Home Podcasts Mixing Music | Music Production, Audio Engineering, & Music Business
Mixing Music | Music Production, Audio Engineering, & Music Business

Mixing Music | Music Production, Audio Engineering, & Music Business

@DeeKeiMixes 436 Episodes Oct 13, 2026

The Mixing Music Podcast is a guide for music producers, audio engineers, and independent artists, covering topics like recording techniques, mixing, mastering, sound design, and the music business. Hosted by professional mix engineers Dee Kei, Lu Moreno, and James Parrish, the show features industry insights and gear recommendations. The hosts have worked with major artists and labels such as Universal Music Group and Sony Music.

Episodes

How to Get More Mixing Clients by Giving More: The Go-Giver Philosophy for Audio Engineers
How to Get More Mixing Clients by Giving More: The Go-Giver Philosophy for Audio Engineers Oct 13, 2026 4972 Two people asked Dee Kei the same question this week, one for a school project and one just out of curiosity: how do you actually get more clients? The answer he keeps coming back to, the one he's bought copies of a book to force on his own interns, is not what most people expect. Give more.The book is The Go-Giver by Bob Burg and John David Mann, 122 pages, readable in a single sitting, and s
Are Gear Clones Worth It? Expectation Bias, the McGurk Effect, and Why the Story Matters More Than the Sound
Are Gear Clones Worth It? Expectation Bias, the McGurk Effect, and Why the Story Matters More Than the Sound Oct 6, 2026 4773 Lu brought a topic this week that sounds simple on the surface and gets complicated fast: gear clones. Are they worth it? Do they sound like the original? And does any of that actually matter?Dee and Lu start with the basic problem at the heart of every clone purchase — the marketing of a clone borrows the reputation of its predecessor to make the sale, which immediately creates an expectation the
I Tested 3 Preamps on My Own Mixes — Here's What I Actually Heard (And What It Means)
I Tested 3 Preamps on My Own Mixes — Here's What I Actually Heard (And What It Means) Sep 29, 2026 4113 Dee borrowed some preamps this week. Not to review them — to test them. And what he found was equal parts technical and philosophical, which is exactly the kind of episode this one turned into.He walks through his methodology in detail: running mixes through an AML ez1073, a CAPI VP28, and a Kahan Solid 4000 analog hardware unit, volume matching by perceived loudness down to 0.1 dB increments, and
How to Build Real Relationships in the Music Industry — Without Networking
How to Build Real Relationships in the Music Industry — Without Networking Sep 22, 2026 4333 This one started with a DM. A listener named Solomon wrote in describing something almost every engineer has felt but rarely admits to: he'd worked intensely with an artist for a year, and the day they released a new song mixed by someone else, he felt cheated on. He knew it was childish. He said so himself. He asked how Dee and Lu deal with it.What followed was one of the longer, more wide-ra
Building a 1176 Compressor From Scratch: What I Learned From the Hairball Audio DIY Kit
Building a 1176 Compressor From Scratch: What I Learned From the Hairball Audio DIY Kit Sep 15, 2026 2884 Dee Kei is building a compressor. Specifically, a 1176 Rev A blueface/silverface clone from Hairball Audio in Seattle — unsponsored, bought with his own money, and not yet finished at time of recording. That last part is intentional. He wanted to talk about the build process before the result, because the process is the point.He walks through everything: what it was like to approach a kit with no
Are Audio Engineers Underpaid? What a Low Job Posting Reveals About Engineer Wages and Self-Worth
Are Audio Engineers Underpaid? What a Low Job Posting Reveals About Engineer Wages and Self-Worth Sep 8, 2026 4936 This episode almost didn't get released. Dee and Lu spent 20 to 30 minutes before recording debating whether to even touch this one. They went ahead — and it's one of the more honest, nuanced conversations the show has had about money, ego, and what engineers actually owe each other.The spark: a Facebook post from a professional musician and audio engineer who attended the same college pro
What We Taught at the Mixing Masterclass: Pricing, Compression, LUFS, and the Value of a Mix Engineer
What We Taught at the Mixing Masterclass: Pricing, Compression, LUFS, and the Value of a Mix Engineer Sep 1, 2026 3834 This episode is a recap — and an expansion — of the six-hour Mixing Masterclass that Dee Kei hosted live in his LA studio. Lu was in the room. The audience brought mixes. Things got real. Now Dee and Lu bring the best of it to the podcast, including the things they didn't get to cover in person.The first and most important topic: what is the actual value of a mix engineer, and how should that
Is Analog Gear Making a Comeback? Plugin Fatigue, Hardware Resurgence, and the Future of the Studio
Is Analog Gear Making a Comeback? Plugin Fatigue, Hardware Resurgence, and the Future of the Studio Aug 25, 2026 2254 Fair warning: Dee Kei opens this one by saying he doesn't know if he's going to release it. Congratulations — you found it.This is a looser, more speculative episode than usual, and that's exactly the point. Dee brings a theory he's been sitting with: that the rise of AI tools and plugin saturation is quietly driving a resurgence in the value of analog gear — not because analog is
Why Talented Engineers Say No to Opportunities — Imposter Syndrome, Thinking Fast and Slow, and Career Confidence
Why Talented Engineers Say No to Opportunities — Imposter Syndrome, Thinking Fast and Slow, and Career Confidence Aug 18, 2026 4269 Lu brought the topic this week — and it's one of the most universally felt things in audio that nobody talks about directly: the feeling of not belonging in the room. Not because you don't have the skill. Not because you don't have the credits. Just because the feeling is there, and most people let it make the decision for them.The episode opens with Lu sharing what he keeps hearing in
Analog Plugins vs. Hardware: What Blind Tests Actually Show — And Why Engineers Still Buy Gear Anyway
Analog Plugins vs. Hardware: What Blind Tests Actually Show — And Why Engineers Still Buy Gear Anyway Aug 11, 2026 3600 This episode starts with a confession: Dee Kei wants a new compressor. Specifically, he's been eyeing the Heritage Audio Grandchild 670N — a $3,000 stereo Fairchild-style compressor in a 5U rack unit that launched in late 2025. From there, the episode opens up into something much more interesting than a gear review.Dee and Lu walk through exactly what makes the original Fairchild 670 so mythol
Ozone Assistant, Auto-Tune, Dynamic EQ — Have We Always Been Using AI? A Solo Deep Dive
Ozone Assistant, Auto-Tune, Dynamic EQ — Have We Always Been Using AI? A Solo Deep Dive Aug 4, 2026 2493 Lu's on vacation. Dee Kei is alone with a page of talking points and one of the most contested topics in audio engineering right now — and the result is one of the most thoughtful solo episodes the show has produced.This is not an episode about which AI tools Dee uses or recommends. It's about something harder to talk about: how engineers think about delegation, what happens when a probabi
What Your Personality Type Says About You as a Mix Engineer — The Big Five OCEAN Deep Dive
What Your Personality Type Says About You as a Mix Engineer — The Big Five OCEAN Deep Dive Jul 28, 2026 5234 Before you do anything else, pause this episode and go take the Big Five personality test at https://bigfive-test.com/ — it's free, open source, and it's the entire point. Dee Kei and Lu share their results live on the show, and if you don't know your own numbers, this episode won't hit the same.The Big Five — also called the OCEAN model — is the only personality framework that psy

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