Discord and Rhyme: An Album Podcast
A music podcast where the hosts discuss their favorite albums, going through them song by song. Each episode focuses on a single album, providing in-depth analysis and personal reflections.
Episodes
This Is Comp: The Wrecking Crew! Disc 2, Tracks 2-6
Back to the Wrecking Crew! Since "Good Vibrations" got its own showcase as it deserves, this is tracks 2-6, including some of the best sunshine pop and some of the most annoying protest music, all performed expertly by the best musicians in Los Angeles.
Songs:
The Mamas and the Papas - California Dreamin'
Tommy Roe - Dizzy
Barry McGuire - Eve of Destruction
The Association - Windy
The 5th
This Is Comp: The Wrecking Crew! Good Vibrations
If there was ever a song that deserved a whole episode to itself, it's the Beach Boys' "Good Vibrations." A psychedelic masterpiece assembled bit by bit over several months and several studios, on paper it shouldn't have worked - but with the help of the Wrecking Crew, the Beach Boys successfully brought Brian Wilson's musical vision to life. It's become so familiar to everyone at this point that
175b: Fleetwood Mac - Fleetwood Mac (1968) and Fleetwood Mac (1975) Sides Two
This quarterly double feature is about Fleetwood Mac for a couple of reasons: because they’re a very interesting and important band, and because they have two self-titled albums that sound nothing like each other. Launched by Peter Green in 1968 as a British blues band, in less than a decade they became an unstoppable California pop-rock monster. Their progression from one to the other is one of t
175a: Fleetwood Mac - Fleetwood Mac (1968) and Fleetwood Mac (1975) Sides One
This quarterly double feature is about Fleetwood Mac for a couple of reasons: because they’re a very interesting and important band, and because they have two self-titled albums that sound nothing like each other. Launched by Peter Green in 1968 as a British blues band, in less than a decade they became an unstoppable California pop-rock monster. Their progression from one to the other is one of t
This Is Comp: Weird Al's The Alternative Polka (1996), Tracks 7-12
This week, we dive into the second half of "Weird Al" Yankovic's tribute to the alternative rock format, featuring angsty anthems from Smashing Pumpkins and Soundgarden, the return of America's brother-in-law Anthony Kiedis, and a song that Rivers Cuomo stole from this medley, so we're stealin' it back.
Co-hosts: Rich Bunnell, Phil Maddox, Ben Marlin
Tracklist:
Smashing Pumpkins - Bullet with Bu
Eight Thousand Million Questions: Listener Q&A 8.2
For this year's Q&A episode, we asked you guys what artists and albums you'd like to hear us cover on the show, and you did not disappoint! We got literally hundreds of suggestions, and we did our best to narrow them down but we still ended up having to split this episode into two parts. We published Part 1 last week, and here's Part 2 right here. We had a great time talking about everything from
Eight Thousand Million Questions: Listener Q&A 8.1
For this year's Q&A episode, we asked you guys what artists and albums you'd like to hear us cover on the show, and you did not disappoint! We got literally hundreds of suggestions, and we did our best to narrow them down but we still ended up having to split this episode into two parts. Part 1 is right here, and you'll hear Part 2 next week. We had a great time talking about everything from Bob D
This Is Comp: Weird Al's The Alternative Polka (1996), Tracks 1-6
This week, we don our lederhosen and celebrate the return of our compilation series dissecting "Weird Al" Yankovic's polka medleys, on which he rounded up and lovingly lampooned the chart music of the day. Originally released on his 1996 album Bad Hair Day, "The Alternative Polka" was Al's attempt to catalog the emerging radio format of alternative rock, though the artists in this batch cover so m
174: Harry Nilsson - Nilsson Schmilsson (1971)
By the late 60s, Harry Nilsson’s songs had a way of showing up everywhere, from TV and movies to other people’s hit records. However, it was 1971’s Nilsson Schmilsson that finally scored him a bona fide hit album, spawning three hit singles and a Grammy win. The record holds the unique status of being Harry’s most focused and disciplined album while still featuring an idiosyncratic range of styles
Bonus: We Can Make Your Hands Clap
It's time for a release from the Patreon vault! In this one, originally released in October 2025, we're talking about one of the best percussion instruments: handclaps! From the doomiest metal to the sunniest pop, handclaps add an interesting new layer to anything.
P.S. Mike is aware that he mixed up the two singers on Napalm Death’s Scum: Justin Broadrick sings on the first side and Lee Dorrian
173: Outkast - Aquemini (1998)
Ready for action, nip it in the bud, we’re never relaxin’, this podcast is everlasting! In this episode, Rich has somethin’ to say about OutKast, the Atlanta duo consisting of Antwon “Big Boi” Patton and André “3000” Benjamin, who conquered hip-hop in the late ‘90s and early ‘00s before quietly parting ways. The most fascinating characteristic of OutKast is the duality between Big Boi’s extroverte
This Is Comp: The Wrecking Crew! Disc 1, Tracks 12-16
Today we're wrapping up the first disc of The Wrecking Crew! In this episode: the surprise return of a Discord & Rhyme hero, an all-time great that deserves revisiting, and possibly the worst Jan and Dean song ever.
Today's tracks:
Chris Montez - Let's Dance
The Mamas & the Papas - Monday, Monday
The Teddy Bears - To Know Him Is To Love Him
The Sandpipers - Guantanamera
Cohosts: Rich Bunnel
172: Big Star - #1 Record (1972)
Big Star are your favorite eighties band’s favorite band; but while you've heard their influence, you may not have heard their music. In the early 1970s, this Memphis-based band recorded two albums filled with jangly power-pop and yearning balladry that should have been huge but that had to settle for being mysterious and legendary. Ben found those albums on his 19th birthday, and he's loved them
This Is Comp: The Wrecking Crew! Disc 1, Tracks 7-11
Episode 2 of our Wrecking Crew series features one of the best pop songs of all time followed by one of the worst, with some okay ones in between! Try not to get too excited as we discuss how these incredible musicians could work with just about anything.
Today's tracks:
The Byrds - Mr. Tambourine Man
The Fifth Dimension - Stoned Soul Picnic
The Routers - Let's Go (Pony)
Nino Tempo & April
171: Van Halen - Van Halen (1978)
GoddammitbabyyouknowIain'tlyintoyouThisIsDiscordAndRhyyyymeYEEEEEAAAAHHHHWWWW!!! Van Halen was a cultural phenomenon in the late 1970s and early 1980s until David Lee Roth split with the band, and they’re one of the first bands that John had any real opinions on in his journey of getting into rock music. With this album, the band largely redefined the boundaries of what an electric guitar could do
This Is Comp: The Wrecking Crew! Disc 1, Tracks 1-6
This Is Comp is back! We're reviving our compilation series with a great one: The Wrecking Crew!, released in 2015 as a soundtrack to the excellent documentary film of the same name. The songs on this comp cover a huge range of genre and quality, but the session musicians are always top-notch. From weird crossover country to Mexican folk to one of the finest pop songs ever recorded, we had a ton o
170: DJ Shadow - Endtroducing..... (1996)
It … is happening … again! This week, Producer Mike rings in 2026 with NorCal producer DJ Shadow’s 1996 masterpiece Endtroducing….., whose release was a watershed moment for the art of instrumental hip-hop. It’s in the Guinness Book of World Records as the first album to be composed entirely out of sampled sounds, but focusing on the technical achievement seriously undersells the depths of Shadow’
169: Pink Floyd - The Dark Side of the Moon (1973)
It feels like there shouldn't be anything left to say about The Dark Side of the Moon. It's one of the best-selling albums of all time, and it's consistently rated as one of the greatest albums of all time by critics. If you tune into a classic rock station for more than a couple of hours, chances are better than 50/50 that you'll hear a track or three from it get played. It's so common to hear tr
Bonus: Thank You for the Music, Vol. 2
The gang sits down by the fire to discuss a second round of the songs that made them love music. This year's batch covers an astonishing amount of ground, including movie soundtracks, jazz, funk, girl groups, folk, prog (of course), hip-hop, musicals, dub reggae, power pop — and even a hymn! Trevor Jones - Main Title (from The Last of the Mohicans) Lee Morgan - The Sidewinder James Brown - Papa's
168: Badfinger - Straight Up (1971)
Of all the casualties of the Beatles’ Apple label, Badfinger is the most tragic. They had a very promising start, helped along by the Beatles and their associates, but a combination of bad management and personal tragedy stopped them from being as successful as they should have been. However, for a brief period everything worked out exactly right, and Badfinger came up with an album that deserves
167: Ween - Chocolate and Cheese (1994)
Buenas tardes, amigos, and happy Hallo-Ween, my good friends. It took us way, way too long to get the bright idea to devote our annual All Hallow’s Eve episode to the Brothers Ween, but now that we have, it seems appropriate to discuss 1994’s Chocolate and Cheese, an album where Deaner and Gener try on a whole bunch of different musical costumes. While C&C isn’t their major-label debut, it’s the f
166: Matthew Sweet - Girlfriend (1991)
Power pop legend Matthew Sweet has had a rough go of it lately, suffering a debilitating stroke last year while setting out on tour, and it’s possible that he may never play music again. So today’s episode is both a bittersweet tribute to his career and a joyous celebration of his music, which is exactly the emotional tightrope that his 1991 cult classic Girlfriend walks from start to finish. Swee
165: Creedence Clearwater Revival - Willy and the Poor Boys (1969)
Creedence Clearwater Revival’s 1969 album Willy and the Poor Boys sounds like something out of 1965, or even 1865 - but definitely not the heavy, psychedelic late 1960s. But even though CCR’s music feels like it's outside of time - or maybe because of it - it became the soundtrack of a generation. Ben, Amanda, and Rich make the case that Willy and the Poor Boys should be pulled down from the cultu
164b: Prince - Sign o' the Times, Disc 2 (1987)
Shut up, already. Damn! Prince was one of the most interesting popular artists of the late 20th and early 21st centuries, and Sign o’ the Times from 1987 was the culmination of one of the most interesting periods in a career full of interesting periods. After various circumstances caused him to abandon a double album (Dream Factory), and other circumstances caused him to abandon a single album (Ca
164a: Prince - Sign o' the Times, Disc 1 (1987)
Shut up, already. Damn! Prince was one of the most interesting popular artists of the late 20th and early 21st centuries, and Sign o’ the Times from 1987 was the culmination of one of the most interesting periods in a career full of interesting periods. After various circumstances caused him to abandon a double album (Dream Factory), and other circumstances caused him to abandon a single album (Ca
July 2025 Status Update (No, We're Not Ending the Show)
A quick State of the Podcast update and info on our release schedule for the rest of this year. Do not fret, we're not ending the podcast! We've just hit a scheduling logjam and need to slow down a bit in order to keep as cool as we can.
Bonus: Discord and Cryme - Murder Ballads
Amanda has been fascinated with murder ballads for many years, so in this episode she's telling you (and Ben and Mike) all about them! This isn't an exhaustive overview of the genre, just the backstories behind a few great songs. From a couple of murdered girls in 18th-century England to a stolen hat in 20th-century America, these tragic stories have been transformed into compelling songs that we'
163: The Moody Blues - The Present (1983)
You might think we’re scraping the bottom of the barrel by choosing The Present for our annual Moody Blues episode, but that’s not true at all. Even though the band themselves hated it, and it’s quite polarizing among Moody Blues fans, all of us here at Discord and Rhyme think it’s terrific. As with Long Distance Voyager, you need to be prepared for the ultra-slick ‘80s production, but underneath
162: Queens of the Stone Age - Rated R (2000)
Discord & Rhyme kicks June off with a feel good hit of the summer. Join Dan, Mike, and Rich for a ride through Queens of the Stone Age’s 2000 sophomore release Rated R, an album that seemed like a refreshing antithesis of mainstream rock trends at the turn of the millennium. Building off the desert rock DNA of Josh Homme’s previous band Kyuss and infusing elements of psychedelia, pop, and punk wit
161: Herbie Hancock - Head Hunters (1973)
Whether you’re a fan of ‘60s jazz, ‘70s funk, ‘80s electro, or things inspired by any of the above (or you just watched a lot of Sesame Street growing up), the music of Herbie Hancock has probably affected your life in some way. So Mike thought it was time to take us all on a good old fashioned head hunt. 1973’s Head Hunters redefined the course of Hancock’s career, was enormously influential on m
160: Nick Drake - Bryter Layter (1971)
Nick Drake was an outstanding artist: a gifted songwriter, a wonderful singer, and one of the greatest guitarists you’ll ever hear. But his personality was entirely unsuited to the world of popular music, and his art didn’t gain the popularity it deserves until decades after his death. Ever since he unwittingly helped Volkswagen sell cars in 1999, more and more music lovers have discovered his bea
159: Nine Inch Nails - The Downward Spiral (1994)
In this episode, Phil takes Discord & Rhyme further down the spiral with an album that is a harrowing descent into one man’s decaying psyche. If that sounds like a blast, you’re in good company with the millions of people who bought Nine Inch Nails’ The Downward Spiral in 1994. It’s one of the bleakest, most pitch-dark albums to ever achieve massive commercial success, and it still sounds great in
Seven Thousand Million Questions (Listener Q&A VII)
Rich, Ben, and John answer a super-sized mailbag of listener questions, with subjects including jukebox musicals, James Bond themes, songs that give them the happy chills, sample-based hip-hop producers, the usual suite of Moody Blues questions, and a philosophical discussion on how we all listen to music and how this has changed as we've gotten older. This episode also features an interlude on ex
158: The Doors - The Doors (1967)
Everyone has an opinion about the Doors - whether you think they’re transgressive and mind-blowing, or you find them silly and overrated, or - like Ben - you just think they made some killer music. With invaluable help from Amanda, Dan, and Mike, Ben makes the case that the Doors’ 1967 self-titled debut album contains more killer music than many people realize. It might even blow your mind a littl
157: Midnight Oil - 10, 9, 8, 7, 6, 5, 4, 3, 2, 1 (1982)
It’s taken us nearly seven years, but the time has come. Midnight Oil, one of Australia's quintessential bands, is probably best known for its tireless political activism as expressed through hits like "Beds Are Burning" and "Blue Sky Mine," as well as the on-stage acrobatics of their 6′4″ frontman, Peter Garrett. But behind the sloganeering and agitprop, the Oils are a fiendishly creative and cha
156: Tortoise - Millions Now Living Will Never Die (1996)
Discord & Rhyme continues its slow walk through the world of Post-Rock with an examination of the 1996 album Millions Now Living Will Never Die by the Chicago-based group Tortoise. John has been fascinated by the concept of Post-Rock for many years (even if many of the acts associated with it, Tortoise included, rejected it as a useful descriptor), and a large part of this fascination stems from a
155: Talk Talk - Spirit of Eden (1988)
If you only know Talk Talk for their ‘80s night staple “It’s My Life,” you might well wonder what an experimental weirdo like Mike is doing hosting an episode about them. However, if you know a little more about their strange and fascinating career trajectory, it makes perfect sense. The sparse, atmospheric Spirit of Eden couldn’t be more different from Talk Talk’s synth-pop origins or from anythi
Emergency Bonus Episode: Beatles Covers, Pt. III
Due to some technical difficulties, we had to push back our Talk Talk episode, so to fix the hole in our schedule we are talking about the Beatles again! We've discussed covers of Beatles songs before, but there are millions of them so there will always be more to talk about. We're covering a lot of sonic ground in this episode, with a few songs we all love and a few that are more polarizing. Also
154: Elton John - Honky Chateau (1972)
We all know that Elton John is a top-tier singles artist, but he is also a top-tier albums artist. His run of nine albums from Empty Sky in 1969 through Captain Fantastic and the Brown Dirt Cowboy in 1975 may very well be unmatched in modern music history. It was really hard to pick one to talk about on Discord & Rhyme, but we settled on Honky Chateau because it’s the perfect encapsulation of what
153: Pixies - Doolittle (1989)
Well, sit right down, my wicked son, and let us tell you a story, about the subject of this year’s Discord & Rhyme holiday episode: the Pixies! (Or technically, just Pixies.) Hailing from Boston, the alternative rock quartet dealt with mounting intra-band tension with little to nothing to show for it financially, leading bandleader Charles Thompson (alias Black Francis) to break up the band via fa
152: Caravan - In the Land of Grey and Pink (1971)
Discord & Rhyme are taking a trip to Canterbury, England - UNESCO World Heritage Site, home of the Canterbury Cathedral, and birthplace of prog-rock legends Caravan. Springing forth from the rich Canterbury scene, Caravan created a style of progressive rock that managed to be complex while retaining a real sense of warmth. The group is not particularly well known outside of progressive rock circle
Bonus: Thank You for the Music
We're departing from our usual format for this episode. Everybody needed a pick-me-up, so instead of discussing an album, we're talking about songs: specifically, the ones that make us love music. Some of these are the songs we loved as little kids that built our musical foundations, and some of them are illustrations of specific things we adore. We went all over the map for this one and had a gre
151: John Carpenter - Anthology: Movie Themes 1974-1998 (2017)
Discord & Rhyme goes to the movies! This Halloween we're ringing in spooky season by exploring the work of filmmaker and musician John Carpenter. Best known for introducing the world to Michael Myers with the horror classic Halloween, Carpenter has built a solid filmography as a director while also providing his own distinctive musical vision with his scores. The 2017 career-spanning collection An
150: Metallica - Ride the Lightning (1984) and Master of Puppets (1986)
Mike’s ongoing quest to make Discord & Rhyme more metal inevitably meant we would have to tackle the band so synonymous with metal they put it in their name, and Metallica’s incredible mid-80s prime inevitably meant we would need to tackle two of their albums in the same episode. Ride the Lightning of 1984 and Master of Puppets of 1986 are largely the same album in terms of overall flow, but the d
149: A Tribe Called Quest - The Low End Theory (1991)
Here we go, yo! It's been a while since this podcast has covered either a hip-hop album or a jazz album — so this week, we're doing both at once! A Tribe Called Quest formed in the late ‘80s in the New York City neighborhood of St. Albans, Queens, which was home to some of the giants of jazz, blues, and funk, and was a hotbed of musical activity in the years when hip-hop was simmering into existen
148: Jeff Beck - Truth (1968)
Jeff Beck had shown off his guitar genius with several fiery mid-1960s hit singles by the Yardbirds; he’d even scored some UK top-30 hits as an unlikely singing star. But all that was prologue to Truth, his 1968 solo debut album. Joined by future Rolling Stone Ron Wood and a then-unknown Rod Stewart, Beck laid down a standout batch of electric blues songs - plus a showtune and an olde English folk
147: The Mamas and the Papas - If You Can Believe Your Eyes and Ears (1966)
Before they were flattened into part of the public’s collective generic memory of the 1960s, and before an astonishing level of in-fighting and tragedy turned the group’s story into one of the best VH1: Behind the Music episodes, The Mamas and the Papas released one of the best debut albums of the 1960s. It produced three massive hits you’ve heard hundreds of times apiece if you listen to oldies r
146: Spinal Tap - This Is Spinal Tap (1984)
Hello, Cleveland! This week, Producer Mike continues his quest to make Discord & Rhyme more metal by turning it up to 11 with an episode on England’s loudest band, Spinal Tap. The fictional Spinal Tap consists of guitarists David St. Hubbins and Nigel Tufnel, bassist Derek Smalls, and a series of cursed drummers, whose misadventures are chronicled in the 1984 mockumentary This Is Spinal Tap. The r
145: George Harrison - All Things Must Pass (1970)
George Harrison was reaching his creative peak in the late 1960s, but famously had a difficult time getting the other Beatles interested in recording his songs. So when they broke up in 1970, George got a massive group of musicians together and recorded his entire backlog to release all at once. All Things Must Pass was the first ever triple album by a single artist, and (apart from Apple Jam) is
144: Green Day - Dookie (1994)
In 1994, Green Day introduced a whole new generation to punk rock with their major label debut, Dookie. There has been a lot of discourse over the years about whether or not Green Day are “real” punk rock, but Dookie has endured as a classic of ‘90s rock, containing numerous standards that have long-since been memorized by anyone reasonably fluent in the rock of the era. Phil discovered Green Day
Bonus: Won-Hit Oneders
It's time for our annual summer break, so we're letting an episode out of the Patreon vault in which Mike, Rich, and Amanda discussed some of our favorite one-hit wonders, as defined in our own heads. (Amanda is not sorry for the extremely corny title of this episode.) Make sure you listen until the end to hear Producer Mike's mashup masterpiece!The hits include: Pure Prairie League - AmieLink Wr
143: The Modern Lovers - The Modern Lovers (1976)
In the early 1970s, Jonathan Richman assembled a band that recorded a groundbreaking set of songs fusing garage-rock sensibilities with his own entirely unique worldview. Unfortunately, before The Modern Lovers managed to complete a proper album, Richman’s musical interests drifted into an entirely different direction, ultimately leading to the dissolution of this version of the band. The collecti
142: The Moody Blues - Days of Future Passed (1967)
For our annual Moody Blues episode, we’re traveling back to the beginning (sort of) and finally discussing Days of Future Passed. Although the band themselves dismissed this idea, this album is clearly one of the starting points of progressive rock, and it’s certainly one of the earliest concept albums. It’s unique not just in the Moody Blues’ discography but in all of popular music, and we had a
141: The Band - Music from Big Pink (1968)
Get ready for some classic Americana, brought to you by four Canadians (and one American), discussed by four Americans (including one living in Canada). Because Neil Young and Joni Mitchell weren't enough, Ben goes back to the frozen north for the Band's 1968 debut album, Music From Big Pink. Ben discusses why he loves the Band and Music From Big Pink, joined by Amanda, Dan, and Mike. Cohosts: Ben
140: R.E.M. - Automatic for the People (1992)
R.E.M. spent the decade after Murmur growing steadily more successful, their popularity cresting with the 1991 #1 album Out of Time and its inescapable hit single “Losing My Religion.” But instead of going on an exhausting world tour like most bands would, R.E.M. went right back into the studio and recorded Automatic for the People, an album that defies rock star excess at nearly every turn. You p
139: R.E.M. - Murmur (1983)
We’ve held off on R.E.M. for a while, because the Athens, Ga., quartet is just such a heavyweight in the rock canon. They’re so huge, in fact, that they merit two episodes: one for the mumbly, Byrdsy alt-rock troubadours of the ‘80s, and one for the slightly less mumbly arena rock titans of the ‘90s and onward. We’re starting off with their 1983 debut Murmur, which fueled the rise of college radio
Six Thousand Million Questions (Listener Q&A #6)
Rich, Mike, and Amanda answer a bonanza of questions from listeners. Topics include retro prog, great live albums and not-so-great live shows, fantasy supergroups, synesthesia, our favorite recent releases, and no fewer than three questions about the Moody Blues. Listen through to the end for a special request to listeners! Clips: Peter Gabriel - Start Def Leppard - Animal The Moody Blues - Here C
138: Peter Gabriel - Peter Gabriel (III) (1980)
Peter Gabriel is a favorite artist of many of us here at Discord & Rhyme, but we’ve saved him for our own 138th Episode Spectacular. Peter Gabriel III (aka Melt, so called because half of Gabriel’s face on the album cover looks like a melting candle) isn’t just John’s favorite Peter Gabriel album; it’s an album that made him reconsider (in a favorable light) the entirety of popular music in the 19
137: Iron Maiden - Powerslave (1984)
Hear that? There goes the siren that warns of the air raid – or maybe that’s just Bruce Dickinson’s voice. This week, Mike continues his quest to make Discord & Rhyme more metal with the album Powerslave by Iron Maiden. In the popular consciousness, Maiden are known for their goofy album covers and hits like “Bring Your Daughter … to the Slaughter.” But if you dig just a little deeper, they were v
136: Kylie Minogue - X (2007)
Kylie Minogue had a big comeback last year with the Grammy-winning TikTok hit “Padam Padam,” so Rich decided that it was finally time to give the Discord & Rhyme treatment to one of his favorite divas. Kylie’s 2007 album X wasn’t just an artistic comeback, but a physical and emotional one, recorded in the wake of her grueling but successful treatment for breast cancer. At the time, there was a gro
135: The Dillards - Live!!!! Almost!!! (1964)
Amanda has been threatening to talk about bluegrass on the podcast for years, and we finally settled on the perfect album to start with: Live!!!! Almost!!! by the Dillards. Half a comedy album and half a virtuoso performance by expert musicians, it’s a fantastic introduction to the genre. It was recorded in front of an audience completely unfamiliar with bluegrass music, so the band chose songs th
134: Uriah Heep - Demons and Wizards (1972)
Uriah Heep were never critical darlings, but for a brief period in the early seventies, they were making some absolutely killer fantasy-tinged rock. Phil has always had a soft spot for 1972’s Demons And Wizards, which is probably the best example of what could happen when this band was truly firing on all cylinders. He, along with Dan and Mike, makes the case for why this album should be a staple
133: Rodgers and Hammerstein - Oklahoma! (1964)
Rodgers and Hammerstein’s musical Oklahoma! was a massive hit on Broadway in 1943. It changed musical theater forever and inspired a well-remembered 1955 film. Ben hasn't seen the musical or the film, and he doesn't know the plot or the names of the characters. But he loves the music. He and Rich and John dive into a 1964 studio recording of the Oklahoma! soundtrack and make a case for why the sho
132: Simon and Garfunkel - Bridge Over Troubled Water (1970)
Paul Simon and Art Garfunkel were gifted musicians with a deep and complicated personal relationship, which makes them perfect subjects for a Discord & Rhyme holiday episode. Their magnum opus, Bridge Over Troubled Water, was a huge hit in 1970 and is still as beautiful, innovative, and occasionally silly as it ever was. Ben, Amanda, Rich, and John love this album dearly, and discussing all its st
131: Wire - Pink Flag (1977)
1 2 X U! As punk was just beginning to take off in the UK, Wire was already looking ahead, itching to push the genre toward artsier, more abstract frontiers. Their 1977 LP Pink Flag planted the seeds for post-punk and hardcore before most kids had even had a chance to spike their first mohawk. Boasting a dizzying 21 tracks at an economical 35 minutes, Wire packed more into one album than some of t
130: The Dukes of Stratosphear - Chips from the Chocolate Fireball (1987)
It’s time for a psychedelic podcast extravaganza, five years and two recordings in the making! The album Chips from the Chocolate Fireball by XTC’s alter-egos the Dukes of Stratosphear was supposed to be our fifth episode, but technical difficulties turned the episode into a splendid cream bun. But Rich, Ben, and Mike are finally back for a second round discussing a collection that perhaps isn’t X
129: Gentle Giant - Octopus (1972)
Gentle Giant comes up so often on Discord & Rhyme, especially considering how obscure they are outside the world of hardcore prog rock fandom, that it’s amazing we haven’t covered them yet. Many 1970s prog rock bands aspired to combine rock with classical (and jazz among other things), but unlike most of their contemporaries, Gentle Giant actually knew enough about classical music to make the comb
128: Nick Cave and the Bad Seeds - Kicking Against the Pricks (1986)
For this year’s Halloween episode, we wanted to go with an artist who scares the living daylights out of us, and what better choice than Nick Cave? After all, this is a man who once recorded an entire album of murder ballads, and whose legendary single “The Mercy Seat” charts a killer’s stream of consciousness as he is led to the electric chair. We could have picked almost any of Cave’s albums wit
127: The Beatles - Beatles for Sale (1964)
Beatles For Sale is a relatively obscure album, to the extent that any Beatles album could be called obscure. This album was recorded at a time when the Beatles were creatively exhausted and almost half of it is covers, which is why it’s often dismissed as one of their weaker efforts. But we don’t think that’s fair. It’s not world-changing, that’s true enough, but it doesn’t have to be. They were
126: Slint - Spiderland (1991)
Slint are a true one-of-a-kind band - they showed up seemingly out of nowhere, singlehandedly defined an entire genre on a single album, and disappeared before that album was even released. What happened? Why is Spiderland so influential? And, beyond its influence - does the album still hold up today? Phil certainly thinks so - in his opinion, its grandeur has been frequently imitated, but never d
125: The Beach Boys - All Summer Long (1964) and Sunflower (1970)
It's Discord & Rhyme's 125th episode, and we are marking the occasion with one of our favorite recording strategies: tackling a famous band by discussing two of their albums while making an end-run around their most critically acclaimed period. In this episode, Ben talks about the 1964 Beach Boys album All Summer Long, where the band really shifted into second gear, while John talks about the 1970
124: Warren Zevon - Excitable Boy (1978)
Whether he likes it or not, Warren Zevon will forever be most remembered for his surprise hit “Werewolves of London,” but he’s a far more complex and interesting songwriter than most folks are aware. Forever a musician’s musician, Zevon’s unique voice has influenced scores of artists although he himself has remained something of a cult figure over the decades. While 1978’s Excitable Boy does indee
123: Sharon Jones and the Dap-Kings - Naturally (2005)
Are you ready to do the Dap Dip? This week, the Discord & Rhyme Super Soul Revue travels back to 2005 to discuss Sharon Jones & the Dap Kings, who play sunny R&B that sounds like it came straight out of the late ‘60s or early ‘70s. But despite the retro sound, there’s nothing retro about this band, who were just playing the music they loved and recording it the way they loved it. And S
Bonus: Unexpected Guitars!
We're on summer vacation after finishing our King Crimson episode, so please enjoy this release from the Patreon vault! We call these our Mad Libs episodes, where we pick a category and discuss songs that fit that category somehow. This is one of our favorites, so we hope you like it! (Please note that we recorded this in September '22, before we did the Rumours episode and before Gordon Lightfoot
122: King Crimson - Discipline (1981)
It's only talk! This week, Mike rounds out our fifth-anniversary triad of King Crimson discussions with some dialogue, duologue, diatribe, dissension, and declamation about the band's 1981 album Discipline. On this album, bassist Tony Levin and guitarist and vocalist Adrian Belew joined Crimson veterans Robert Fripp and Bill Bruford to produce some of the most complicated music in the Crimson oeuv
121: King Crimson - Red (1974)
Part two of the Discord & Rhyme celebration of King Crimson brings us to the 1974 album Red, the band’s final studio(-ish) album before it disbanded for 7 years. John’s history with King Crimson began with this album, and while he didn’t initially like it, it’s long become his favorite King Crimson album, and the ‘72-’74 King Crimson lineup especially has long become one of his favorite bands.
120: King Crimson - In the Court of the Crimson King (1969)
As frequently as we mention King Crimson on this podcast, you’d think we would have done a proper episode on them by now. But we wanted to hold off until we could really do it up right, so this is the premiere of our three-episode series on the greatest pioneers of progressive rock. They didn’t fully invent prog, but they did more to solidify the genre than any group that had come before them, to
119: The Moody Blues - Long Distance Voyager (1981)
It’s time to follow the Moody Blues into the 1980s. After a long hiatus and a disappointing comeback album, the Moodies reconvened with a new keyboard player and a new producer to start a new decade in their long career. Music production styles had changed quite a lot since their classic period in the ‘60s and ‘70s, and the new personnel came with a new aesthetic that sounds quite different from t
118: Neil Young - After the Gold Rush (1970)
By the time he recorded his third solo album, After the Gold Rush, Neil Young had already been part of successful records by the Buffalo Springfield and Crosby, Stills, Nash, and Young, and his second album had hit the top 40. As great as that music had been, though, Neil hadn't yet reached his peak - at least according to Ben. Ben explains why After the Gold Rush is a high point in a career full
117: Phil Ochs in Concert (1966)
Phil Ochs, perhaps more than anybody else in the 1960s Greenwich Village folk scene, believed that he could end the Vietnam War and change the world through his music. He offered deeply critical insight both of mainstream society and of the folk scene itself, calling out hypocrisy where he saw it and asking his listeners to consider questions and issues without easy solutions. He did this through
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