Decanonized
An opera podcast where the sacred is subjective. Every other week, host Olivia Giovetti is joined by a guest who is just as obsessed with opera (including singers, composers, and critics) to discuss one work in-depth and ask the simple question: Is it actually great?
Episodes
Four Saints in Three Acts with Stephanie DePrez
Opera is an opera is an opera is an opera: This week, soprano and comedian Stephanie DePrez joins us to discuss Virgil Thomson and Gertrude Stein’s modernist 1934 gem Four Saints in Three Acts, including what it’s like to sing a work when you get the vibes but not the text, the star-studded (and slightly problematic) history of this work’s premiere, and pigeons on the grass. Additional t
Così fan tutte with Aksel Tollåli
RIP Lorenzo Da Ponte, you would have loved ethical non-monogamy. Our Catastrophic Horniness Correspondent Aksel Tollåli returns to discuss the final (and somehow most controversial?) Mozart and Da Ponte collaboration, in which an incredibly cynical libretto is matched by some of the most gorgeous music in the whole of the operatic canon. It's like if Nathan Fielder orchestrated the Enligh
Der Freischütz with Garrett Schumann
In which a guy gets performance anxiety about a shooting contest and takes bulletmaxxing advice from the sketchiest dude alive. Composer, scholar, performer, and writer Garrett Schumann joins us to discuss Carl Maria von Weber’s Der Freischütz, which holds a storied place in history as the “first” German Romantic opera and a less-discussed place as the origin story for German nationalism.
Andrea Chénier with Carmen Paddock
It’s all fun and games until the guillotine gets weird. In honor of Bastille Day, critic Carmen Paddock joins us to talk about Umberto Giordano’s verismo (?) opera about a poet who negs a debutante at a party, and her subsequent ability to take ride-or-die to new extremes during the French Revolution. We also discuss the real hero or Andrea Chénier, who is (as in so many operas) actually
Turandot with Kevin Ng
Happy Pride and World Cup month, here’s an unlikely football (soccer) anthem and the sapphic story behind it. Unfortunately, the composer who got ahold of this story doesn’t believe in lesbians, so the soprano marries the tenor at the end. Music and culture writer Kevin Ng joins us to dive head-first into Puccini’s final — and famously unfinishable — opera, Turandot, which had its posthum
Otello with Jerrell Jackson
Is Iago one of opera’s greatest villains? Or just someone who listened to Steely Dan’s “Dirty Work” one too many times and decided to make it everyone’s problem. Bassist, lecturer, and writer Jerrell Jackson joins us to discuss Verdi’s penultimate opera, in which a storm wrecks Cyprus for five minutes and male insecurity wrecks everything else for the next three hours. Additional topics i
Lohengrin with Benjamin Poore
The Bridal March from Lohengrin is a bold wedding choice once you know the rest of the opera. But considering the divorce rate, maybe it’s the most honest one. Critic Benjamin Poore joins us to talk about Wagner’s Swan King opera and ask the important questions: Is Lohengrin really the hero? Is Ortrud the only sane person? And what if Elsa did kill her brother? Additional topics include:
Peter Grimes with Imani Mosley
Is Peter Grimes the villain, or just his town’s biggest HR violation? Musicologist and Britten scholar Dr. Imani Mosley joins us to discuss the original problematic Grimes. And since Peter Grimes is the only Britten opera on this list, it’s a jam-packed episode as we navigate the seas of judgment in Suffolk, the work’s 1945 premiere, and the lasting influence of Britten on opera.Follow Im
Salome with Perri DiChristina
Is Salome a victim of circumstance, or the destroyer of empire? Mezzo-soprano and one opera’s philosophical fug girls Perri DiChristina joins us to dive head-first into Strauss’s fin-de-siècle shocker. Additional topics include: Greta Thunberg and the Gaza Freedom Flotilla, Oscar Wilde’s moodboard, and why John Pierpont Morgan sucked.Follow Perri via Thrilled to Announce (also on Substack
Don Giovanni with Sylvia Korman
Does Don Giovanni ever actually end? Or are we just living in a constant state of deferral with a final boss that will never be defeated? Critic Sylvia Korman joins us to delve into this question and more, including why this is your favorite philosopher's opera, whether Donna Anna is a Horse Girl, Leporello in the Manosphere, and recent productions of Don Giovanni at the Met and Berlin's
I Puritani with Aksel Tollåli
Sometimes, we can have nice things. Like a bel canto opera where, despite the mad scene stretching across all three acts, the stakes are low, the Fs are high, and everyone is happy at the end. Musicologist and critic Aksel Tollåli joins us to discuss a lovely opera about a lovely soprano and her lovely mental breakdown. Topics include Risorgimento chauvinism, opera's girlhood era, Lee Pac
Der Rosenkavalier with Ben Miller
Time, nostalgia, and very fancy lesbians? It must be Der Rosenkavalier. Writer, historian, and co-host of Bad Gays Ben Miller joins us for a discussion of Richard Strauss’s four-and-a-half hour work of where both nothing happens and everything happens. Topics include: whether Rosenkavalier is a comedy or tragedy, the Viennese aristocracy, opera queens and mezzosexuals, the “German she-dev
Carmen with Nikola Printz
On Episode 1 of Decanonized, mezzo-soprano Nikola Printz joins us to discuss what many consider to be the greatest opera: Georges Bizet's Carmen (1875). Topics include fate, othering, hating cops, whether Carmen really has to die, why Don José would make the worst camping partner, and the dream blunt rotation of Alexander Chee, Tank Girl, and Susan McClary. For this episode, we saw Carmen
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