
Her Music Academia
A podcast that explores what it means to be a music researcher and how musicians use music to build community. Host Lydia Bangura interviews musicians, scholars, and artists about their work and insights. She shares her own experiences navigating a music PhD program while reading, writing, and discussing music. The show invites questions and feedback from listeners and welcomes potential guests.
Episodes

Protest Music in the Civil Rights Movement (with Dr. Stephen Stacks)
In this episode, I chat with Dr. Stephen Stacks (North Carolina Central University) all about his musical upbringing as a multi-instrumentalist, his time studying musicology at UNC Chapel Hill, and what he’s currently teaching at NCCU. We also discuss his most recent book The Resounding Revolution: Freedom Song After 1968, all about the music of the long Civil Rights Movement.Stephen’s bookStephen

Lingua Ignota and Metal Music (with Dr. Olivia Lucas)
In this episode, I chat with Dr. Olivia Lucas (Louisiana State University) all about her musical upbringing as a vocalist, her time studying music theory at Harvard, and what she’s teaching at LSU. We also chat about how her early interest in metal music led to her current research on Lingua Ignota, who blends references to art music and classical vocal training with noise and extended techniques.

Co-Performance (with Dr. Jennifer Ronyak)
In this episode, I chat with Dr. Jennifer Ronyak (Institute of Music Aesthetics, University of Music and Performing Arts Graz) about her musical upbringing as a pianist, her time studying musicology at Eastman, and the major differences between music graduate programs in different countries. We also discuss her 2017 performance and analysis article “Meeting Barthes at Fischer-Dieskau’s Mill: Co-Pe

The AP Music Theory Exam (with Dr. Melissa Hoag)
In this episode, I chat with Dr. Melissa Hoag (Oakland University) about her musical upbringing as a pianist, her path to music theory, her time as coeditor of the Journal of Music Theory Pedagogy, and her work as editor of Expanding The Canon and a forthcoming textbook. We also discuss the AP College Board Music Theory exam, the yearly grading session with over one hundred college professors and

Women and Queer Folks in Indie Rock (with Dr. Dan DiPiero)
In this episode, I chat with Dr. Dan DiPiero (Boston University) about his curriculum at BU, his new Substack newsletter and podcast, and writing for public audiences. We also dive into their newest book, Big Feelings: Queer and Feminist Indie Rock After Riot Grrrl, as well as their forthcoming research on crushes in music.This episode is dedicated to Christine Capetola, an amazing scholar in Afri

Performance and Analysis (with Dr. Cecilia Oinas)
In this episode, I chat with Cecilia Oinas (University of the Arts Helsinki, Sibelius Academy) about her musical upbringing as a pianist, her path to music theory, and her budding research on politeness and etiquette in chamber ensembles. We also discuss her recent paper presentation at the SMT annual meeting in Minneapolis, which analyses the relationship between the piano and the vocal line in t

Fall 2025 in Review
In this solo episode, I chat all about the past semester including traveling for opera auditions, presenting at this year’s SMT/AMS annual meeting, and finishing my first dissertation chapter. I also discuss my yearly theme for 2025 and ponder what I’ll be focusing on in 2026. Please get in touch if you’d like to be a podcast guest in the new year!My article in Music Theory SpectrumSMT-PodMy episo

Àkójọpọ̀ Music Foundation (with Daniel Kumapayi)
In this bonus episode, I chat with Daniel Kumapayi about his upbringing as a double bassist, his experience studying at the University of Michigan, and the founding of the Pan Africanist art music foundation, Àkójọpọ̀. Make sure you check out the amazing resources on their website and follow their social media to stay up to date on their projects!Quick correction: at 10:47, we meant to mention San

Summer 2025 in Review
In this solo episode, I chat all about my summer shenanigans including traveling for research in June, traveling for singing in July, and (quite honestly) an August meltdown. I also discuss my theme of the year and what’s coming up on the podcast this fall. Stay tuned for my next semester in review episode in December, as well as some bonus episodes in the coming months!My MGMC lecture recitalTish

Popular Music Mashups (with Dr. Christine Boone)
In this episode, I chat with Dr. Christine Boone (University of North Carolina Ashville, St. Olaf College) about her musical upbringing as a vocalist, her path to music theory, and her forthcoming textbook project with Brad Osborn. We also discuss her research on mashups in popular music, including the gendered dynamics of pairing songs across genres. Christine’s article on mashup typologyChristin

Analyzing Sign Language Music (with Dr. Anabel Maler)
In this episode, I chat with Dr. Anabel Maler (University of British Columbia) about her musical upbringing as a flutist, her path to music theory, and her interest in learning American Sign Language. We also dive into her new book Seeing Voices, which discusses music making practices and musical experiences in various deaf communities. Seeing Voices: Analyzing Sign Language MusicAnabel’s 2013 Mus

Winter 2025 in Review
In this episode, I chat all about my past semester of continuing this year's touring season with Opera For The Young, giving my first lecture recital, and formally starting my dissertation research. I also give an update on the podcast release schedule this summer and contemplate the goals I have for the upcoming season.Consider joining the HMA book club for our next meeting in early July! Sig

Great Lakes Chamber Music Festival (with The Dolphins Quartet)
In this episode, I chat with The Dolphins Quartet (violinists Luke Henderson and Issac Park, violist James Preucil, and cellist Ian Maloney) about their backgrounds in music, their time at The Juilliard School, and how they met and started working together. We also discuss their rehearsal process, how they choose repertoire to perform, how they compose music for themselves, and their collaboration

Music and Cognition (with Dr. Cora Palfy)
In this episode, I chat with Dr. Cora Palfy (Washington and Jefferson College) about her musical upbringing as a singer, her time studying music theory and cognition at Northwestern, and her music theory pedagogy article on "the hidden curriculum." We also dive into her 2022 book Musical Agency and The Social Listener, which discusses music as an agent that acts upon the listener through

Cowboy Carter by Beyoncé: Part Two (with Lee Thomas Richardson)
In this episode, I chat with Lee Thomas Richardson about Beyoncé's eighth studio album, Cowboy Carter, including its reception by the Beyhive, our favorite (and least favorite) tracks, the nominations and awards the album received at the 2024 Grammys, and Beyoncé's new products that further expand her brand.Join us for our next book club meeting on Sunday, April 27th at 1:30 pm EST! Sign u

Cowboy Carter by Beyoncé: Part One (with Lee Thomas Richardson)
In this episode, I chat with Lee Thomas Richardson (Columbia University) about his musical upbringing as a saxophonist and a vocalist, his path to music theory, and the start of his research on Beyoncé and fandom. We also discuss Beyoncé's eighth studio album, Cowboy Carter. Stay tuned for part two of our conversation!Join us for our next book club meeting on Sunday, April 27th at 1:30 pm EST!

Sounding Bodies (with Dr. Shannon Draucker)
In this episode, I chat with Dr. Shannon Draucker (Siena College) about her musical upbringing as a clarinetist, her experience in an English PhD program at Boston University, and her current pedagogical practices at Siena. We also discuss her recent book Sounding Bodies: Acoustical Science and Musical Erotics in Victorian Literature, as well as her current research on orchestra culture and concer

Music and Gossip (with Dr. Kristin Franseen)
In this episode, I chat with Dr. Kristin Franseen (Western University) about her musical upbringing as a bassist, her early interest in becoming an orchestral librarian, and her time at McGill University earning a PhD in musicology. We also chat about her first book, Imagining Musical Pasts, and her current research on the intersection of music and gossip, specifically within the supposed feud bet

Fall 2024 in Review
In this episode, I chat about landing my first lead role with a professional touring opera company (!!), singing in the Laffont Metropolitan Opera competition (!!!), my first publication in Music Theory Spectrum (!!!!), and completing my dissertation proposal (!!!!!!). I also discuss my yearly theme for 2024 and set a new theme for 2025. Join us in the new year for our next book club meeting on Su

Resounding Verse (with Dr. Stephen Rodgers)
In this episode, I chat with Dr. Stephen Rodgers (University of Oregon) about his musical upbringing as a pianist, his path to studying music theory at Yale, and his current pedagogical practices at Oregon. We also chat about his art song analysis podcast, Resounding Verse, as well as the field of music theory's response to the public music theory plenary session in November 2023.
Our next book c

HMA Book Club #3: A Third University is Possible by la paperson
In this episode, I discuss our first two official meetings of the HMA book club, HMA on Substack and Discord, and the agreed upon community guidelines for our gatherings. I also introduce the November book club pick, which is A Third University Is Possible by la paperson. Join us for our third synchronous meeting on Sunday, December 1 at 3:00 pm EST!
A Third University Is Possible
"Trust and Sinc

Black Musician Academy (with Melanie Bates)
In this episode, I chat with D.C. based violinist Melanie Bates about her musical upbringing and her experience getting back into performance as an adult. We also discuss Black Music Academy, Melanie's grant funded project to educate D.C. students about the history, impact, and repertoire of Black classical musicians.
This month, the HMA Book Club is meeting synchronously on Sunday, October 27th

Beyond Bossa Nova (with Guilherme Andreas)
In this episode, I chat with Guilherme Andreas about his musical upbringing in Brazil, his experiences as a flautist and an arranger, and his 2022 debut album Beyond Bossa Nova. We dive into his search for Brazilian classical music for the album, his recording process, and his upcoming projects. Stream Beyond Bossa Nova wherever you get your music!
Sign up for our first HMA book club meeting at h

Introducing: The Her Music Academia Book Club!
In this episode, I officially launch the HMA Book Club! I discuss my own relationship to reading, why I think communities of reading are important, and my hopes for how this project might unfold. Our first online book club meeting (relax, just to chat about this episode!) is Sunday, September 29th at 4:00 pm EST. Sign up at hermusicacademia.com/book-club to get the Zoom link and lookout for Her Mu

Summer 2024 in Review
In this solo episode, I chat about all of my musical endeavors over the summer, including singing in two opera productions, presenting at the music theory pedagogy conference, and grading exams at the College Board AP music theory grading session. I also discuss reading The Artist's Way by Julia Cameron, starting my dissertation proposal (eek!), and I take a listen to my own recorded arias for

Stylistic Shifts in 2010's Pop Music (with Audrey Slote)
In our last summer bonus episode, I chat with Audrey Slote (University of Chicago) about her musical upbringing as a cellist, her path to studying music theory, and her current dissertation project about stylistic and thematic shifts in 2010's pop music. More specifically, we explore Solange's A Seat at the Table and Bon Iver's 22, A Million for evidence of these shifts in style before

1990's Hip-Hop Music Videos (with Dr. Brad Osborn)
In this bonus episode, I chat with Dr. Brad Osborn (University of Kansas) about his musical upbringing, his experience in grad school at Florida State and the University of Washington, and how he got into popular music research. We also discuss his latest work on MTV Buzz Clips from the 90's and the music of his metal band, D'Archipelago.
Brad's podcast about music and mental health
B

Audio Engineering (with Jair Gallardo)
In this special bonus episode, I chat with Jair Gallardo, the official editor for Her Music Academia! We discuss his musical upbringing inspired by video game music, how we met in community college, and his experiences as a multi-instrumentalist and teacher. We also chat about how he got into audio editing and engineering, his creative process, and some of his current creative projects. Connect wi

Winter 2024 in Review
In this solo episode, I chat all about my last semester of classes, my final papers, and my experience teaching aural skills at the sophomore level. I also discuss embarking on my first archival trips and balancing my research with my various singing endeavors. Finally, I contemplate my yearly theme of imagination and give an update on the podcast's new release schedule.
"The Captive Mat

Feminist Music Theory in the Victorian Era (with Dr. Rachel Lumsden)
In our last episode for Women's History Month, I chat with Dr. Rachel Lumsden (Florida State University) about her experiences as a flautist, her time in grad school at CUNY, and the music theory curriculum at FSU. We also discuss how she got into music theory and feminist studies, as well as her award winning MTO article "Music Theory for the 'Weaker Sex': Oliveria Prescott’s Col

Unbinding Gentility (with Dr. Candace Bailey)
Our third episode for Women's History Month, in which I chat with Dr. Candace Bailey (North Carolina Central University) about her musical upbringing as a pianist, her path to historical musicology, and her time in graduate school at Duke. We also discuss her current music history curriculum at NCCU and her 2021 book Unbinding Gentility: Women Making Music in the 19th Century South.
Unbinding

Questioning Genius (with Dr. Jan Miyake)
In our second episode for Women's History Month, I chat with Dr. Jan Miyake (Oberlin Conservatory) about her musical upbringing, her path to music theory, and her current tenure as the president of the Society for Music Theory. We also discuss her course "Questioning Genius," which challenges students to analyze a wide range of music and introduces "ungrading" into the clas

African American Art Song (with Dr. Louise Toppin)
Our first episode for Women's History Month! I chat with Dr. Louise Toppin (University of Michigan) about her musical upbringing, her experience studying piano and voice, and her time as a graduate student at Michigan. We also discuss her current book project with the Humanities Collaboratory and her African American art song class.
Humanities Collaboratory
Our Florence Price radio episode
G

Writing About Black Music (with Willard Jenkins)
For our last episode of Black History Month, I chat with Willard Jenkins about his early interest in record collecting, how he began writing reviews of jazz, and his time in festival management, specifically with the DC Jazz Festival. We also discuss his book project Ain't But A Few Of Us, which features several Black writers, critics, and music academics who write about Black music.
Ain'

Black Spoken Word Poetry (with Aaron Dworkin)
On our third episode for Black History Month, I chat with musician, entrepreneur, poet, and spoken word artist Aaron Dworkin (University of Michigan) all about his musical upbringing, his work in arts leadership, and his experience founding the Sphinx Organization. We also chat about his 2023 spoken word album The Poetjournalist, and explore the various intersections of art, storytelling, and Blac

Harmony in Gospel Music (with Jerome Bell)
In this episode, I chat with Jerome Bell (Eastman School of Music) about his musical upbringing in the church, his experiences in performance and composition, and how he ended up in a music theory PhD program. We also chat about his recent paper that he presented at the Society for Music Theory annual meeting in November 2023, titled "Modal Fluidity in Millennial Gospel," about shifting

Music Criticism on TikTok (with @hennyondatok)
Welcome back to a new season of the show! On our first episode of Black History Month, I chat with pop music critic and commentator Henny all about their musical upbringing, when they began thinking critically about music, and how they got into content creation. We also discuss the use of different scales, modes, and instrumentation in pop music to elicit a sense of promiscuity, danger, or rebelli

BONUS: La Contesa Canora (with Raphael Fusco)
A special bonus episode, in which I chat with composer, pianist, conductor, and coach Raphael Fusco. We talk about his musical upbringing, how he fashioned such a multifaceted career in music, and his time on the faculty at Opera Lucca, an Italian summer young artist program for singers, pianists, and composers (which I got to attend!). We also discuss and listen to his composition La Contesa Cano

Fall 2023 in Review
HMA's last episode of the year, in which I review my fall semester! I chat about the classes I took, give an update on my teaching, discuss my big preliminary exam, and contemplate the conversation surrounding the public music theory plenary session at SMT's annual meeting. I also look back at my theme for 2023 and pick a new theme for 2024. Stay tuned for our new season of HMA beginning F

Creative Placemaking (with Megan Ihnen)
Our last episode in the HMA fall season! I chat with Megan Ihnen, a New Orleans based mezzo soprano who collaborates with living composers to commission new works. We discuss her musical upbringing, her work in coaching and entrepreneurship, and her touring duo with alto saxophonist Alan Theisen. We also dive into her workshops on creative placemaking and the role that music making plays in commun

Opera and Activism (with Chelsea Hollow)
Episode seven of our fall season, in which I chat with San Fransisco based soprano Chelsea Hollow about her musical upbringing, our shared experiences in community college, and how she's built her current singing career. We also discuss her 2023 debut album Cycles of Resistance, for which she commissioned twenty-two songs about resistance in eight different languages. Finally, we dive into the

Public Music Theory: Part Two (with Dr. Owen Belcher, Dr. Catrina Kim, and Dr. Alan Reese)
Part two of my conversation with Dr. Owen Belcher (University of Missouri Kansas City), Dr. Catrina Kim, and Dr. Alan Reese (University of Massachusetts Amherst), where we discuss music entrepreneurship, the "usefulness" of music theory, and their recent MTO article, "Public Music Theory's Neoliberal Learning Outcomes."
Public Music Theory's Neoliberal Learning Outcom

Public Music Theory: Part One (with Dr. Owen Belcher, Dr. Catrina Kim, and Dr. Alan Reese)
In part one of this episode, I chat with Dr. Owen Belcher (University of Missouri Kansas City), Dr. Catrina Kim, and Dr. Alan Reese (University of Massachusetts Amherst) about their musical upbringings, their time together in grad school at Eastman, and their advice to current music grad students. Stay tuned for part two of our conversation when we chat about their recent MTO article, "Public

Equity in Music Education (with Christopher Jenkins)
In episode four of our fall season, I chat with Chris Jenkins (Oberlin College) about his musical upbringing in New York, his career as a violist, his current work as the Associate Dean of Academic Support at Oberlin Conservatory, and our shared experiences as Black musicians. We also discuss his new book Assimilation vs. Integration in Music Education: Leading Change Toward Greater Equity.
The

Minimalist Music (with Dr. Patrick Nickleson)
In episode three of our fall season, I chat with Dr. Patrick Nickleson (University of Alberta) about his musical upbringing in Canada, his background as a guitarist, and his path to musicology. We also discuss his 2023 book The Names of Minimalism: Authorship, Art Music, and Historiography in Dispute, available now through the University of Michigan Press.
The Names of Minimalism
Philip Ewell'

Music and Labor (with Dr. Michael Buchler)
In the second episode of this season, I chat with Dr. Michael Buchler (Florida State University) about his musical upbringing, his time in grad school at Michigan (go blue!) and Eastman, his research on musical theatre, and his current tenure as the President of the Society for Music Theory. We also discuss his current union work and how that led to his research on the intersection of music and la

Music Theory YouTube (with 12Tone)
In our first episode of our new season, I chat with YouTuber Cory Arnold (12Tone) all about their musical upbringing, their experiences as a singer, and their journey to making YouTube videos about music theory. Come see Cory and I speak on the Public Music Theory plenary session panel at the Society for Music Theory's annual meeting in November!
This episode was edited by Jair G with ExpMed

Summer 2023 in Review
In this recap episode, I chat all about everything I did this summer, from traveling to Italy to sing opera for a month (!!!), to seeing Beyoncé on the Renaissance World Tour in London (!!!!), to the grad student strike at Michigan officially ending (!!!!!). I also discuss what I've been doing for fun this summer (including some book, music, and podcast recommendations) and give an update on w

Religion in Black Popular Music (with Dr. Teresa Reed)
In this episode, I chat with Dr. Teresa Reed (University of Louisville) about her early experiences with music in the Black church, her path to studying music theory at Indiana University, and her time as the dean of music at the University of Louisville. We also chat about her published scholarship, diving into her first book The Holy Profane: Religion in Black Popular Music as well as her latest

Challenging Performance (with Dr. Daniel Barolsky)
In this episode, I chat with Dr. Daniel Barolsky (Beloit College) about his early experiences as a double bassist, coming to musicology through listening to recordings, and the current music curriculum at his college. We also discuss his work with Open Access Musicology and Daniel Leech-Wilkinson's book Challenging Performance: Classical Music Performance Norms and How to Escape Them.
Daniel&

Developing a Rap Canon: Part Two (with Tayo Omisore)
In part two of our conversation, YouTuber and musician Tayo Omisore (COLORMIND.mp4 on YouTube) and I continue our conversation about "rap covers" and how rap is developing into a canon. We also discuss Tayo's songwriting and production process for his musical interlude segments in his YouTube videos.
Tayo's YouTube channel
Tayo's Male Friendship video
Tayo's Himbo video

Developing a Rap Canon: Part One (with Tayo Omisore)
In this episode, I chat with YouTuber and musician Tayo Omisore (COLORMIND.mp4 on YouTube) all about his musical upbringing with rap, his experiences learning to write music, and the development of his career as a Black musical content creator. We also discuss his video response to music theory YouTuber Adam Neely, who made a video about the absence of "rap covers." Tayo and I offer our

Secular Organ Music (with Dr. Benjamin Cornelius-Bates)
In this episode, I chat with Dr. Ben Cornelius-Bates (Duquesne University) about his musical upbringing in Alaska, his path to composition, and his experiences studying the organ. We also discuss how to write music for the organ, particularly within the context of secular music, and talk about timbre in Maan Varjot by Finnish composer Kaija Saariaho for organ and orchestra. Rest in peace to Saaria

Winter 2023 in Review
In this solo episode, I chat all about how my winter semester at the University of Michigan went. I give an update on the grad student strike, my classes, and my teaching. I also explore my yearly theme of simplicity, set new goals for Summer 2023, and discuss the podcast's progress!
THANK GAWD this episode was edited by Jair G with ExpMediaProductions! Hire him for all of your video/audio ed

ISSA STRIKE! (with Anna Rose Nelson)
In this episode, I invite Anna Rose Nelson (University of Michigan) on the show to give us an update on finishing her dissertation (hire her!). We also (in great detail!) break down the ongoing strike at the University of Michigan. Beginning with the very recent history of U-M graduate student workers and lecturers striking in 2020, Anna Rose shares about her experiences organizing with the Gradua

Rethinking Music Loving (with Dr. Vivian Luong)
Our last episode for Women's History Month! Today on the show I welcome another Michigan alum Dr. Vivian Luong (University of Oklahoma) to chat about her background as a clarinetist and a pianist, her time studying music theory at Michigan, and her current approaches to theory pedagogy. We also discuss her research centered around feminist music theory and what it means to love music, her MTO

Feminine Endings (with Dr. Susan McClary)
TW: brief mentions of sexual assault
For our second episode of Women's History Month, I chat with Dr. Susan McClary (Case Western Reserve University) about her path to musicology, as well as her experiences as an educator and researcher. We also discuss her incredibly influential scholarship centered around gender and sexuality in music by diving into her 1991 book Feminine Endings. Finally, s

The Games Black Girls Play (with Dr. Kyra Gaunt)
Our first episode for Women's History Month! Today I chat with Dr. Kyra Gaunt (University at Albany, State University of New York) all about her experiences as a singer, her time studying voice and ethnomusicology at Michigan, and her first book The Games Black Girls Play: Learning The Ropes From Double Dutch To Hip-Hop. We also discuss her forthcoming book PLAYED, featuring her research cente

Renaissance by Beyoncé: Part Two (with @ismatu.gwendolyn)
We are finishing off Black History Month with a conversation about Beyoncé! My sister ismatu gwendolyn and I chat all about our personal relationships to her music, the public perception of Beyoncé, and the aesthetics and politics in her latest album, Renaissance. I also feature the voices of some of the Black women and femmes in my community to get their thoughts on the album. In order of appeara

Renaissance by Beyoncé: Part One (with @ismatu.gwendolyn)
In this episode, we are wrapping up Black History Month with some familial history! My younger sister ismatu gwendolyn joins me on the show to discuss our shared musical upbringing, their experiences leading a gospel choir at Northwestern University, and how their relationship to music changed after they became a sex worker. We also chat about their blossoming Tik Tok career and the ways in which

The Future of Music Theory (with Dr. Philip Ewell)
Continuing our series of conversations with Black musicians for Black History Month, today Dr. Phil Ewell (Hunter College of City University of New York) joins me on the show to discuss his background as a cellist, his time studying music theory at Yale University, and our shared investment in public music theory. We also examine the whiteness and maleness of music theory through the lens of other

Creating Community Around Hip Hop (with @94Drow)
This week we are continuing our conversations with Black musicians for Black History Month! In this episode, I chat with Darrian Dorrough (@94Drow) about his experiences in hip hop, the status of rap research in the academy, and his songwriting and production process. We also discuss his experience hosting a live show on Instagram called the Dope or Nope Show, where he and his collaborators review

"Quare Studies" by E. Patrick Johnson (with Jordan Brown)
Happy Black History Month! In this episode, I chat with Jordan Brown (Harvard University) about her experiences as a singer and arranger, her path to ethnomusicology, and her positionality as a queer Black woman in music academia. We also discuss E. Patrick Johnson's 2001 article titled "Quare Studies, or Almost Everything I Know About Queer Studies I Learned From My Grandmother," which is utilize

"Tangamerican" by Margaret Bonds (with Dr. John Michael Cooper)
In this episode, I chat with Dr. John Michael Cooper (Southwestern University) about his path to musicology, his experiences in music publishing, and the lives and music of Margaret Bonds and Florence Price. We also listen to and discuss Margaret Bonds' piece Tangamerican, performed by pianist Lara Downes. Special thanks to Lara and to Candace Johnson for their appearances in this episode!
Dr. Co

Gendered Music (with Majel Connery)
In this episode, I chat with Majel Connery all about her experiences as a singer, her choice to leave the field of musicology, and our shared experiences as women in music. We also discuss her new podcast from CapRadio, "A Music of Their Own," which explores the ways women in music navigate the industry and the ways the music itself is gendered. Make sure to stream her show wherever you get your p

Fall 2022 in Review
In this solo episode, I chat all about how my fall semester turned out, from taking classes to teaching for the first time to quitting my barista job. I also discuss my experience presenting at the American Studies Association conference and at the big #musiccon (AMS/SEM/SMT 2022) in New Orleans. Finally, I reflect on achieving some of my goals of the past year and set a new yearly theme for 2023.

Bach's Goldberg Variations (with Natalie Krafft)
In this episode, I chat with my friend Natalie Krafft all about her career as a music teacher, her experience doing music streams on Twitch, and our favorite recordings of the Goldberg Variations by Bach.
Follow Natalie on Twitch! @nitnatkat
Study Together Discord server
MTO article by Peter Martens
Get in touch with me at: hermusicacademia@gmail.com

Timbre in 1980s Pop Music: Part Two (with Dr. Megan Lavengood and Dr. Cara Stroud)
In part two of my conversation with Dr. Megan Lavengood (George Mason University) and Dr. Cara Stroud (Michigan State University), we chat all about timbre, the role of "world music" instruments, and Megan's MTO article "The Cultural Significance of Timbre Analysis: A Case Study in 1980s Pop Music, Texture, and Narrative." A special thanks for Cara and her class for their thoughts on Megan's piece

Timbre in 1980s Pop Music: Part One (with Dr. Megan Lavengood and Dr. Cara Stroud)
In part one of my conversation with Dr. Megan Lavengood (George Mason University) and Dr. Cara Stroud (Michigan State University), we chat about their experiences in music theory, their approaches to reading and writing, and their thoughts on teaching theory during the pandemic. Stay tuned for part two of our conversation!
The SMT Committee on the Status of Women writing groups
Get in touch with m

Improvisation Studies (with Dr. Dan DiPiero)
In this episode, I chat with Dr. Dan DiPiero (Ithaca College) about his background as a jazz drummer, his experiences studying comparative studies, and his new book Contingent Encounters: Improvisation in Music and Everyday Life (out now and available open access through the University of Michigan Press!).
Dan's book
Dan's lecture on YouTube
Get in touch with me at: hermusicacademia@gmail.com

Introducing: Her Music Academia!
Lydia pops in to give a special announcement about her new podcast, Her Music Academia! This is the pilot episode during which she reflects on her first year at the University of Michigan. Get in touch with Lydia at on her website, hermusicacademia.com, or send her an email at hermusicacademia@gmail.com.

Season 5 Happy Hour!
In this happy hour episode, we discuss our plans for the fall semester, Lydia's artist residency with Dr. Philip Ewell, and Emily's women's history course (and newfound obsession with Harry Potter). We also provide an update on the future of the podcast.
Get in touch with us at: thetheoryclubpodcast@gmail.com

Teaching Music Theory (with Dr. Jennifer Snodgrass)
In the last episode of season four, Lydia chats with Dr. Jenny Snodgrass (Lipscomb University) about her experiences as an opera singer (and with computer programming), her upcoming career change, the music theory pedagogy conference coming up next month, and her 2020 book Teaching Music Theory: New Voices and Approaches.
Jenny's book
Music Theory Pedagogy Conference (June 2-4)
Music Theory Pedago

Movable Do Solfège for Singers: Dan's Solfège Trainer (with Dan Inglis)
In episode seven of season four, we chat with Dan Inglis about his choose your own adventure music education, his career as a voice and piano teacher, and his music theory YouTube channel centered around developing aural skills for singers.
Dan's website (he's available for Zoom lessons!)
Dan's YouTube channel
Timestamps:
Dan's background: 4:11
Dan's Solfège Trainer: 44:31
Get in touch with us at:

Wallflower by Aerhart (with Amelia Wellers)
In episode six of season four, Lydia talks to Amelia Wellers about her experiences in music performance and music production, having a career outside of music, her rock album Wallflower (produced with Kyle Joseph), and how she uses music theory as a singer-songwriter and producer.
Stream Wallflower everywhere!
Get in touch with us at: thetheoryclubpodcast@gmail.com

Fugitive Music Theory (with Dr. Marc Hannaford)
In episode five of season four, Lydia chats with Dr. Marc Hannaford (University of Michigan) about his experiences as a jazz pianist, pursuing careers in both music performance and music academia, and his forthcoming article "Fugitive Music Theory and George Russell's Theory of Tonal Gravity."
https://marchannaford.com/
https://marchannaford.bandcamp.com/
Timestamps:
Marc's background: 4:12
Balan

BONUS: The Beyoncé Episode
A special bonus episode that Lydia recorded for her Everyday Musicology class! Lydia names her favorite Beyoncé songs, describes Beyoncé's particular expression of Black womanhood, and explores her complicated relationship to feminism, Black capitalism and Black excellence. Shoutout to her brilliant professor Dr. Castro and all of her amazing classmates!
Sarah Olutola's "I Ain’t Sorry: Beyoncé,

Edgar Meyer's Violin Concerto
In episode three of season four, we listen to and discuss American composer Edgar Meyer's violin concerto featuring soloist Hilary Hahn.

Beethoven's Egmont Overture
Episode two of season four, during which we listen to and discuss Beethoven's Egmont Overture, reflect on the implications of performing the piece, and discuss music as a mood regulator.
Timestamps:
Our experiences playing the piece: 7:18
Listening to and discussing the piece: 23:16
What do you use music for? 35:57
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BONUS: Vitali's Chaconne
In this bonus episode, we listen to Vitali's Chaconne for violin and piano, and Lydia geeks out about all of the interesting music related things she's been reading in class.
Susan McClary's chapter in Ritual, Routine, and Regime: Repetition in Early Modern British and European Cultures (ed. by Lorna Clymer)
Suzanne Cusick's Feminist Theory, Music Theory, and the Mind/Body Problem
Joseph Straus' b
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