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Chopping It Up

Chopping It Up

choppingituphorrorpod 59 episodes Latest May 23, 2026

A podcast discussing horror movies both new and old. Each episode compares and contrasts two horror films, connecting them via themes, tropes, motifs, actors, and subgenres. The goal is to explore the evolution of the horror genre and how these films interact with each other within the cinematic landscape. Coverage includes remakes, sequels, reimaginings, and reboots of classic films, spanning slashers, vampire movies, zombie movies, Lovecraftian films, monster movies, psychological horror, and more.

Episodes

Friday the 13th Parts III & VIII — Birth of a Legend, End of an Era Jun 11, 2026 5306 Slasher Season is back, and we're going all the way in on the greatest horror franchise of all time — no, Joel, you don't get a say in that. Jesse pairs Friday the 13th Part III and Jason Takes Manhattan as the alpha and omega of the franchise: the movie that gave Jason his hockey mask, and the movie that sent him packing to the Big Apple. Jeannie watched both for the first time and would like her
Did You Know Oliver Stone Made a Horror Movie? May 23, 2026 2816 This week on Prime Cuts, the crew watches a forgotten slice of early Oliver Stone — The Hand (1981), starring a very committed Michael Caine as a comic strip artist who loses his hand in a car accident and slowly loses everything else. His marriage, his sanity, and apparently several people in his vicinity. Jesse, Jeannie, Joel, and a special guest who definitely watched Conan the Barbarian instea
Siege Horror, Satan in a Jar, and Reshoots: Prince of Darkness with guest, ActorThom Bray May 7, 2026 6265 This week we're chopping up the second entry in Carpenter's Apocalypse Trilogy — and we brought backup. Actor Thom Bray joins us to talk about landing the most memorable kill in the film, what it was actually like to get impaled by a bicycle with Alice Cooper, and why Carpenter told him to dial it back on the blood. We also get into the theology, the theoretical physics, the goo, and whether Princ
Jesse's 70s Art House Obsession Strikes Again: Let's Scare Jessica to Death Apr 11, 2026 2762 What does it look like to live deliciously on the wrong side of sanity? Jesse brings the crew to 1971 Connecticut for John D. Hancock's haunting folk horror gem. Part psychological thriller, part vampire mythology, part counterculture eulogy — Let's Scare Jessica to Death is the kind of movie that asks you to do the work, and rewards you for it. The CIU crew unpacks Charon and the underworld, the
He Just Moved Boroughs: Blacula and Vampire in Brooklyn Apr 2, 2026 4065 We recorded this one back in February to close out Sled dSeason, and we've been sitting on it — but good things are worth the wait. A Black History Month double feature that earns its place: both films follow the same blueprint — a Black vampire dropped into a modern urban landscape, chasing a reincarnated love and dragging a Renfield-type ghoul behind him. The parallels are undeniable. Blacula is
Blair Witch Put Germantown on the Map, Babies: Blair Witch Project and Hell House Mar 20, 2026 4769 In this episode of Chopping It Up, the crew dives into the origins of found footage horror with The Blair Witch Project and Hell House LLC—and this one hits especially close to home. Literally. Jesse, Joel, and Jeannie all grew up in the Maryland area where Blair Witch was filmed, adding a personal layer to the conversation as they reflect on seeing the film during its original release and the ver
The Investors Spent the Budget on Their Roofs: Messiah of Evil (with Final Girls) Mar 5, 2026 5123 The Chopping It Up crew teams up once again with Kellie and Sarah from The Final Girls to dig into the dreamy, unsettling cult oddity Messiah of Evil (1973). What starts as a missing-father mystery in a creepy coastal town quickly turns into a discussion about art-house horror, eerie atmosphere, and some truly unforgettable scenes (looking at you, supermarket). Along the way we debate whether this
Puss in Boots Gave Rimmick His Eyes: Sinners Feb 25, 2026 3612 In this Prime Cuts episode, we sink our teeth into Ryan Coogler’s Sinners (2025) — a Southern gothic vampire tale set in 1932 Mississippi. When twin brothers return home to open a juke joint, the night spirals into bloodshed, forcing us to ask: is this elevated horror with bite, or a beautiful mess? We debate the film’s themes of race, religion, and cultural theft, argue about its pacing and vampi
The Throuple Made Them Do It: Heart Eyes Feb 14, 2026 2068 This week on Prime Cuts, we’re talking Heart Eyes (2025) — a Valentine’s Day slasher that mixes rom-com charm with masked-killer chaos. When the “Heart Eyes Killer” targets couples in Seattle, marketing exec Ally and her suspiciously charming coworker Jay find themselves fighting for their lives… and maybe catching feelings along the way. It’s self-aware, fast-paced, and packed with holiday-themed
Saturday Afternoon Movies: Big Trouble in Little China and The Golden Child Feb 5, 2026 5604 This week on Chopping It Up, the crew revisits two ’80s cult favorites with shared DNA but very different execution: Big Trouble in Little China and The Golden Child. The discussion explores why Big Trouble thrives as a confident genre mash-up—subverting the action hero, embracing mythological chaos, and fully committing to its weirdness—while The Golden Child often feels held back by studio expec
Prime Cuts 23 - Welcome to Derry Jan 19, 2026 3912 n this Prime Cuts episode, the crew heads back to Derry, Maine to slice into Welcome to Derry, the newest dip into Stephen King’s ever-expanding IT universe—minus Jesse, who we’re told was “busy,” but we assume was avoiding homework and timelines. The gang breaks down how the show smartly uses Derry’s long history of trauma, structuring the story around past atrocities while keeping the “every 27
Prime Cuts 22 - Bloodbeat Jan 2, 2026 3484 This week on Prime Cuts, we tackle Blood Beat—a holiday-adjacent regional horror oddity that defies explanation. Featuring telekinetic samurai armor, psychic trauma, wooden performances, and vibes that feel more manifested than written, this film exists in a category entirely its own. We break down what Blood Beat is (and definitely isn’t), why it barely functions as a slasher, and how its surreal

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