
21.08: Setting Expectations
In this episode, we explore what it really means to set reader expectations at the beginning of a story. We talk about how openings communicate the shape of what’s to come — from genre and tone to the kind of emotional ride we’re inviting our readers onto. We dig into practical tools for building reader trust early: making (and fulfilling) small promises, letting readers feel clever, answering que
21.07: Deep Dive- “With Her Serpent Locks”
To celebrate Mary Robinette’s birthday today (!!), she is taking us inside the craft (and emotional engine) of her short story “With Her Serpent Locks,” using it as a case study in beginnings, control, and creative “leveling up.” Our hosts dig into grounding the reader through myth, pattern, and delayed information, and how a familiar framework can make readers feel both clever and cared for. The
21.06: Begin and the Beginning
In this episode, our hosts dive into what makes a strong beginning and why it matters so much to readers. They talk about openings as an act of hospitality, exploring how tone, control, and carefully chosen details help readers feel grounded and cared for from the first page. Using the metaphor of hosting a party, they unpack common mistakes like starting too early, overwhelming readers with detai
21.05: The Same But Different
Today, our hosts dig into how stories can feel fresh without losing what readers love. They explore the idea of “same but different” across genres, sequels, and series—looking at how small shifts in structure, context, tone, or theme can create meaningful novelty. Drawing on examples from novels, film, television, and games, we unpack how patterns, expectations, and core questions shape reader exp
21.04: Deconstructing the Hero's Journey
Our hosts take on the Hero’s Journey—where it came from, why it endures, and why it can make writers uneasy. They break it down as a tool (and not a rule), exploring how pattern recognition works in storytelling without turning structure into a formula. Along the way, they discuss reluctant heroes, mentors, departures, and returns, using familiar examples from fantasy, film, and beyond. The conver
21.03: Deconstructing Plots
Plot isn’t a set of commandments—it’s a collection of patterns we’ve learned to recognize. This episode kicks off the season’s deep dive into deconstructing plots, asking what different story structures are really doing beneath the surface and why they work (or don’t). Our hosts unpack plot as a toolbox rather than a formula, exploring action plots vs. emotion plots, Western vs. non-Western struct
21.02: My Process is Not Your Process
This week, we turn our attention to one of the most stubborn traps writers fall into: assuming someone else’s process should work for you. Building on last episode’s conversation about intentions, the hosts shift the focus from what you should do to how you can figure out what actually works, starting with observation, pattern-spotting, and a little self-compassion.The discussion moves through pra
21.01: Welcome to the New Year!
Season 21 kicks off with a new theme, a fresh tagline, and a renewed focus on what Writing Excuses has always been about: tools, not rules. The hosts unpack why prescriptive writing advice so often falls short, and how understanding why tools gives you the freedom to adapt—or discard—them. And so for Season 21, we’re going to focus on deconstructing structure in order to better understand the tool
20.52: 2025 End-of-Year Wrap Up
As our 20th season comes to a close, we reflect on the end of 2025 and a major transition for the show, as Dan Wells steps away from Writing Excuses as a full-time core host. Dan shares the thoughtful, hard-won reasoning behind his decision, while the rest of the team reflects on what his presence has meant to this podcast and our community. We recorded the first half of this episode in June and t
20.51: Howard Tayler’s Personal Writing Process
A workflow that made daily writing (and comics) possible—Howard Tayler takes us through two decades of the delightfully eccentric process behind Schlock Mercenary: text boxes in landscape Word, laser-printed pages he inked by hand, and a system that kept comics coming even through long COVID and chronic fatigue. The conversation shows how craft can stay constant even as ability, tools, and energy
20.50: Dan Wells’ Personal Writing Process
2 quick reminders: Scholarship applications for our 2026 cruise are open now until December 31st, 2025. You can learn more and apply here. AND early bird pricing for this cruise (going to Alaska in September 2026) ends on February 15th! Get your tickets here!This week, Dan Wells opens up about how depression reshaped his writing process—and what rebuilding that process has looked like in the years
20.49: Using Tone and Mood
This week, Mary Robinette pulls back the curtain on some of fiction’s sneakiest power tools: tone and mood. Drawing from a recent craft class she taught for her Patreon, Mary Robinette breaks down how these elements shape a reader’s emotional experience—and why they deserve as much attention as plot or structure. DongWon, Erin, and Howard jump in to poke at the definitions, debate where tone and m
20.48: Now Go Write- How to Pitch Your Work
In this episode, DongWon digs into one of the business topics of our upcoming craft book: pitching. How do you talk about your work so other people immediately understand its category, vibe, and why it matters? They break pitching into two parts—content (what you say) and presentation (how you say it)—and share concrete tools like comp titles, short taglines, and simple back-cover formulas to shar
20.47: Now Go Write- All the Eggs in All the Baskets
Dan shares his experience of rebuilding and reinventing his writing career from his section of our forthcoming book Now Go Write. Our hosts walk through practical ways that writers can diversify their work— from writing for RPGs and video games to writing in a new genre like middle grade or nonfiction — and why having multiple, truly separate revenue streams matters. They also dig into the psychol
20.46: Now Go Write- Break All The Rules (Part 2)
In this episode, Erin returns with the final two “rules” from her section of our forthcoming book Now Go Write—and why it might be worth breaking them. With DongWon and Mary Robinette, Erin explores the classic advice to “show, don’t tell,” and the debate over whether magic needs a system. We unpack when these conventions can strengthen a story—and when they can get in your way.Homework: Choose on
20.45: Now Go Write- Break All The Rules (Part 1)
In this episode, Erin shares a sneak peek from her section of our forthcoming book, Now Go Write. (To learn more about our book, sign up for our newsletter!) Erin explores four classic writing “rules,” when it’s worth breaking them, and what that can reveal about your own craft. Today, our hosts dive into two of these rules—examining how they can both help and hinder your storytelling. Tune in nex
20.44: Now Go Write- How to Handle Relationships
We have an exciting announcement! Writing Excuses is publishing a book, Now Go Write, which will feature writing from all of our hosts! Sign up for our newsletter to learn when our book is coming out! So, for our next few episodes, we’ll have each host share one of the topics that they have written a chapter about for the book. Today, we’re starting with Mary Robinette, who will be covering the qu
20.43: An Interview with Dr. Tara Lepore on Paleontology
Erin and Howard sat down with paleontologist Dr. Tara Lepore for a fascinating dive into the science—and storytelling potential—of deep time. Dr. Lepore explains why paleontology is about far more than dinosaurs and how mammal teeth can reveal “birth certificates” millions of years old. We hope you come away with new ways to think about science as story—and how to weave the vastness of deep time i
20.42: Erin Roberts’ Personal Writing Process
Erin describes her own writing process as, “a bunch of random practices thrown into a bag and shaken up." Nevertheless, for today’s episode, Erin managed to organize her processes into four categories: getting work, getting in, getting done, getting right. Listen as Erin gives us tips and tricks for freelancing, deadlines, and saying no. Homework: Write down all the tips and tricks you’ve lear
20.41: DongWon Song’s Personal Writing Process
We’re continuing our episodes focusing on our hosts’ personal writing practices. Like Mary Robinette’s. DongWon’s involves a bit of… chaos. DongWon’s day job as a literary agent is demanding and unpredictable, so they often have to fit in their writing process into their free time. They are also often collaborating with other authors and friends (often writing for games)—so how does all of this in
20.40: Mary Robinette Kowal’s Personal Writing Process
A lot of people ask published authors what their writing process is like, as if it is a key to being able to write. The only important process is the one that works for you. So, we’re going to let each of our hosts spend an episode explaining their own personal process. Our idea is that the best writing process is the one that works for you. Also, this is going to change over the course of your li
20.39: Wrapping up our Conversation about Lenses
Today our hosts tell you why you don’t need to listen to all of our episodes—or even most of them. Each of our five hosts weighs in on how you can combine the topics, subtopics, and lenses that each episode features in order to create a structured path forward for your own writing journey. We start with a broad overview of this season’s structure. Why did we use the simple categories that most of
20.38: An Interview with Charlie Jane Anders
We had the absolute joy of sitting down with Charlie Jane Anders, the author of the book we’ve focused on for our last four episodes (All the Birds in the Sky). We talked with Anders about POV, tone, and how she played around with humor —partly by occasionally using an omniscient POV! Anders also explained how to incorporate humor and whimsy, and what it feels like to take risks as an author in to
20.37: Deep Dive into “All the Birds in the Sky” - Using the Lens of Why
This is our final episode before we have Charlie Jane Anders on the podcast to talk about her writing process next week! Today we’re talking about intention by analyzing thematics, the author’s intent, and the way Anders uses tone and tradition to express the core ideas of the book. We also dive into the friction created in the two opposing viewpoints of the world that Anders presents. On one side
20.36: Deep Dive into “All the Birds in the Sky” - Using the Lens of When
If you still want to read All the Birds in the Sky by Charlie Jane Anders, you can purchase it here!We are looking today at the lens of when. But we’re not going to look at time periods—instead, we’re going to examine flashbacks and foreshadowing. “All the Birds in the Sky” takes place in four distinct times. For instance, one of the characters foreshadows a grim future for the children we’ve just
20.35: Deep Dive into “All the Birds in the Sky” - Using the Lens of Where
If you still want to read All the Birds in the Sky by Charlie Jane Anders, you can purchase it here!Today we’re talking about places and place-moments. We’re looking at how Anders uses context, details, and relationships to create a deep, familiar, and authentic reading experience for us, even if we’ve never been to the locations in the story. In this episode we’re also analyzing how Anders creat
20.34: Deep Dive into “All the Birds in the Sky” - Using the Lens of Who
Last season we took different works to represent different concepts. But this season, we’re looking at a single work— All the Birds in the Sky by Charlie Jane Anders. So, for the next five episodes, we’re going to look at how Anders’ novel is deploying all of the lenses we’ve talked about this season—who, where, why, and when. And for our fifth episode, we’ll have Anders on the podcast to talk abo
20.33: Raising Children as a Metaphor for Writing
Throughout this season, we have been doing a series of episodes that feature different metaphors for writing. Today, we’re talking about raising children and what it can teach us about our own writing practice. It’s common knowledge that parents want their children to grow up to be happy and successful. But the real joy in raising children, Dan and Howard tell us, is watching them express their in
20.32: Revision and Character Consciousness Téa Obreht
Téa Obreht is a short story writer and novelist. Her debut novel, The Tiger’s Wife, won the 2011 Orange Prize for Fiction, and was a 2011 National Book Award finalist and an international bestseller. In our conversation, we focused on revision and character consciousness. Téa talked to us about the difficulty of the idea-generation stage of writing, how to cultivate layered characters, and how she
20.31: Framing the Lens
This year, we’ve been looking at writing through various different lenses. In two weeks, on August 24th, we’ll begin a 5-part deep dive into these lenses through a specific book: All the Birds in the Sky by Charlie Jane Anders. There will be many spoilers in these episodes, so please read the book if you haven’t already! Now, we’re talking about choosing what your lens is focused on. How do you ch
20.30: Using Why To Shape Tone
Tone is one of those words people use in many different ways when talking about fiction. On today’s episode, our hosts break down what it means, how we use it, and how it can be a tool in the writer’s toolbox. We dive into the myriad emotional shades of tone, and how you can use this to deepen your story’s themes. Homework: Write a vignette in which one of your characters is pouring tea for a belo
20.29: Authorial Intent
What the heck is authorial intent? Does it matter? And how do intentions end up on the page without cluttering or overwhelming the story? Today, our hosts dive into message versus content, and how to wrap your intention and narrative structure into your story’s execution.Homework: Take your work in progress, and in two sentences, describe to yourself why you are writing this (could be a scene, a c
20.28: The Lens of Tradition
Every story has been told. Okay, maybe not, but most stories have a tradition/ influence/ history/ genre/ style that they draw upon, even if only slightly. How do you know what traditions you're bringing to your work, and how can you use them to make your story both resonant and unique?We’re exploring the lens of “why” right now. Why do we write the stories that we write? And what did we read
20.27: The Lens of Why
We are joined by author Mark Oshiro, who primarily writes YA and middle grade books and was a guest teacher aboard our 2024 cruise! (Our 2025 cruise is over 50% sold out! Learn more and sign up here.) We ask the question, “Why did you write this book?” while focusing specifically on theme and meaning. We discuss how authors ask questions through their work while readers bring their own answers and
20.26: Gaming as a Writing Metaphor
What separates the way we experience a game versus the way we experience a prose narrative? Erin Roberts has written for many games, and she loves games particularly because they give the person experiencing the narrative more choice and more direct agency over what happens. This changes the way that we experience story. When you’re writing a game, the main thing you have to figure out is the acti
20.25: Writing Confrontation (LIVE Aboard the WX Cruise)
Our hosts explore how to write compelling confrontations—whether physical fights or emotional arguments—in a live episode recorded on the Writing Excuses Cruise. Building off Dan Wells' class Why Your Fight Scene Is Boring, our hosts break down reactions into four elements: focus, physicality, thought, and action. The discussion dives into how newness, character history, and anticipation shape
20.24: An Interview with Charles Duhigg
How can listening inform the way you write? We decided to ask Charles Duhigg is a Pulitzer Prize–winning journalist and bestselling author—best known for The Power of Habit and most recently released Supercommunicators: How to Unlock the Secret Language of Connection, a compelling guide that explores the art and science of meaningful conversation. We talked with Charles about myriad elements of wr
20.23: The Lens of the Senses
How does a room sound? Does your childhood have a taste? What is the smell of summer? In this episode, we dive into the sensory layers that anchor worldbuilding, character, and perspective. We explore how invoking smell, sound, touch, and taste can transport readers more powerfully than sight alone. What makes a setting feel real and lived in on the page? How do the where and the when hit our read
20.22: The Lens of Time
Time isn't just a backdrop—it’s a powerful tool in storytelling. In this episode, we explore how time shapes narratives, beyond just plot structure. From magnifying moments in a fight scene to revealing a character’s morals through temporal shifts, we unpack how timing, pacing, and the passage of time can deepen emotional impact, build tension, and elevate a scene's resonance. We discuss p
20.21: The Lens of Context
This week, we’re digging into context—what it is, why it matters, and how it can totally transform your storytelling. Whether you're working in fantasy, sci-fi, or anything in between, the details you choose to include (or leave out) can make your world feel rich, real, and emotionally resonant.We talk about using context to deepen conflict, sharpen stakes, and land those emotional beats. And
20.20: The Lens of Where and When
Today we’re talking about setting, which in speculative fiction is often called worldbuilding. But once you’ve finished building the world, how do you convey that world on the page? That is, how do time and place shape your story—and your characters? In this episode, we’re talking about the power of setting through the lens of “where and when.” From daily life details like transportation and sanit
20.19: Cooking as a Writing Metaphor
What does cooking have to do with writing? In this episode, we explore how the creative choices we make in the kitchen—whether it’s improvising with missing ingredients or following a beloved recipe—mirror the choices we make on the page. From frozen dinners to fine dining, we discuss how all forms of creativity have value, how skills can be learned, and how the act of making—food or fiction—is, a
20.18: LIVE: The Art of Teaching
This episode was recorded live at our 2024 Writing Excuses Cruise. (Did you know that we host a writing retreat on a cruise every year!?! You can learn more at https://writingexcuses.com/retreats/) While on a boat in Mexico, Erin Roberts was joined by Marshall Carr—our incredible recording engineer who is also a teacher during the school year— and author Mark Oshiro—who also teaches both kids and
20.17: An Interview with Christopher Schwarz
This season, we’ve been exploring different approaches to writing through the lens of other crafts and their respective toolkits. We had the pleasure of speaking with furniture-maker, writer, and publisher Christopher Schwarz. Christopher is an incredible artist, writer, and is also the founder of Lost Arts Press, which publishes books on hand tool woodworking. We talked with Christopher about his
20.16: Second Person
People often think of first person POV as the most intimate voice. But in a way, we think second person might be more intimate. With second person, you’re forcing the reader’s subjectivity into the fiction itself. You are integrating the person who is reading the story into the experience of being in the story– in a way that can be a little disorienting (or fun) for the reader. In the world of POV
20.15: Third Person Omniscient
With today’s episode, we are continuing our discussion on proximity by focusing on another POV: third person omniscient. In omniscient POV, the narrator can see all and move into any character's head. It's sometimes seen as old fashioned, like Jane Austen. But writers like John Scalzi and Liza Palmer are using it to good effect as a way of exerting control over exactly what the audience se
20.14: Third Person Limited
Third person limited is one of the most popular storytelling lenses. Yet it is often understood differently by various authors and readers. So today we’re diving into the complexities, intricacies, and beautiful constraints of third person limited—don’t worry, we’ll be tackling third person omniscient in our next episode! With third person limited POV, you get to use some of the tools of first per
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