Fantasy Writing for Barbarians
Fantasy Writing for Barbarians is a podcast for aspiring fantasy writers, including beginners who may feel like barbarians to the craft. Hosted by Jon Negroni and produced by Natalia Emmons and Bridget Serdock, it offers guidance and inspiration to help develop stories and explore exciting new worlds. Episodes likely discuss writing techniques, worldbuilding, and creative approaches for fantasy fiction.
Episodes
“Just Finish the First Draft” Is Usually Bad Writing Advice
Today on Fantasy Writing for Barbarians, Jon talks about the frustrating gap between recognizing that your work could be better and actually knowing how to improve it. He breaks revision down from the scene level to the paragraph and sentence levels, explains why developing an “ear for story” differs from polishing prose, and makes the case for learning storytelling while you draf
The Problem With “TV Brain Prose”
Today on Fantasy Writing for Barbarians, we unpack what happens when you approach a novel like a TV show that hasn’t been filmed yet. Jon digs into “TV brain prose,” a common problem among aspiring fiction writers whose scenes rely on camera-like description, character blocking, visual information, and dialogue that sounds better with an imaginary actor performing it. Here's
How to Hook Readers in the First Page of Your Fantasy Novel
Today on Fantasy Writing for Barbarians, we’re breaking down a first‑page excerpt from the fantasy writing subreddit and asking a deceptively simple question: what actually makes an opening work? Jon reacts in real time to a dark fantasy opening, unpacking why beautifully written prose can still fall flat without momentum, stakes, or a clear scene engine. And how to avoid starting your novel
How to Write Humorous Dark Fantasy (Like Terry Pratchett!)
Today on Fantasy Writing for Barbarians, we're responding to an email from a listener who wants to know how they can incorporate humor and levity in their dark fantasy novel. They specifically reference Terry Pratchett, so I take a close look at how this works and why it seems far more effortless than it actually is. Check out my latest short story, out now in the anthology "If I Die Before I Wake
How to Write Fantasy in the Age of Short Attention Spans
Today on Fantasy Writing for Barbarians, we’re digging into a question a lot of fantasy writers are quietly wrestling with: has modern fantasy been reshaped by short attention spans? Using Ursula K. Le Guin’s The Left Hand of Darkness as a jumping‑off point, Jon talks about why “hook them on page one” isn’t a universal law, how slow and challenging books earn their pa
How to Know if Your Fantasy is Young Adult, Adult, or New Adult
Today on Fantasy Writing for Barbarians, we're answering a pretty thorny question. When it comes to young adult and adult fantasy, what are the real differences? There are a lot of rules and exceptions to the rules, so it can be a little tricky figuring out how to market your book to the right readers, and plenty of writers are wondering about the ever-elusive "New Adult" category and whether or n
How to Know When Horror Counts as Fantasy
Today on Fantasy Writing for Barbarians, we’re answering a spooky-good question! Does horror count as fantasy? Jon dives into how genres overlap, why dark fantasy works best when it steals from horror’s toolset, and how to write sinister bargains, magical villains, and terrifying atmospheres that feel both otherworldly and grounded. Plus, we unpack a listener’s chilling prologue
How to Avoid Chapters Where Characters Just Talk
Today on Fantasy Writing for Barbarians, we’re answering a hot-button question from the fantasy writing subreddit: is it bad if most of your novel is just people talking? Jon digs into why dialogue-heavy scenes can tank your pacing, when they actually work, and how to build a more dynamic scene structure that doesn’t feel like filler between the “cool stuff.” You can check
How to Reveal Backstories without Boring Flashbacks
Today on Fantasy Writing for Barbarians, we’re tackling a listener email about how writers can unfold a character’s past without overwhelming the reader. Jon breaks down when to use flashbacks effectively, plus how you can handle offscreen POVs. And we reference authors like Robin Hobb to engage with emotional revelations, George R.R. Martin’s approach to one-off POV chapters, an
How to Write Travel Montages
Today on Fantasy Writing for Barbarians, we’re answering a listener email about one of the trickiest parts of writing epic fantasy: the dreaded travel montage. How do you keep the story moving when your characters are literally just…moving? Jon dives into the dos and don’ts of long journeys, how to use travel to reveal character, and when description on its own is actually
When to Give Up on Your Fantasy Novel and When to Start Over
Today on Fantasy Writing for Barbarians, we’re answering a heartfelt listener email about knowing when to walk away from a draft and when to double down. If you’ve ever felt stuck between revising an old novel that no longer excites you and chasing that shiny new story idea, then this episode can help you out. Jon reflects on his own publishing history, including a beloved but unfinish
10 Things Fantasy Writers Can Learn From James Gunn's 'Superman'
Today on Fantasy Writing for Barbarians, we’re looking at what fantasy writers can learn from James Gunn’s Superman. Yes, really. Turns out, this big-hearted, punch-heavy superhero flick has a lot to teach us about crafting godlike characters, writing vulnerability, and making your emotional arcs land harder than a Kryptonian haymaker. In this episode, we break down 10 storytelling les
How to Write Time Magic Without Breaking Your Story
Today on Fantasy Writing for Barbarians, we’re answering an email from a listener wrestling with the cosmic chaos of time magic. They're drafting a novel with temporal twists (bending, looping, and slowing time within a magical system) and they’re spiraling a bit. Can you blame them? Time magic is infamous for breaking stories, confusing readers, and creating paradoxes so convoluted th
How to Edit Your Own Work (and Someone Else's)
Today on Fantasy Writing for Barbarians, we’re answering an email from a listener looking to break into the world of editing. Put simply, how do you do it without getting overwhelmed, underpaid, or lost in the weeds? In this episode, we break down what editing actually means (developmental vs. line editing vs. critique), how to start editing for others and yourself, and why editing is more t
How to Write Dark Fantasy that Doesn't Feel Hopeless
Today on Fantasy Writing for Barbarians, we’re answering an email from a listener deep in the weeds of writing their dark, grimdark high fantasy series. It’s got all the makings of a brutal, layered epic: tangled character histories, world-shifting subplots, and the ever-haunting question...how do you keep hope alive in a story designed to crush it? In this episode, I break down t
3 Signs You Wrote an Unlikable Character – Fantasy Edition
Today on Fantasy Writing for Barbarians, we’re reacting to Carl Duncan’s video, “5 Signs You Wrote an Unlikable Character” through the lens of writing unforgettable characters in fantasy (and we're only addressing 3 of them so you can check out the other two and support his channel!) Whether you’re crafting morally gray heroes, tragic villains, or chaotic-neutral scen
How to Plot Fantasy Heists Readers Will Obsess Over
Today on Fantasy Writing for Barbarians, we’re pulling off a full breakdown of how to write a fantasy heist (Victorian steampunk edition). One of our listeners wrote in with a killer manuscript concept: a disgraced engineer, a team of rogues, and a sentient magical vault that reshapes itself to trap them inside. It’s Six of Crows meets The Prestige, with a twist of Dishonored and
Oblivion Is a Masterclass in Fantasy Writing. Here's Why.
Today on Fantasy Writing for Barbarians, we’re doing something a little unorthodox: I’m diving into what The Elder Scrolls IV: Oblivion—yes, the 2006 RPG recently remastered—can teach us about writing unforgettable fantasy novels. From its cult-favorite guild quests to the eerie Oblivion Gates, this game isn’t just a nostalgic masterpiece. It’s a creative writin
I Break Down the First Lines of My Own Fantasy Story (Here’s What Worked and What Didn’t)
Today on Fantasy Writing for Barbarians, we’re doing something different: I'm breaking down the opening lines of my own fantasy short story, “Songs for the Dead and Drowning”, to show exactly what goes into crafting voice, world, and mood from line one. From interiority to pacing to metaphor as worldbuilding, this is a deep dive into how fantasy prose can do the heavy lifting wit
How to Write Slow Burn Romances
Today on Fantasy Writing for Barbarians, we’re answering a heartfelt question from a fantasy author: how do you write a slow-burn romance in fantasy that keeps readers hooked instead of tuning out? If your lovers can’t be together (yet), how do you keep the tension crackling without stalling the plot? We dig into the alchemy of slow burns: what makes them work, what makes them drag, an
The WORST Writing Advice on the Internet – Fantasy Edition
Today on Fantasy Writing for Barbarians, we’re reacting to video from popular YouTuber Alyssa Matesic about the worst writing advice on the internet, but my commentary will be through the lens of the fantasy genre. From “Show Don’t Tell” to “Write Every Day,” we’re unpacking why common writing rules don’t always hold up in fantasy, and how to apply (
How to Create Your Own Mythologies
Today on Fantasy Writing for Barbarians, we’re diving into the timeless question at the heart of all epic fantasy: how do you create your own mythology? Inspired by a Reddit post from Lexi, a creative writing student working on her thesis in mythopoeia, we’re unpacking why myths are the soul of a fantasy world...and how to build one that feels ancient, sacred, and real. We break down t
How to Write Immortal Characters
Today on Fantasy Writing for Barbarians, we’re answering a deceptively simple question from a listener: how do you write an immortal character? If your hero can’t die, what’s left to fear...and how do you keep their story from feeling, well, lifeless? We’re digging into the listener's character Equia, her mysterious soul-stripping backstory, and the deeper issue behind the
How to Make Healing Magic Work Without Killing the Stakes
Today on Fantasy Writing for Barbarians, we’re answering a classic worldbuilding dilemma: how do you preserve tension in a fantasy story when healing magic exists? If your adventuring party includes a healer, does that automatically destroy your stakes? Or is there a way to keep danger real when wounds can be patched with a flick of the wrist? We’re breaking down the big issue behind &
How to Read like a Writer and Write like a Reader
Today on Fantasy Writing for Barbarians, we’re answering a big question from a new writer: do you need to read a ton of books before you can write one? If you’ve been worldbuilding and dreaming up stories but haven’t read much outside of anime and games, is it even worth starting? We’re breaking down the real relationship between reading and writing, why it’s okay to
How to Turn a Dream Scene into a Real Story Hook
Today on Fantasy Writing for Barbarians, we’re diving deep into one of the most controversial ways to open your fantasy novel: the dream sequence. A listener asks whether they should open with a dream as a prologue or kick off Chapter 1 with it—and we’re breaking down how both could work but why you may want to reconsider... We’re also unpacking why readers often hate dream
How to Avoid the Biggest Prologue Mistakes
Today on Fantasy Writing for Barbarians, we’re diving into the brutal art of the prologue—how to do it right, how to do it wrong, and why so many fantasy authors start their books in the worst possible place. We’re putting a fellow author's submitted prologue under the microscope, dissecting its opening scene with the precision of a literary agent on their third cup of coffee. Wh
Write for the Market or Write What you Love?
Today on Fantasy Writing for Barbarians, we’re tackling the age-old question: Should you write for the market or write what you love? A listener asks if quirky, unconventional story ideas can actually find an audience, or if sticking to what’s popular is the only way to succeed. We’re breaking down the balance between originality and marketability, why chasing trends is a losing
How to Avoid Cliché Monarchies in Fantasy (Without Overthinking It)
Today on Fantasy Writing for Barbarians, we’re taking a hard look at hierarchies in fantasy worldbuilding. An author asks whether they should invent a brand-new ranking system instead of using the classic prince/princess structure—but is reinventing the wheel always the best move? We’re breaking down First Book Syndrome (why new writers try too hard to be original), the right way
How to Make Third-Person Close Feel Immersive and Natural
Today on Fantasy Writing for Barbarians, we’re sharpening our axes and hacking into one of the most powerful storytelling tools: third-person close narration. A listener writes in asking how to wield third close effectively in epic fantasy, What makes it such a strong choice? How do you avoid common pitfalls? And how do you keep the immersion deep without slipping into first-person territory
How to Write Dangerous Trials and Competitions Without Combat
Today on Fantasy Writing for Barbarians, we’re diving into one of the most intriguing challenges in fantasy storytelling: crafting trials and competitions that are dangerous, high-stakes, and compelling—without relying on combat! Inspired by an author prompt, we brainstorm creative ways to test a character’s worthiness for the "throne" beyond the typical sword fights and archery
How to nail first-person voice on the first page (Critique!)
Today on Fantasy Writing for Barbarians, we’re diving into another first-page critique, breaking down what makes an opening scene compelling, immersive, and effective. Particularly when you're using first-person narration! We dig into the first page of a YA fantasy novel from an author looking for feedback on their voice. And then I take a look at what’s working, what could be tightene
How to decide if your chapter is too long
Today on Fantasy Writing for Barbarians, we’re tackling a crucial question for fantasy writers: How long is too long for a chapter? We start by digging into whether long chapters are a turnoff for readers or if length doesn’t matter as long as the content is engaging. With epic fantasy novels often stretching the boundaries of chapter length, we explore the real issue: scene structure,
How to make your story’s empire feel real and threatening
Today on Fantasy Writing for Barbarians, we’re tackling a classic worldbuilding challenge: How do you create a dominant, world-spanning empire without making every villain feel the same? Inspired by a prompt about structuring an overarching antagonist group, I break down why your empire needs layers of control, why real-life history—not just fiction—should guide your choices, and
The worst writing advice I've ever received
Today on Fantasy Writing for Barbarians, we’re confronting one of the most misleading pieces of writing advice out there: “Just Write.” You’ve heard it a million times: just sit down, write every day, push through, and success will follow. But is that actually good advice? Or is it one of the biggest traps holding writers back? Drawing from my own experience as a writer and
How research can help you build believable fantasy worlds
Today on Fantasy Writing for Barbarians, we’re tackling one of the most crucial questions for fantasy writers: How much research is necessary to write a convincing novel? Inspired by a discussion prompt about writing a Flintlock-era fantasy, I dig into why research isn’t just helpful—it’s essential. Whether you’re recreating the intricate details of 18th-century gunpo
How to create prologues that hook readers (Critique!)
Today on Fantasy Writing for Barbarians, we’re revisiting a controversial topic: prologues. Are they essential world-building tools or unnecessary speed bumps in your story? In this episode, I dive into the nuances of prologues through the lens of a detailed critique, offering a step-by-step breakdown of one writer’s attempt. We’ll revisit the big questions from our first prologu
How to write sci-fantasy (w/ special guest Bridget Serdock!)
Today on Fantasy Writing for Barbarians, we’re blasting off into the hybrid world of science fantasy (or sci-fantasy, speculative fantasy, etc)! Whether you’re dreaming up starships powered by magic or crafting a galaxy of necromancers and tech wizards, this episode is your ultimate guide to blending the fantastical with the futuristic. And for the first time, I'm joined by our wonderf
How to avoid boring travel sequences
Today on Fantasy Writing for Barbarians, we’re hitting the road—literally! I dive into an all-too common question: How do you write engaging travel scenes without boring your readers? Drawing inspiration from fantasy classics like The Wheel of Time and A Song of Ice and Fire, we’ll explore strategies to keep your story moving. I’ll break down how to make travel scenes emoti
How to maximize your story's marketability
Today on Fantasy Writing for Barbarians, we're trying something new...video! That's right, you can see me talking for once by checking out this episode on our YouTube channel. As for the episode itself, I answer a listener's burning question: What makes a story maximally marketable? Drawing from examples like Harry Potter, Star Wars, Hunger Games, and more, I break down the patterns and elements t
How much description is too much?
Today on Fantasy Writing for Barbarians, we dive into the delicate balance of description in fantasy writing. How much is too much? And how can you make every detail serve your story? We start by reacting to a fantasy writer's advice request about being inspired by Robert Jordan’s descriptive style, while grappling with whether their own prose is overdone or just right. I break down practica
How to make sure your word count is just right
Today on Fantasy Writing for Barbarians, I tackle one of the most daunting aspects of writing fantasy: word count. Whether you're an aspiring writer working on a middle grade fantasy, a sprawling apocalypse novel, or an epic high fantasy series, word count is often a major obstacle. So let's break it all down! We start by reacting to an advice post from a writer struggling to balance creativity an
How to get atmosphere right on page one (Critique)
Today on Fantasy Writing for Barbarians, we’re kicking off the new year with a live critique! I take a close look at an excerpt from an aspiring fantasy author and go deep on what works, what doesn’t, and how all of you can better sharpen your first pages. The main theme of this particular critique is atmosphere, specifically when it comes to using vivid prose and natural dialogue
How to write captivating dialogue
Today on Fantasy Writing for Barbarians, we're diving into one of the trickiest (and most rewarding) parts of writing fantasy: crafting great dialogue. Whether you’re building tense exchanges between rivals or heartfelt moments between friends, dialogue can make or break a scene. So we fittingly have much to talk about! We’ll start with how “show, don’t tell” applies
How to name your fantasy characters
Today on Fantasy Writing for Barbarians, I tackle one of the most fun—and challenging—aspects of crafting a fantasy world: naming your characters. Whether you’re conjuring a brave hero, a sinister villain, or a mysterious supporting character, the right name can add depth, cultural significance, and storytelling power to your narrative. Join me as we explore tips and tricks for creating names that
How to title your fantasy novel
Coming up with a title for your fantasy novel can be a lot of fun, but also a lot of STRESS. So today on the show, I tell some of my own stories about how I've titled my work over the years, exploring tips and tricks and industry trends that can help you figure out the how and why of your title before you settle on the what. Email your show feedback and/or advice prompts to fantasywritingforbarba
Reading your comments! Uh oh!
Conventional wisdom says to never read the comments, but today on a special Thanksgiving episode of the podcast, we're breaking the rules in ways only the fantasy genre can. That's right, we've gotten a fair number of comments and feedback on the show recently, so to give our wonderful producers a break, I'm responding to a list of questions, observations, accusations, and what some might even con
How to make an outline that works for you
Some people think that they don't need outlines. Or that their outline should be this massively intricate, chapter-by-chapter blueprint that has to be all figured out before you start writing a single word. Well, it turns out that the "right outline" is going to be a little different for every kind of writer. But even those who pride themselves on purely "discovery" writing, can benefit greatly fr
First Page Critique: Interiority is your friend
Your first few sentences are the most crucial words of your entire story. So today on the show, I’m doing something a little different: critiquing an opening page from a writer seeking feedback on their high fantasy novel. I talk about the need for interiority (a character's internal thoughts and voice) when providing much-needed context and framing for the first scene. I discuss how "show, don't
How to write overpowered protagonists
If your main character is "overpowered," that's not necessarily a bad thing. The key is to make sure you find weaknesses that complement both the character and the story they're driving. So today on Fantasy Writing for Barbarians, I take a look at a prompt asking for feedback on a particularly overpowered protagonist. I use plenty of familiar examples of "op" characters done well and discuss the b
How to write female protagonists
Let's be real. A lot of authors (especially men like me) tend to fall short when writing female characters, let alone protagonists. There are all kinds of stereotypes, cliches, and blindspots that we're told to avoid. But at a certain point, it can all start to feel like we're fulfilling a checklist. When really, our goal should be to write complex characters that resonate with readers across the
Why you shouldn't write your novel like it's a movie
Your novel is a novel, not a movie or TV show. And that's not a bad thing! We can do a ton with novels that won't work nearly as well in a screenplay and vice versa. So if you find yourself struggling to make your writing more "cinematic," or for it to follow a visual scene in your head, this might be the episode for you. Email your show feedback and/or advice prompts to fantasywritingforbarbarian
Writing Advice from Literary Agent/Editor Brenna English-Loeb
Our special guest today is Brenna English-Loeb, a literary agent for Transatlantic Literary Agency and the founder of BEL Tower Editorial, a developmental editing business where she helps authors craft rich, compelling stories across multiple genres, including of course fantasy. Brenna English-Loeb was kind enough to answer a bunch of questions from our community and beyond, like how to know when
When prologues work and when they don't
Just say no to prologues. Right? Well, usually, yes. But there's a reason a lot of the most famous fantasy novels of all time just so happen to have (you guessed it) prologues. Even though a prologue or prelude or "chapter 0" is most likely unnecessary and maybe even detrimental to your own novel, it's smart to understand how they can sometimes work well in the best case scenario. So today on Fant
How to master your magic system
Today on Fantasy Writing for Barbarians, I critique a magic system from an author who worries their idea might put them in a corner down the road. I get into the differences between hard and soft magic systems, some positive indicators that you're developing a good one, and ultimately how to make sure the rules and creative support and enhance your story and character. Email your show feedback and
How to unlock your fantasy writing potential
One of the hardest things about writing a fantasy novel (or any novel) is starting. Where do you even begin? And how do you know if you're even ready? Today on Fantasy Writing for Barbarians, I talk all about overcoming those creative blocks that can mess up our writing process. Especially if you're just trying to get started. I take a look at an advice prompt from an aspiring writer who feels lik
How to write love interests who aren't one-dimensional
If you're writing a fantasy romance — or maybe just a fantasy with some romance — then at some point you're probably going to wonder if your love interest is compelling enough. Readers typically bemoan one-dimensional love interests who don't really have their own character arcs. When they're just props in the story or merely an extension of the main character instead of their own character. So in
How to make your fantasy map feel true-to-life
Most fantasy stories benefit from a great map. But is it really ok to draw upon real-world geography as inspiration? Well, yeah! There are certainly some do's and don'ts when it comes to mirroring real locations, but it usually comes down to when and how you start thinking about your setting as a living, breathing, world. Not just an abstract idea. So today on Fantasy Writing for Barbarians, I tal
How to find original ideas with Kate Brauning
Special guest Kate Brauning (creator of the Breakthrough Writers' Bootcamp) joins me today to answer a particularly dicey question about original ideas. What if your concept for a new fantasy story has already been done before? Kate and I discuss the current landscape of publishing in the fantasy genre and how to break through the noise with your novel. We also get into strategies for finding succ
How to make your inciting incident make sense
Your inciting incident is going to be one of the most crucial moments in your entire story. No pressure, of course. So today on Fantasy Writing for Barbarians, I take a look at a prompt from a fantasy writer who's having trouble making logical and emotional sense out of their inciting incident. Plus they're struggling with the motivations of a key (albeit minor) character. As usual, I give some un
How to create fantastical worlds that aren't overwhelming
We all want our stories to be fantastical and original. But when does a novel have "too many things?" Balancing fantastical elements with simple, efficient storytelling is a serious challenge, but that's where this podcast comes in. Today on Fantasy Writing for Barbarians, I dig into a prompt from a writer who wants to know if their story is too "out there" with its fantastical world-building. I p
How to hook readers in the first scene with Craig Hanks
Special guest Craig Hanks (host of The Legendarium Podcast) joins me today as our first official guest here on Fantasy Writing for Barbarians to talk all about hooking readers with your first scene. We critique the first 240 words of a dark fantasy excerpt, which focuses on the concept of possession (you can find the original prompt here). Craig and I also tackle how to infuse your first scene wit
How to develop smart themes without even trying
First of all, what even are themes? In this episode of Fantasy Writing for Barbarians, Jon Negroni takes a look at the intricacies of themes and how we should look at them as authors. He starts by reacting to a recent comment from one of our listeners and then discusses the role of themes as opposed to conflict and how to avoid preachy writing. Jon also takes a look at another prompt asking if it'
How to craft a believable fantasy setting with nuance
In today's episode of Fantasy Writing for Barbarians, Jon Negroni discusses the intricacies of crafting compelling in-world societies, focusing on the role of historical context and the nuances of belief systems within fantasy settings. Jon also encourages writers to explore their ideas deeply and to draw inspiration from their real-world influences while also allowing for creative liberties in de
How to make your worldbuilding more efficient and meaningful
Balancing effective worldbuilding with efficient plot progression can be a true challenge when writing fantasy. You want your readers to immerse themselves in the world you've created, but when is the right time to even come up with all the lore? Before you start drafting? During? After? Never? OK, not that last part, but you get the idea. In this episode of Fantasy Writing for Barbarians, Jon Ne
The risks and rewards of having multiple POV characters
In this episode of Fantasy Writing for Barbarians, Jon Negroni discusses the complexities of switching points of view (POVs) in fantasy writing. He explores a prompt from a fantasy author about writing a series with multiple POVs, emphasizing the risks and rewards of this approach. Jon also delves into some examples of experimental POV choices done right, the common pitfalls of mixing first and th
How to turn a good fantasy idea into an actual story
Have an interesting fantasy idea for your novel? A lot of us do! The problem comes when you try to write the dang thing into an actual story with well-rounded characters, exciting plots, and all the other nitty gritty details. A lot of folks will tell you to "just write." Or "just outline." But there's another way to avoid the revision churn, which is where this episode of Fantasy Writing for Barb
How to avoid writing clichéd main characters
Email your show feedback to fantasywritingforbarbarians@gmail.com or join our Discord. Our prompt this week can be found here. Fantasy Writing for Barbarians is hosted by Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find more episodes of this podcast on both our feed and InBetweenDrafts.com.See omnystudio.com/listener f
Recommended
Yours Truly Johnny Dollar Collection
Take Back Your Health®
CBS Radio Mystery Theater | Old Time Radio
Solved Murders - True Crime Stories
紐約鳥｜New York Aperture
The Swerve Podcast: Obscure Topics | Conspiracy Theories
The Bread and Banter Podcast
The Church of What's Happening Now: The New Testament
Busted Open
Deadline: White House
Crickets Corner
History of the Earthquake and Fire in San Francisco
