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Feminist Frequency Radio

Feminist Frequency Radio

Kat Spada, Anita Sarkeesian 305 episodes Oct 30, 2026

Feminist Frequency Radio is a podcast that explores films, games, and TV from a feminist perspective. Host Kat Spada invites guests including media critics, entertainers, and academics to discuss and critique popular culture. The show aims to help listeners dig deeper into the media they love, celebrating and critiquing everything from blockbusters to hidden gems. It continues the legacy of Feminist Frequency, an organization that ran from 2009 to 2023, providing video commentaries on gender representations in media.

Episodes

FFR 280: Disclosure Day
FFR 280: Disclosure Day Oct 30, 2026 53:22 Sometimes you have a good time at the movies, even when the movie is bad! Spielberg's latest alien caper fits right in to our conversation about camp. This year we've had new movies that check several of the boxes on our Sontag rubric, from the aesthetic expression of I Love Boosters to the tongue-in-cheek humor of Stop! That! Train! and the dated earnestness of Disclosure Day.Discussed in this ep
FFR Bonus: You Can See Everything
FFR Bonus: You Can See Everything Oct 29, 2026 03:33 Manipulation! Cultural creation! Our perspectives on the new documentary (?) from Lance Oppenheim and Nathan Fielder have changed several times since the recording of this episode. Spoilers ahead in our conversation about how this movie works, and Kat's hare-brained theory about it.Discussed in this episode: Cameraperson (Kirsten Johnson, 2016), Close-up (Abbas Kiarostami, 1990)Find Kat:katexmachi
FFR 279: Strictly Ballroom
FFR 279: Strictly Ballroom Oct 16, 2026 52:48 It was tough to pick which Baz Luhrmann movie to include in our Summer "Camp" season, but ultimately went back to the beginning, with his 1992 filmmaking debut. And right out the gate, his style is already so well-defined. Throwing sequined spaghetti at the walls, he combines classic sports movie tropes with mockumentary and melodrama to make something that lets you completely in on the joke and s
FFR 278: What Ever Happened to Baby Jane?
FFR 278: What Ever Happened to Baby Jane? Sep 30, 2026 47:57 In which Kat mistakenly says "Joan Collins" a bunch of times, instead of Joan Crawford. We knew that our Summer "Camp" series needed to include a hagsploitation film. So we revisited this famously-fraught 1962 psychological thriller starring Crawford and Bette Davis. It's campy, but it's also a darkly serious horror movie, and the play between those tones is super effective.Discussed in this episo
FFR Bonus: Showgirls
FFR Bonus: Showgirls Sep 15, 2026 05:21 We're halfway through our season of Summer "Camp," and it was a treat to revisit Paul Verhoeven's controversial camp classic Showgirls. The full episode is a special bonus for upper-level Patreon supporters, but also available as a one-off purchase for non-subscribers. Listen to the full episode HERE.Find Kat:NEW: katexmachina.substack.comletterboxd.com/katexmachinabsky.app/profile/katexmachina.bs
FFR 277: But I'm a Cheerleader
FFR 277: But I'm a Cheerleader Sep 3, 2026 44:38 In the canon of "camp" cinema, there are so many examples of movies that are queer-coded, so we wanted to make sure we focused on a textually-gay example of the genre. Nothing nails it better than Jamie Babbit's 1999 satire But I'm a Cheerleader. Natasha Lyonne stars in this portrait of a conversion therapy camp that uses stylistic exaggeration to remind us that policing of heteronormativity is so
FFR 276: Batman Forever
FFR 276: Batman Forever Aug 27, 2026 52:52 This season's focus on "camp" cinema had to bring us to Joel Schumacher's 1995 film Batman Forever. From Val Kilmer's rubber nipples to Jim Carrey's unsanctioned buffoonery, there's so much of an aesthetic sensibility that it's a perfect example of superhero camp. AC had never seen this movie before, and his life could have been so different if he'd grown up with it. Plus, Kat comes up with a game
FFR 275: Hairspray (2007)
FFR 275: Hairspray (2007) Aug 12, 2026 44:30 One question we wanted to ask in our Summer "Camp" season was: does a remake add or remove layers of camp? Especially when it's one of John Waters' best-known films that's moved to the mainstream with a musical adaptation turned Hollywood. Does the overall cartoonishness of Tracy Turnblad's world flatten all of the story's core messages about society? We tied ourselves in knots talking about it...
FFR 274: Barbarella
FFR 274: Barbarella Jul 29, 2026 52:01 Welcome to our new season: Summer "Camp"! What better film to kick off these episodes with than Roger Vadim's 1968 space romp Barbarella. It's a perfect example of a movie that succeeds in its aesthetic endeavors, but isn't enough of a good sum of its parts to be considered well-made. What we can't deny is that none of it works without Jane Fonda's commitment to the optimistic naïveté of the chara
Season Preview: Summer "Camp"
Season Preview: Summer "Camp" Jul 23, 2026 42:51 Before we dive into our brand new season all about camp cinema classics, we had to reacquaint ourselves with the aesthetic sensibility at the heart of the style. So, we re-read and discussed Susan Sontag's 1964 essay Notes on "Camp." Of course, we digressed into the 2019 Met Gala, Kat's personal history with James Charles (yikes), and the economics of film production. Do we totally nail our unders
FFR 273: The Wedding Banquet (2025)
FFR 273: The Wedding Banquet (2025) Apr 2, 2026 49:40 A.C. and Kat experienced Andrew Ahn's remake of The Wedding Banquet across somewhat of a generational divide. He finds it relies on a millennial aesthetic portrayal of queer identity, with inauthentic politics. She (who watched it with Gen X family members) thought it was sweeter and more satisfying than he did. But, having also seen Ang Lee's 1993 original, Kat thinks the movies might be trying t
FFR 272: Crooklyn
FFR 272: Crooklyn Mar 25, 2026 49:02 It was an absolute joy to spend time in the world of Spike Lee's 1994 bildungsroman Crooklyn. Co-written by Lee and his siblings Joie and Cinqué, the film follows nine-year-old Troy navigating herself, her neighborhood, and her extended family in 1973. We're refreshed to see Lee's rich visual language as the backdrop for a young girl as the hero of the story of growing up. Especially when so many

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