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Out of Frame

Out of Frame

Platform Media for CrewHQ at Warner Bros. Studios Leavesden 30 Episodes Jul 1, 2026

The blockbusters, the big moments, the incredible actors. Who are the people working alongside your favourite stars? And how can you do the same? This is Out Of Frame, the podcast where we explore the work of below-the-line crew, the people who make everyone - and everything - unforgettable. That’s costume designers, make up artists, creature special effects and stunt riggers; to understand what it takes and how you can do the same. Join presenter Yinka Bokinni every week to meet these people and hear their stories. Out of Frame is produced by Platform Media for CrewHQ at Warner Bros. Studios Leavesden.

Episodes

Production Buyers: What can you buy from a prop house? Jul 1, 2026 1798 Where do you go to buy a sarcophagus? Or a pig’s head? Or a floating bath? Film sets require all kinds of things - but finding them isn’t always easy. Melloney Cunnell and Zoe Gold are both production buyers - which means that they are responsible for sourcing, renting and purchasing all the props and set dressing for a production. Mel and Zoe share stories on what it takes, and why they’re waving
Crowd 2nd Assistant Director: How to (not) stand out in a crowd Jun 24, 2026 1561 We all have our favourite faces in cinema - but what does it take to be a background actor? Crowd 2nd Assistant Director Demitra Coulson tells us how she manages over 300 extras at once, and shares stories of working on One Day, Bridgerton and Tom & Jerry: The Movie. This is Out of Frame, where we celebrate and explore the work of below the line roles in film and TV. Out of Frame is produced by P
Script Supervisor: Continuity in The Crown Jun 17, 2026 1726 Movies take a long time to film, and that means they are rarely shot in chronological order - but the end result has to look seamless. Script supervisor Alana Marmion-Warr spills the beans on how a film stays consistent, and shares stories of working on Wonka, The Crown and Ready Player One. This is Out of Frame, where we celebrate and explore the work of below the line roles in film and TV. Out
The Set Decorator: Lee Sandales Dec 17, 2025 2228 Merry Christmas! This week we’re getting into the festive spirit by stepping inside the set of your favourite family movies. Yinka meets Academy Award winning set decorator Lee Sandales. This is Out of Frame, where we celebrate and explore the work of below the line roles in film and TV. Lee shares stories of creating the set for Wicked, the Harry Potter franchise and Wonka. Out of Frame is pro
The Sign Painter: Jorge Jacobs Dec 16, 2025 2109 A sign painter - or scenic artist - is responsible for creating all hand-painted signage on a film set - from old school shop signs, to futuristic logos from another world. Yinka meets sign painter Jorge Jacobs to hear all about the artistic touch that he brings to productions. This role requires artistic skill, a knowledge of different lettering styles and techniques, and the ability to work und
The Prop Master: Lee Wiseman Dec 16, 2025 1880 From the books in a bedroom, to the throne of a leader, it's the details that make a film set feel like a whole world. This week, Yinka meets someone in charge of filling film sets with fascinating objects - or props, for those in the know. This is Out of Frame, where we celebrate and explore the work of below the line roles in film and TV. Lee Wiseman shares stories of working as a prop master
The Post Production Trainee: Kareem Adelekan Nov 26, 2025 1864 What happens when the cameras stop rolling? How is all that glossy footage made into a blockbuster movie?  This is Out of Frame, where we celebrate and explore the work of below the line roles in film and TV. Yinka meets trainee Kareem Adelekan, who through CrewHQ, is working to edit the visuals within post production. Kareem shares stories of joining Warner Bros. and how editors piece together
The Production Controller: Dominique Tucker Nov 19, 2025 2017 What does it take to get a production greenlit for filming? This week, Yinka meets someone who is a part of the crew from the word go - production controller Dominique Tucker. This is Out of Frame, where we celebrate and explore the work of below the line roles in film and TV. Dominique shares stories of working with some of the biggest studios around, and the financial advice any good filmmaker
The Sound Mixer: Paul Munro Nov 12, 2025 1548 The way a movie looks is only one piece of the pie - a great film needs to sound amazing too. From dialogue that makes you sit on the edge of your seat, to mind-blowing sound effects. All of this comes under the work of a talented sound mixer. This is Out of Frame, where we celebrate and explore the work of below the line roles in film and TV. Paul Munro has led the sound department on huge prod
The Production Manager: Boo Motjuoadi Nov 5, 2025 2150 Someone who works across every department is the production manager. Based both on set and in the office, production managers are responsible for ensuring a shoot goes smoothly. Boo Motjuoadi shares stories of the challenges that come with being a production manager - from negotiating with rental houses, to supporting the mental health of cast members. This is Out of Frame, where we celebrate and
The Prosthetics Designer: Kristyan Mallett Oct 29, 2025 2236 Happy Halloween! With the spooky season upon us, what better time than now to explore how a gory scene comes to life. This week, Yinka meets Kristyan Mallett - a make-up artist who specialises in special effects and prosthetics. Kristyan shares stories of working on horrors, thrillers, action movies and everything in between - including Black Mirror, Mission Impossible and Aquaman. This is Out of
The Cinematographer: James Friend Oct 22, 2025 2513 When it comes to the below the line team, someone who is responsible for the very building blocks of a production is the cinematographer - also known as the director of photography. Academy Award-winning cinematographer James Friend manages the overall look of a film or television production. He joins Yinka to explore how to translate a director’s ideas into images, and what it was like to work on

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