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TAXI TV

TAXI TV

TAXI Independent A&R 406 Episodes Jun 30, 2026

TAXI TV is a podcast by TAXI, the world's leading independent A&R company. It provides music opportunities with record labels, music publishing, and film & TV placements. The show offers insights and tips for musicians looking to advance their careers.

Episodes

Music Pros vs. Hobbyists Part 2_ Sync Licensing Secrets from Industry Veterans[062926] Jun 30, 2026 01:06:18 What separates professional musicians from hobbyists when it comes to sync licensing? In Part 2 of this TAXI TV conversation, Michael Laskow continues his discussion with Grammy-winning producer and mixer Rob Chiarelli and producer, songwriter, and film/TV music supervisor Michael Lloyd. This episode goes deeper into the sync side of the music business — including what music supervisors, produce
Music Pros vs. Hobbyists_ What Really Separates Them_[062226] Jun 23, 2026 01:15:45 What really separates music industry professionals from hobbyists? Is it talent? Connections? Expensive gear? Or is it something much deeper? In this episode of TAXI TV, Michael Laskow sits down with legendary producers, engineers, songwriters, and music industry veterans Rob Chiarelli and Michael Lloyd for an honest conversation about what they've learned from decades at the highest levels of t
Sync Licensing Mistakes Music Libraries Notice Immediately![061526] Jun 16, 2026 01:41:09 Why do some talented composers consistently land sync placements while others keep getting overlooked? In this episode of TAXI TV, music library owner, composer, and longtime TAXI member Chuck Henry shares the common mistakes he sees from the library side of the sync business—mistakes that can quietly cost composers valuable placements. After decades in the industry, Chuck has reviewed thousands
How to Make Instrumental Cues More Licensable for TV & Film_.[060826]mp4 Jun 9, 2026 01:47:24 What makes one instrumental cue instantly more licensable than another? In this episode of TAXI TV, successful TAXI member, composer, and author Dean Krippaehne shares practical, real-world tips that can dramatically improve your chances of landing sync placements in TV, film, commercials, and production music libraries. Drawing from his book Cue Tips, Dean breaks down the small but critical det
Commercials vs Film & TV_ The REAL Secret to Higher-Paying Sync Placements![060126] Jun 2, 2026 01:35:56 Why do some music placements in commercials pay significantly more than TV and film, and how do you actually get them? On this episode of TAXI TV, we sit down with successful sync writer and producer John Pearson to break down exactly what changes when you shift from writing for film & TV to writing for advertising. John’s music has landed worldwide advertising placements with major brands like
Inside a TV Editor’s Mind_ How Music Gets Chosen for TV![051826] May 19, 2026 01:40:08 Want to know how TV editors actually choose music for shows? In this TAXI TV episode, veteran TV editor and executive producer Biagio Messina breaks down the real-world TV editing process — from building scenes and shaping emotion to selecting, cutting, and using music in television. Learn: ✔ How TV editors find and use sync music ✔ What makes production music “usable” for editors ✔ Why some tra
Ask Michael Anything_ Sync Licensing Tips, AI Music, & TV Placement Secrets![051126] May 12, 2026 01:42:28 Want to get more music placements in TV, film, trailers, and sync licensing? In this TAXI TV “Ask Michael Anything” episode, we answer real questions about music licensing, sync placements, production, AI music, contracts, developmental arcs, edit points, home studio production, and how to succeed in the music library world. Learn: ✔ Why some tracks never get placements ✔ The biggest mistakes in
Inside a Pro Track_ Developmental Arcs & Edit Points (Live Breakdown)![050426] May 5, 2026 01:33:00 Want to write music that actually gets placed in TV and film? In this TAXI TV episode, we break down a real production music track to show how developmental arcs, edit points, and structure make your music sync-ready. Learn how to: ✔ Build tracks for sync licensing ✔ Add clean edit points for editors ✔ Create dynamic arrangement and transitions Featuring TAXI member Steve Barden, author of Writ
What Nashville Is REALLY Looking For in Country Songs (Right Now)_[041326] Apr 14, 2026 01:41:55 What does Nashville actually listen for when deciding whether a country song gets cut—or passed on? In this TAXI TV live stream, we’re joined by Steve Bloch, a veteran Nashville music publisher, song plugger, and A&R professional who’s been working in the Music Row community since 1993. Steve has had songs cut by major artists including Faith Hill, Lee Ann Womack, Dierks Bentley, and Cody Johnso
Why Editors Reject Your Music (vs What They Actually Love)![040626] Apr 7, 2026 01:44:26 Why isn’t your music getting placed in film and TV, even when it sounds great? Most composers assume that high-quality production is enough to land sync placements, but in reality, music for film, TV, and media is chosen very differently. In many cases, it’s not the music supervisor making the initial call—it’s the video editor. And editors aren’t looking for the most impressive or complex track
Why YOUR Music Doesn’t Get Placed (Sync Agent Explains)![033026] Mar 31, 2026 01:33:57 Why isn’t your music getting placed...even when it sounds good? In this episode of TAXI TV, I’m joined by sync agent Jim Thacker, who started out as a TAXI member and now represents music for placements in film, TV, and media. Having worked on both sides of the business, Jim shares what actually happens after you submit your music and why some tracks move forward while others don’t. We cover: •
Reasons Your Music Isn’t Getting Licensed (And How to Fix It)![032326] Mar 24, 2026 01:41:34 Why isn’t your music getting sync placements? If you’ve been submitting for film & TV opportunities but not getting licensed, this episode of TAXI TV breaks down 20 common reasons your music isn’t getting placed and what you can do to fix it. TAXI CEO, Michael Laskow, is joined by special guest Greg Carrozza to talk about the real reasons songs don’t get licensed for film, TV, ads, and trailers.

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