The Messy Truth - Conversations on Photography
Photo Director Gem Fletcher hosts The Messy Truth, a podcast dedicated to the world of contemporary photography featuring exclusive interviews with emerging and leading artists, curators and critics. Listen in to these candid conversations that unpack photography and why it connects us all in such transformational ways. Follow Gem’s Instagram @gemfletcher for images of photographs discussed in each episode.
Episodes
Between Two Worlds - On the Work of Art
In this episode, from my second salon titled, Between Two Worlds which took place in January 2026 at London’s Institute of Contemporary Arts (ICA) and supported by WePresent. The one day salon is an attempt to describe the feeling of existing in two image worlds, the one we think we know, and the new one emerging. We can sense that this new image world operates differently to the one we were socia
Between Two Worlds - On the Future of PhotoBooks
In this episode, from my second salon titled, Between Two Worlds which took place in January 2026 at London’s Institute of Contemporary Arts (ICA) and supported by WePresent. The one day salon is an attempt to describe the feeling of existing in two image worlds, the one we think we know, and the new one emerging. We can sense that this new image world operates differently to the one we were socia
Between Two Worlds - On Photography And...
In this episode, from my second salon titled, Between Two Worlds which took place in January 2026 at London’s Institute of Contemporary Arts (ICA) and supported by WePresent. The one day salon is an attempt to describe the feeling of existing in two image worlds, the one we think we know, and the new one emerging. We can sense that this new image world operates differently to the one we were socia
Aspen Mays - On Mystery
In this episode, On Mystery, Gem Fletcher talks to Aspen Mays about her archival interventions and darkroom transgressions that challenges us to reflect upon the profound experience of looking - looking at us and looking at the world. Aspen’s work exists in a myriad of forms, but what remains consistent through her work is the tension between oppositional forces like irreverence and defiance
Naima Green - On Practice
In this episode, Gem Fletcher talks to Naima Green about her exhibition, ‘Instead, I spin fantasies’ presented at ICP in New York in 2025/26. The show, which was curated by Elisabeth Sherman, grapples with the concept of pregnancy and parenthood through constructed self-portraits, landscapes and still-lifes—blurring the line between documentary, performance, construction and vernacular modes. Thro
Daniel Shea - On Seeing and Knowing
In this episode, Gem Fletcher talks to Daniel Shea about his latest book, Distribution which began with a simple question: how do you photograph a forest? In this roving conversation they explore the genesis of Distribution while discussing everything from the personal and often painful journey of artmaking to the future of photobooks and much more in between. What is interesting about Danie
Amelia Abraham - On Sex, Clubs and Dissent
In this episode, Gem Fletcher talks to Amelia Abraham about her latest book, Sex, Clubs, Dissent: Visualising Queer Nightlife, where she crafts an expansive visual exploration of queer nightlife in all its many iterations. The book is a love letter to those who went out and stayed out, felt the urge to document or reflect what was happening, or who have used their artmaking to dream new modes of b
Ahndraya Parlato - On the Inbetween
In this episode, Gem Fletcher talks to Ahndraya Parlato about her latest book, TIME TO KILL an interrogation of gendered aging, unpacking the ideals of beauty, caretaking, and maternal and domestic duty imposed on women over the course of their lives. In our roving conversation, we talk about selfhood, motherhood, sacrifice, visibility, censorship, the potency when you get text and image to work a
Chieska Fortune Smith - On Collective Learning
In this episode, Gem Fletcher talks to Chieska Fortune Smith about her journey through photography and the role of collective learning in her practice. She came to photography through Flickr, the social media platform which earnestly engaged so many of us in the medium. It was a place to upload and share your pictures, while getting feedback from other enthusiasts. Chi’s trajectory pivoted when me
Between Two Worlds - On Future Storytelling with Kathy Ryan
Welcome back. To celebrate reaching the 100th episode of the podcast, I collaborated with the team at the International Centre of Photography in New York City, to host a one day salon. My motivation was to gather the community together in person and start talking about where we stand in photography. Titled, Between Two Worlds, the salon was an attempt to describe the feeling of existing in two ima
Between Two Worlds - On Documentary
Welcome back. To celebrate reaching the 100th episode of the podcast, I collaborated with the team at the International Centre of Photography in New York City, to host a one day salon. My motivation was to gather the community together in person and start talking about where we stand in photography. Titled, Between Two Worlds, the salon was an attempt to describe the feeling of existing in two ima
Between Two Worlds - On Contemporary Art
Welcome back. To celebrate reaching the 100th episode of the podcast, I collaborated with the team at the International Centre of Photography in New York City, to host a one day salon. My motivation was to gather the community together in person and start talking about where we stand in photography. Titled, Between Two Worlds, the salon was an attempt to describe the feeling of existing in two ima
Between Two Worlds - On Portraiture
Welcome back. To celebrate reaching the 100th episode of the podcast, I collaborated with the team at the International Centre of Photography in New York City, to host a one day salon. My motivation was to gather the community together in person and start talking about where we stand in photography. Titled, Between Two Worlds, the salon was an attempt to describe the feeling of existing in two ima
Gideon Jacobs - On Images
In this episode, Gem Fletcher talks to writer and artist Gideon Jacobs. For the last few years, Gideon has been grappling with our relationship to images and technology, posing theories about its potential futures. Despite his beat not being politics, many of his most potent essays, in particular those for the LA Review of Books, use the root of politics to untangle the changing state of images an
Donna Ferrato - On Justice
In this episode, Gem Fletcher talks to Donna Ferrato, a fearless photojournalist who has redefined how the world sees domestic violence through her groundbreaking work. Her seminal book Living With the Enemy [published by Aperture] sparked a global reckoning, exposing the hidden realities of abuse and igniting conversations that continue to drive change. In this conversation, Donna shares her radi
Lisa Barnard - On Perception
In this conversation Lisa Barnard talks to Gem Fletcher about her new exhibition, You Only Look Once, at c/o Berlin which considers perception in relation to both human and machine experience. She addresses the complexity of technological progress and the ecological resources on which its promises depend. Her research focuses on California, unfolding a multilayered, fragmented and nonlinear
Liz Johnson Artur - On Taking Time
I Will Keep You in Good Company, the latest book by Liz Johnson Artur brings together pages and fragments from over twenty years of her personal workbooks she has kept since the early 1990s. These books are a kind of private, experimental playground where she shaped her photographic language through layering, cutting, annotating, and assembling: a space for processing not only images, but life its
Vince Aletti - On Collecting
In this episode Gem talks to writer and curator Vince Aletti about his most recent book Physique—which showcases rare photographic prints from the underground gay magazine of the same name—collated from his own private collection. Spanning the 1930s to the early 1960s, these photographs chronicle a hidden, coded world of homoerotic imagery. Physique reveals a forgotten chapter of American gay cult
Charlotte Jansen - On Discovery
In this episode, Gem Fletcher talks to Charlotte Jansen, writer and Photo London curator. They discuss mechanics behind photography fairs, how she approaches the curatorial process and how this aspect of the industry can support the work of emerging artists. Charlotte Jansen is a British Sri Lankan author, journalist and critic based in London. She is the curator of Discovery at Photo London
Carolyn Drake and Andres Gonzalez - On Collaboration
In this episode, Gem Fletcher talks to photographers and longtime partners Carolyn Drake and Andres Gonzalez about their collaborative project and book, “I’ll let you be in my dreams if I can be in yours,” published by Mack. For the last five years, the two artists have traversed the border between Mexico and the United States, working together for the first time and ruminating on ideas about huma
Amak Mahmoodian - On Dreaming
In this episode, Gem Fletcher speaks to Amak Mahmoodian about her latest body of work, ‘One Hundred and Twenty Minutes’, in which she examines dreaming for individuals living in exile. Working with 16 collaborators, Amak uses photography, poetry, drawing and video to explore the new lives created through dreams, as well as the ways in which dreaming enables individuals to return to a past that can
Paul Kooiker - On the Archive
In this episode, Gem Fletcher talks to artist Paul Kooiker. They discuss his process, unique way of seeing, his relationship to equipment, the archive, book making and sepia and how he thinks about the ecosystem around his practice. Paul Kooiker is an award winning artist based in Amsterdam. Disconnected from time and place, and transcending classic gender roles, his surreal images feel
Alessia Glaviano - On Relevance
In this episode, Gem Fletcher talks to Alessia Glaviano, the Head of Global PhotoVogue and Director of the PhotoVogue Festival. They discuss relevance, why Alessia hates nostalgia, the importance of obsession and why artists need the freedom to be controversial. Since joining Vogue Italia in 2001, Glaviano rapidly ascended from Photo Editor to Visual Director, where she played a crucial role
Jack Davison - On Craft
In this episode, Gem Fletcher talks to Jack Davison about craft, creative development and the importance of taking risks, all through the lens of his new project A is for Ant, a multifaceted experience which includes his debut short film, two photo books, a live touring performance, and workshops. Made in collaboration with Shona Heath and Matt Willey where each letter of the alphabet
Cait Oppermann - On Autonomy
In this episode, Gem Fletcher talks to Cait Opperman about her creative journey and her new full service production company Flowers. Born from her desire for greater autonomy and more direct and meaningful collaboration with her clients, Cait is creating a new model beyond the traditional photographer and agent dynamic. While she had a hunch that building Flowers would offer a more expansive
Sophie Hackett - On Vernacular Photography
In this episode, Gem Fletcher talks to Sophie Hackett, the photography curator at the Art Gallery of Ontario in Toronto about the power of vernacular photography. We discuss her recent book and exhibition on Casa Susana - The Story of the First Trans Network in the United States 1959-1968. These incredibly inspiring photographs trace an underground network of transgender women and cross-dressing m
Jesse Glazzard - On Community
In this episode, Gem Fletcher talks to Photographer Jesse Glazzard renowned for making striking and intimate portraits anchored in his everyday life and wider community. Alongside his commercial and editorial work, Jesse’s passion projects immerse us in marginal, lesser-known worlds, such as a Trans boxing gyms, Queer camping and underground club nights. His photographs are informed by care and co
Brian Paul Lamotte - On Design as Collaboration
In this episode, Gem Fletcher chats to designer and educator Brian Paul Lamotte about reimagining the possibilities of form, production and distribution in art and photobooks. In a deep dive into the book making process we open up a conversation about the changing scope of publishing, the transformative experience of being entangled with an artist and their intentions and ultimately design a
Nathaniel Tonelli - On Alternative Realities
Nathaniel Tonelli, known by their monika Female Pentimento, has cultivated a vast audience on social media in awe of their celestial images which both advocate for climate awareness while traversing the space between heaven and earth, life and death, spirituality and science fiction. While Nathaniel’s work feels provocative and exciting, it’s their approach to designing a practice that prioritizes
Charlie Engman - On AI Images
In this episode, Gem Fletcher welcomes back Charlie Engman to talk about Cursed, his new book of AI Images. Cursed stands as a testament to Charlie’s visionary role in the rapidly evolving and highly contentious field of AI, offering an immersive exploration of uncharted artistic territories and proposing a new paradigm for the future and possibilities of photography. During their roving conversat
Alona Pardo - On Multiplicity
In this episode, Gem Fletcher talks to curator Alona Pardo about her rich practice rooted in multiplicity. Alona is one of those curators who knows how to truly capture the imagination of the audience, planting ideas in our minds that reverberate long after we have left her exhibitions. During the conversation, Alona talks about her process, interests and how her curatorial practice has evolved ov
Laura Pannack - On Longevity
In this episode, Gem Fletcher delves into the unique approach of London-based photographic artist, Laura Pannack. Her practice, which is a blend of experimentation and research, is a deep exploration of the intricate relationship between subject and photographer. The work is rooted in intimate collaborations with individuals and communities, and it constantly pushes the boundaries of what photogra
Jermaine Francis - On Roots
In this episode, Gem Fletcher talks to Jermaine Francis about his multifaceted practice. Jermaine’s work is both deeply personal while also speaking to the intersection of politics and culture in the UK, inviting us to explore the physical and psychological aspects of our space, unpacking themes of history, power, class and race in photography. Jermaine Francis is a London lens Based Artist,
Eleonora Agostini - Live at Peckham 24
Welcome to one of five special episodes recorded live at Peckham 24. In this episode, I speak to Eleonora Agostini about her series, A Study On Waitressing, in which she assembles and re-presents photographs, archival imagery and footage, collage and text as a research method to analyse the theatricality of the everyday and the function of the body as a conduit between observer and observed.
Bindi Vora - Live at Peckham 24
Welcome to one of five special episodes recorded live at Peckham 24. In this episode, I talk to Bindi Vora about the two projects she presented at Peckham 24, Mountain of Salt and Unravelling which both employ the use of found or archival images. During our conversation we talk about how the absence of images shapes our lives, what it means to work with archival material, the artist as detect
Lina Geoushy - Live at Peckham 24
Welcome to one of five special episodes recorded live at Peckham 24. In this episode, I talk to Lina Geoushy about her work Trailblazers, an inquiry into Egypt’s feminist history using self-portraiture, performance, and archival artifacts to reclaim and inscribe a counter-history. Responding to this dissonance in Egypts past and present, Lina has built an archive informed by a feminist impuls
Åsa Johannesson - Live at Peckham 24
Welcome to one of five special episodes recorded live at Peckham 24. In this episode, we celebrate and unpack Åsa Johannesson book Queer Methodology for Photography, diving into her research into new approaches for making, thinking about writing about Queer photography. Through the book, Åsa proposes a new concept of the photographic image that focuses on materiality, voicing concerns beyond repre
Alexander Coggin - Live at Peckham 24
Welcome to one of five special episodes recorded live at Peckham 24. In this episode, I talk to Alexander Coggin about ‘Mike,’ a fifteen year photographic archive he made about his spouse Micheal. United by a spontaneity and informed by their background in theatre, Mike is a deeply intimate, yet playful exploration of Queer love told through over 300 photographs. Through ‘Mike,’ Alex offers a
Ashleigh Kane - On Art Writing
In this episode, Gem Fletcher talks to Ashleigh Kane taking a peek behind the curtain into the life of an editor and writer. Together we talk about the role of writers within the creative ecosystem, how our relationships with artists start and develop over time, and what it takes to sustain a career in writing. Ashleigh Kane is a writer, editor, creative consultant, art buyer, host, and curat
Emily Keegin - On Fuck Marry Kill Photography
In this episode, Gem Fletcher is in conversation with Photo Editor Emily Keegin about New Rules, a special collaboration with WePresent, the arts platform from WeTransfer. If you're not aware of them, WePresent is a platform that spotlights creatives from around the world and collaborates with artists on one-off special projects. Gem was invited by WePresent to edit New Rules, a guide about photog
Carmen Winant - On Art & Groundwork
In this episode, Gem Fletcher talks to Carmen Winant about her latest book The Last Safe Abortion. Focusing on the near-fifty-year period in which abortion was legal in the United States (1973–2022), the project recognises the care, advocacy, and community-building of abortion workers. The photographs themselves are surprisingly regular: women answer the phone, sterilize medical equipment, t
Roxana Marcoci - On Curating
In this episode, Gem Fletcher chats to The Museum of Modern Art Photography Curator Roxana Marcoci. Using some of Roxana’s recent and upcoming exhibitions as jump off points, we explore everything from the ethical responsibility of curatorial practice to the evolving relationship between humans and technology. Roxanna talks about who inspires her, how her approach is guided by deep relationships a
Lou Stoppard - On Exhibitions
In this episode, Gem Fletcher chats to the curator and writer Lou Stoppard about Exteriors, her new exhibition at MEP Paris and a book of the same title published by MACK. The project takes the writing from Annie Ernaux’s Exteriors where Annie endeavoured to ‘describe reality through the eyes of a photographer.” Lou takes this work and asks the question Can you see a text? Can you read a photograp
Minisode - Brea Souders
In today's minisode, Gem Fletcher speaks to Brea Souders about her latest book Another Online Pervert, which charts her multi-year conversation with a female-programmed chatbot. The book published by Mack, combines excerpts from their conversation with images from her archive. It is highly charged, jumping between the playful and mundane to the dark and ruthless as she unpacks the complex relation
Minisode - Micaiah Carter
In this minisode, Gem Fletcher speaks to previous guest Micaiah Carter about his first monograph, What’s My Name. The book, published by Prestel, charts over a decade of Micaiah's work interlaced with images from his parent's archives dating back to the 1960s. His work, often celebratory in tone, is a true care practice for everyone he collaborates with. We dig into the emotional labour of making
Rene Matić - On Rude(ness)
Gem Fletcher chats to Rene Matić about a moment of flux in their practice. They are looking differently at the world, their work and the relationships they hold close. There is a change of pace, intention and visual language brewing for the artist who has literally not stopped making since they picked up a camera five years ago. In the episode, they talk about their first solo show, Kiss them fro
Andi Galdi Vinko - On Survival
Andi Galdi Vinko is an internationally acclaimed artist working in photography. Her work draws visual analogies between intensely personal and intimate experiences of motherhood and womanhood and universal human experiences of coming of age, ageing, loss, and the conflict between Western and Eastern European ideologies. In this episode, we talk about her award-winning book, Sorry I Gave Birth I Di
Sinna Nasseri - On Starting Over
Iranian-American photographer Sinna Nasseri describes his ability to catapult viewers into every scene he captures as a "gonzo journalism curiosity." He brings the audience along with him, always thinking about what they want to see. As a self-taught photographer, the path was in no way easy, and he continues to craft a life that enables him to work but with the necessary sacrifices. In a surprisi
Vinca Petersen - On Subversive Joy
Since the 1990s, Vinca Petersen's work has remained an authentic voice of European counterculture, providing diaristic windows onto alternative spaces and lifestyles. A multidisciplinary artist who works in the area of social practice, Petersen's works emerge from a deep social and political engagement with underrepresented communities, giving them a voice and recognition. Her photographic oeuvre
Balarama Heller - On Sensation
Balarama Heller's practice reimagines archetypal symbols found in the natural world. He explores primal symbols and patterns, both real and imagined, working towards a visual language of preverbal awareness. These symbols interact in a ceaseless cycle of creation and destruction, referencing the cosmological, mythological, and atomic scales. During our conversation, we talk about how his personal
Sheida Soleimani - On Subversion
Sheida Soleimani’s work explores intersections of art and activism. She melds sculpture, performance, film and photography to highlight critical perspectives on events across the Middle East, unpicking the complex power dynamics between the region and Western nations. Her work interrogates the dissemination of information in digital contexts, adapting found images from press and social media
Alexandra Rose Howland - On Storytelling
Alexandra Rose Howland's practice is invested in illustrating the difficult complexities of our existence. Through her work, she seeks to generate a more expansive understanding of how issues around conflict and the climate crisis are portrayed. She does this by resisting the historical notion of photography as a mode of direct representation created by a single author. Instead, she embraces image
Myriam Boulos - On Liberation
Myriam Boulos’s practice is rooted in community and resistance, exploring the complex ways our bodies metabolise trauma, assert resistance, seek pleasure and express layers of identity. During our conversation, we talk about Myriam’s projects through the lens of intimacy, survival, political agency, resistance and revolution and perhaps most importantly, consent. Myriam Boulos was born in 199
Jacqueline Bates - On Photo Direction
Throughout her career, Photo Director Jacqueline Bates has harnessed the power of photography to give visual journalism new dimension. During our conversation, we talk about her new role at the New York Times Opinion section in which she’s publishing up to 90 stories a week. We discuss the blurring of art and editorial, how she works with emerging talent and we visit some of her most fascinating c
Rhiannon Adam - On Abundance
In this episode, Gem Fletcher speaks to photographer and artist Rhiannon Adam. Her work is heavily influenced by her nomadic childhood spent at sea, sailing around the world with her parents. Little photographic evidence of this period in her life exists, igniting an interest in the influence of photography on recall, the notion of the photograph as a physical object, and the image as an intersect
Steph Wilson - On Experimentation
In this episode, Gem Fletcher speaks to London-based photographer Steph Wilson. For Steph, The body is such a vast universe of paradoxes that will never get old. Traversing the space between fine art and fashion, Steph cherishes humour and joy, while exploring the possibilities of our bodies. She is interested in the edges; the awkward, uncomfortable, ugly, shameful and challenging and takes these
Harley Weir - On Process
In this episode, Gem Fletcher speaks to London-based photographer Harley Weir. In this episode we discuss how her approach to image making is one rooted in alchemy - creating space for the unexpected. She fuses materials together that challenge each other, evoking an immediate and arresting world, familiar to us and filled with emotion, yet suggestive of a darker and more compulsive set of psychic
Audrey Blue - On Liberation
Gem Fletcher speaks to artist Audrey Blue (nee Gillespie) in the final episode of a three-part series in partnership with Seen Fifteen Gallery. The Troubles Generation - an ongoing curatorial project by Vivienne Gamble invites artists who grew up in Northern Ireland during The Troubles to shed new light on the impact of being brought up in an era of intense sectarian violence.Audrey Blue is a fine
Gareth McConnell - On Survival
Gem Fletcher speaks to photographer Gareth McConnell in the second episode of a three-part series in partnership with Seen Fifteen Gallery. The Troubles Generation - an ongoing curatorial project by Vivienne Gamble invites artists who grew up in Northern Ireland during The Troubles to shed new light on the impact of being brought up in an era of intense sectarian violence. Gareth McConnell is
Martin Seeds - On Conflict
In this episode, Gem Fletcher speaks to photographer and educator Martin Seeds as part of a three-part series in partnership with Seen Fifteen Gallery. The Troubles Generation - an ongoing curatorial project by Vivienne Gamble invites artists who grew up in Northern Ireland during The Troubles to shed new light on the impact of being brought up in an era of intense sectarian violence. Origina
Tami Aftab - On Starting Out
In this episode, Gem Fletcher chats with photographer Tami Aftab. They dive into The Dog’s In The Car - a powerful and intimate collaboration between Tami Aftab and her father Tony, about his short-term memory loss and how it shapes his life and that of the wider family. Since graduating during the pandemic, Tami has worked tirelessly to cement herself as one to watch. During the conversation
Zora J Murff - On Liberation
In this episode, Gem Fletcher chats with artist and educator Zora J. Murff. They deep dive into Zora’s latest book True Colors (or, Affirmations in a Crisis), a manual for coming to terms with the historical and contemporary realities of America’s divisive structures of privilege and caste. Since leaving social work to pursue photography over a decade ago, Zora’s work has consistently grappled wit
Jess Dugan - On Strategy
In this episode, Gem Fletcher chats with artist Jess T. Dugan. They discuss what it takes to cultivate and maintain an artistic practice, what Jess learned from their own journey, and how the mantra "meet everyone, learn everything," fuelled their approach to both crafting a practice and a business. We cover so much from developing relationships, holding space for reflection, building a community
Elisa Medde - On Criticism
In this episode, Gem Fletcher chats with editor, writer and curator Elisa Medde. They discuss how an issue of Foam Magazine comes together in addition to a range of issues currently affecting the photo industry. They talk about systems, value, visual literacy, new talent, nurture and the importance of friction and criticism.Elisa is Editor-in-Chief of Foam Magazine, Amsterdam, where she has based
Elle Perez - On Community
In this episode, Gem Fletcher chats to artist and professor Elle Pérez. Elle generously lets us into their world from the early but formative days as a Bronx punk to the ways in which their art has shifted strategies and metaphors and now explores the subtle and visceral moments of emotion and power. We talk about the profound love and intimacy that is the lifeblood of their art and how threads an
Anastasia Samoylova - On Ecosystems
In this episode, Gem Fletcher chats to artist Anastasia Samoylova who moves between observational photography, studio practice and installation. By utilizing tools and strategies related to digital media and commercial photography, her work explores notions of environmentalism, consumerism and the picturesque. Her new book Floridas: Anastasia Samoylova & Walker Evans was published by Stei
Campbell Addy - On Growth
In this episode, Gem Fletcher chats to photographer and director Campbell Addy. They come together to discuss Cambell’s first monograph Feeling Seen published by Prestel. Much has happened since the pair recorded the first episode back in 2018. This is a truly special episode that speaks to what it means to be a young artist, how to navigate fashion and advertising and not lose yourself, what it m
Rory Hamovit - On Practice
In this episode, Gem Fletcher chats to the artist Rory Hamovit. Rory uses his work as a site to interrogate and explore notions of masculinity, queerness, performance and history. Rory understands what it takes to really commit to a studio practice - to embrace introspection and humour - to cultivate a space that is unrestrained and playful. His work is about craftsmanship on multiple plains from
Karla Hiraldo Voleau - On Performance
In this episode, Gem Fletcher chats to the artist Karla Hiraldo Voleau. Karla’s work revolves around identity, vulnerability, love, gender roles and the mechanisms in human relationships. Using a hybrid model of performance, photography and text, she blurs the lines between fiction and reality. Her practice is one that is constantly in community with strangers, grappling with aspects of humanity t
Charlotte Cotton - On the Ungraspable
In this episode, Gem Fletcher chats to the curator, writer and creative consultant Charlotte Cotton. Charlotte has explored photographic culture for over twenty years and held positions including curator of photographs at the Victoria and Albert Museum, head of programming at The Photographers’ Gallery in London, curator and head of the Wallis Annenberg Department of Photography at the Los Angeles
Ying Ang - On Rage
In this episode, Gem Fletcher chats to photographer and gallery director Ying Ang. Ying’s work is about active and conscious looking. She grapples with political and social issues that often alter the landscape of our mind in challenging, isolating and revelatory ways. Through unflinching exploration that traverses the boundaries of process, materiality and self, she crafts remarkable works fueled
Donavon Smallwood - On Starting Out
In this episode, Gem Fletcher chats to artist Donavon Smallwood who uses the camera as a means of exploring humankind. Through intimate images that transcend surface, he cultivates a deeper sense of consciousness. Despite only shooting for a few years, Donavon has crafted his own visual language, one rooted in a community and a connection with the divine. In Languor, his first book - an
Brea Souders - On Chance
In this episode, Gem Fletcher chats to artist Brea Souders. Brea is known for disrupting our assumptions of what photography is. She does this through a multifaceted practice that defies categorisation. She is constantly shifting tools, processes and strategies, creating images that are unfamiliar and unfixed. In Eleven Years, her first monograph published by Saint Lucy Books, six
Emily Keegin - On Photo Direction
In this episode, Gem Fletcher chats to Emily Keegin, Freelance Photo Director. She has created images for The Fader, No Man’s Land, Time, Bloomberg Businessweek, IBM and many more. As a prominent editor, she understands how the physical, human and cognitive need to blend to make a great photograph. Emily is constantly thinking about how images come into being and how they influence what
Rose Marie Cromwell - On Relationships
Gem Fletcher chats to Rose Marie Cromwell. The Miami-based artist whose work is rooted in the language of documentary photography but subverts many of its tropes by creating tension between the real and the fabricated, the autobiographical and the political to convey lyrical stories about contemporary life, particularly in Latin America and the Caribbean. While her photographs critically address i
Coco Capitán - On Imagining
Gem Fletcher chats to Coco Capitán, known for her genre-defying work that straddles fashion and fine art. Coco is known for her hybrid practice that is constantly evolving. She has crafted an incredible career across fashion and art in which she uses photography, painting, writing, design to animate her ideas which are often rooted in personal experiences. She is a committed exhibition and bo
Catherine Opie - On Belonging
Gem Fletcher chats to Catherine Opie. Known for her powerfully dynamic photography that examines the ideals and norms surrounding the culturally constructed American dream and American identity. She first gained recognition in the 1990s for her series of studio portraits titled Being and Having, in which she photographed gay, lesbian, and transgender individuals drawn from her circle of friends an
Charlie Engman - On Context
Gem Fletcher chats to Charlie Engman. Charlie originally trained as a movement artist as well as studying Japanese and Korean Studies before arriving at photography as a form of visual notation. Now working between commercial and fine art, he is focused on pushing the scope and visual possibility of the world around him. His first monograph, MOM, a collection of images of his mother made over the
Lesley A. Martin - On Publishing
In this episode, Gem Fletcher chats to Lesley A. Martin, creative director of Aperture. She has edited over one hundred books including collaborations with Zanele Muholi, La Toya Ruby Frazier, Richard Mosse, Hank Willis Thomas, Rinko Kawauchi, Antwaun Sargent, and Sara Cwynar to name just a few. She is also the publisher of The PhotoBook Review, a newsprint journal dedicated to the
Ekow Eshun - On Curation
In this episode, Gem Fletcher chats to writer and curator Ekow Eshun. His writing has appeared in publications including the New York Times, Financial Times, The Guardian, Granta, Wired and Aperture. He is Chair of the Fourth Plinth Commissioning Group, overseeing London’s most significant public art programme, and the former director of the ICA. In this conversation, we discuss how his upbri
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