Critical Darlings
Critical Darlings is a weekly podcast where critics Richard Lawson and Alison Willmore discuss the latest film driving the conversation, from summer blockbusters to festival favorites and awards contenders. Produced by Blank Check Productions, the show releases new episodes every Thursday. The podcast also covers the 2026 Oscars season in a miniseries available on the Blank Check feed.
Episodes
“The Social Reckoning” Misses The Mark (With George Civeris)
Critical Darlings is going LIVE at The Savannah Film Festival!
In our first live podcast recording, we’re doing an awards season kickoff at 2pm on Tuesday October 29th at The Gutstein Gallery in Savannah Georgia.
We’ll be talking about the year’s awards narratives, the big races, and more. For more information and tickets, visit: https://filmfest.scad.edu/schedule/critical-darlings-awards-seas
"Digger" ??? (With Dana Stevens)
🚨🚨🚨 Big News! 🚨🚨🚨
Critical Darlings is going LIVE at The Savannah Film Festival!
In our first live podcast recording, we’re doing an awards season kickoff at 2pm on Tuesday October 29th at The Gutstein Gallery in Savannah Georgia.
We’ll be talking about the year’s awards narratives, the big races, and more. For more information and tickets, visit: https://filmfest.scad.edu/schedule/critical-da
“Primetime” Takes A Seat (With Jessica Kiang)
Heads up to listeners, this episode includes sensitive discussions of abuse due to the nature of the film.
It's Primetime! The new Robert Pattinson vehicle is a neon-lit, morally murky movie about ratings and perversions of justice that serves as an astonishing acting showcase for Pattinson and costars Merritt Weaver and Skyler Gisondo . It's also a hit, and yet another feather in Pattinson's
Bonus: The Festival Circuit Explained, And Our Fall Festival Trip Report
In this bonus episode: After a month of festival hopping, we're back in the studio to discuss the fall festival season, its big premieres, and paint a very rough picture of how award season is shaping up. But first, we take a question from the mailbag to demystify the fall festival circuit and how these giant star-studded events actually work.
Email us! CriticalDarlingsMailbag@gmail.com
Learn m
"Resident Evil" Is How You Adapt A Video Game (With David Sims)
Conflict of interest disclosure:
Critical Darlings is a fully owned subsidiary of The Umbrella Corporation.
Today we're joined by David Sims of Blank Check and "friend of" one of this film's featured performers (Critical Darlings' Executive Producer) Griffin Newman, to discuss Zach Cregger's adaptation of the Resident Evil video game series.
Resident Evil is Cregger's third triumph in a row
A Critical Darlings Mailbag
As Richard and Alison are jet-setting across Venice, Europe, and Toronto, North America, we bring to you a special pre-recorded mailbag, featuring your voicemails and questions!
We get into our favorite end-credits songs; the IPs we'd love to see adapted; our imagined Oscar-worthy biopics; the festival circuit; the history of digital media; The Oscars, and much more. We also unlock new Richard
“Teenage Sex and Death at Camp Miasma” And Video Store Nostalgia
Get your dipping sauces ready, it’s Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma!
Starring Gillian Anderson and Hannah Einbinder, this meta horror picture goes to some very strange places that nonetheless right feel at home with Schoenbrun’s dreamy-sexy vision: a haunted summer camp, an underground eldritch video store, and an emotionally moving Counting Crows music video to name just
“Coyote Vs. Acme” And The Great Ketchup Rescue (With Connor Ratliff)
After an absurd and depressing attempt by David Zaslov to bury Coyote Vs. Acme, it’s finally in theaters. What’s more, it’s great, making WB’s attempts to shelve the movie for a tax write-off seem all the feckless.
Rescued by the odd-duck distributor Ketchup Entertainment, the movie is a corporate satire and legal thriller about culpability and justice in a world stacked against the little guy
“Tony” Or, Bourdain Begins (With Jaya Saxena)
Ey wanna leahn howta shuck an oystah? Jaya Saxena of the new, worker-owned food publication Ravenous, joins us to discuss Tony, the micro-biopic about a pipsqueak version of Anthony Bourdain learning to love food in Provincetown, Mass.
From director Matt Johnson of Nirvana The Band The Show The Movie, and Blackberry, comes a fictionalized take on Bourdain’s early years. The script loosely
“The End Of Oak Street” Is Dino-mite (With Matt Singer)
Dinosaurs are back in business this week, with The End of Oak Street, an original blockbuster about shooting dinos in the face while getting chomped by various raptors, dactyls, and giant primordial snakes.
We’re joined by Indiewire’s Matt Singer, host of Filmspotting: SVU, and author of the upcoming book Funny Business, to discuss the film, its blend of Amblin-influenced family filmmakin
“One Night Only” Is The Sex Purge (With Josh Gondelman)
In a technofascist parallel reality, singles are only allowed to have sex one night a year: it’s One Night Only, AKA The Sex Purge!
Comedian Josh Gondelman joins us to discuss this deeply strange film which has taken the box office by…not very much. Is that more evidence for the slow fade of theatrical rom coms, or is this just a really, really weird movie?
Directed by Will
“Spider-Man: Brand New Day” Enters The Money-Verse (with Griffin Newman)
Griffin Newman swings back from Spain, Europe, to discuss Spider-Man: Brand New Day! Brand New Day is likely the biggest movie of the year, maybe of all time, depending on how you count. From the seemingly bulletproof Spider-Man formula to the unquestionable star power of Tom Holland and Zendaya, we should have seen this coming!
On this episode, we go long to discuss the special appeal of Spide
“The Invite” Or, Who’s Afraid Of Olivia Wilde? (With Emily Gould)
Come for the Les Miz karaoke takes, stay for The Invite. New York Magazine’s Emily Gould joins us to discuss Olivia Wilde’s sexy, awkward comedy of domestic manners starring herself, Seth Rogan, Edward Norton, and Penelope Cruz.
Set in an aspirational San Francisco apartment owned by a deeply neurotic twosome, they collide with the sexy couple upstairs at an impromptu dinner party staged by W
“The Odyssey” And Christopher Nolan’s Sad Dad Triumph (With Fran Hoepfner)
Daddy, tie us to the mast, we’re off to see The Odyssey!
Christopher Nolan’s epic about a dad going out for cigarettes has vanquished all foes, critical, commercial, and discourse-able. To unpack it all, we’re joined by Vulture’s Fran Hoepfner.
Nolan’s Oppenheimer follow-up both revisits and expands the director’s thematic palette. Among many aspects of the film, we discuss Nolan’s controv
“Moana” Is Between The Rock And A Hard Place (With Ben Hosley)
You’re welcome…again! This week we’re scraping the bottom of the barrel of Disney’s “live-action” remakes, with Moana.
As noted on last week’s episode, Producer Ben Frisch is out on a Minions-related leave of absence, so we’re joined by Producer Ben Hosley, to talk about this especially contrived-feeling cultural product. It used to be that Disney remakes were sure to break a billy at the box
“Minions And Monsters”, What Minions Taste Like, And Other Questions
The Minions are back with a film designed to pander…to us! On this episode, three Minions neophytes try to make sense of Minions And Monsters, where the round yellow ones land in 1920s Hollywood. among Chaplin, Keaton, and all of Gen Alpha’s favorite silent film stars. For two of us at least, it worked!
We also discuss Minions lore: The movie posits that the species consists of roving tribes of
“Supergirl” And The New DCU (With Patrick Willems)
This week we’re Gunn-ing for Supergirl, with filmmaker and video essayist Patrick Willems!
Supergirl is the second feature film in the new DC cinematic universe, now helmed by Guardians of the Galaxy mastermind James Gunn. Gunn’s 2025 Superman breathed new life into one of the genre’s biggest icons, but Supergirl blew a raspberry at the box office, despite the good vibes surrounding the new DC
“Stop! That! Train!”, “Leviticus”, and Pride At The Movies (With Colin Drucker)
It’s Pride Week on Critical Darlings, and we’re joined by the co-host of the Alright Mary podcast (and Best Supporting Actress expert) Colin Drucker to break down two new wide-release gay movies: RuPaul’s spoofy Stop! That! Train! and the Australian conversion therapy horror film Leviticus.
First, we discuss the delightful Stop! That! Train!, its performances, cameos, and various controversies
“Disclosure Day” And Ranking Spielberg’s Alien Movies (With Starlee Kine)
It’s Disclosure Week on Critical Darlings, with writer, podcaster, and E.T. super fan Starlee Kine!
Almost five decades after Steven Spielberg reimagined aliens on screen with E.T. and Close Encounters, he’s delivered another story of extraterrestrial awe. The movie stars Emily Blunt and Josh O’Connor. But the figure who looms largest over Disclosure Day is Spielberg himself. We discuss our r
“Masters of the Universe” And The IP Drought (With Mattie Lubchansky)
By the power of Grayskull, we have cartoonist and co-host of the No Gods No Mayors podcast, Mattie Lubchansky, in studio to discuss Masters of the Universe!
The movie is a test for Mattel, who are going all-in on IP management in the post-Barbie era but Masters has underperformed at the box office and with critics. Has the He-Man IP run out of gas? Did it ever have gas? What would a coherent H
"Backrooms" And The Internet Horror Boom (With Ryan Broderick)
This week we’re joined by the very liminal Ryan Broderick, proprietor of the great Garbage Day newsletter and host of the podcast Panic World, to discuss A24’s hit, Backrooms! Based on a 4-Chan thread, creepypasta, and web series, the movie has captured young filmgoers and its young director, Kane Parsons, has captured Hollywood’s attention.
Compared to last week’s subject, Obsession, Backroo
“Obsession” And Youtube Creators In Hollywood
This week, it’s springtime for sad boys, with “Obsession!” a horror flick from Blumhouse and director Curry Barker. The movie has exceeded all expectations and is currently doing better than its opening weekend, largely thanks to great word-of-mouth. The movie tells a monkey’s paw story about a one-sided, obsessive relationship that’s taken to horrific, supernatural heights. It’s both fun and genu
Our Favorite Movies Of The Year So Far, And A Summer Blockbusters Preview
Coucou les cheris! As Cannes is underway on the Riviera, we take a break from our usual movie-of-the-week format to look back at the year so far, and look forward to this summer.
We count down our top 5 favorite movies of the year (that haven’t been covered on the show), including big studio movies and European arthouse fare. We’ll also take a temperature check on the summer blockbuster slate,
“The Sheep Detectives” And Amazon’s Box Office Bets (With Griffin Newman)
Wake up sheeple, it’s The Sheep Detectives! This week we’re joined by our very own executive sheepherder Griffin Newman to discuss the new cozy mystery for families. After the mysterious death of their shepherd, played by Hugh Jackman, his band of sheep team up to solve the mystery in a picturesque British countryside. Surprisingly, it’s very good! Knitting together themes of memory and grief, tie
“The Devil Wears Prada 2” And The Future Of Tastemakers (With Who? Weekly)
Description: “…You think that you've made a choice that exempts you from the podcast industry when, in fact, you're listening to a podcast that was selected for you by the people in the room…and Who? Weekly!” This week on the show, we’re joined by the hosts of Who? Weekly, Lindsey Webber and Bobby Finger, to discuss The Devil Wears Prada 2, starring a list of all-star Thems: Meryl Streep, Anne H
"Michael" And The Jackson Biopic That Wasn't (With Danielle Hewitt)
Michael is many things: a box-office triumph, a savvy piece of IP management, and a Frankenstein stitched together from a movie we’ll never get to see. Today on the show, we’re joined by two journalists who have reported on Michael Jackson for the Think Twice: Michael Jackson podcast: our own producer Benjamin Frisch, and Danielle Hewitt, to try and make sense of a deeply flawed film that also fe
"Mother Mary" And Fictional Pop Stars in Film
This week, we’re holding a seance in a Dress Barn™ with Mother Mary! Directed by David Lowery and starring Anne Hathaway and Michaela Cole, this two-hander sees a pop singer and her former designer revisiting the rift that severed their early creative partnership, with spooky results.
The film goes wide on April 24th, so with extra spoiler guard rails, we’ll discuss the film, its heightened lan
"The Drama" And The State of Provocateur Cinema
This week, we’re confessing the worst thing we’ve ever done with Zendaya and Batman himself with The Drama. The twist premise of A24’s newest hit throws a grenade into the idyllic romance of a beautiful couple in Boston in the days before their wedding. The movie hinges on the question of whether we can really know the people we love, but the premise, the worst thing Zendaya’s character has ever d
“The Mario Galaxy Movie” And The Changing Shape Of Video Game Adaptations
This week, it's The Mario Galaxy Movie! The second film in the Nintendo/Illumination franchise is already a global hit despite less than stellar reviews. It is nevertheless a fascinating film: an amalgam of stunning animation and music, full of hyperactive action, with little interest in the typical conventions of narrative storytelling, and like, plot.
On this episode Alison and Richard, alon
"Ready Or Not 2," "They Will Kill You," And The Decline Of Social Satire Horror
This week we’re eating the rich with two new horror films that share devilishly similar premises: Ready Or Not 2: Here I Come and They Will Kill You both feature women fighting back against satanic cults run by rich elites in order to protect an estranged younger sister, written with wry humor aimed at the ultra-wealthy. Neither film did particularly well critically or at the box office, but they
"Project Hail Mary" And Lessons For Family Blockbusters
Beam me up…Rocky!? Critical Darlings is back, from outer space, in our new feed, talking about the first blockbuster of the year. Project Hail Mary, directed by Phil Lord and Chris Miller for Amazon, is a family-friendly science fiction film about Ryan Gosling on a risky space mission with a cute alien pal. The movie is a critical and commercial success and feels livelier than so many would-be blo
"The 2026 Oscars Ceremony" With Griffin Newman
It’s Critical Darlings’ biggest morning! After a marathon season, we react to this year’s Academy Awards: the winners, losers, presenters, performances, and awkward play-offs.
One Battle After Another and Sinners nearly split the ballot with One Battle and Paul Thomas Anderson taking the biggest prizes in Best Director and Best Picture, while Sinners took home Best Actor, Score, Adapted Screenpla
Critical Darlings Trailer
Welcome to Critical Darlings, where critics Richard Lawson and Alison Willmore cover the latest film driving the conversation—from big summer blockbusters to festival favorites, buzzy streamers, and major awards contenders. New episodes every Thursday.
Produced by Benjamin Frisch
Subscribe to Richard's newsletter, Premiere Party, and read Alison's work at Vulture.
Follow @blankcheckpod
"One Battle After Another" And Oscar Predictions with David Sims
What time is it? It’s time to study the revolutionary texts with David “Rocketman” Sims! On our last episode before The Oscars, we’re talking about One Battle After Another, Paul Thomas Anderson’s epic about parental legacy, revolutionary identity, and a dad trying to charge his Goddamn phone. But first we reflect on the influx of last-minute Oscar narratives, before getting into One Battle After
"Sinners" And The Academy’s Growing Genre Acceptance with Sam Sanders
This week we’re joined by Sam Sanders of The Sam Sanders Show to discuss Sinners, the most nominated film in Academy Awards history. With sixteen nominations across directing, writing, music, and acting categories, Sinners is a somewhat surprising record breaker, as genre films, especially films with horror elements, are rarely awarded by The Academy.
On this episode we discuss the film, why i
"Sentimental Value" And Belated Oscar Breakthroughs with Joe Reid
This week we’re in hygge mode, uncovering traumas in our generational home with the host of This Had Oscar Buzz, Joe Reid! One of the breakout Oscar films of the year is Joachim Trier’s Sentimental Value, a warm, realist Norwegian film about a difficult but brilliant director (Stellan Skarsgard), his two daughters (Renate Reinsve and Inga Ibsdotter Lilleaas), and an American actress cast in the au
"The Secret Agent" And The Increasingly International Academy
Viva Brazil! Today we discuss Best Picture nominee The Secret Agent, the simmering, colorful Brazilian thriller about a man on the run, starring the dreamy Wagner Moura and directed by Kleber Mendonça Filho. The story, about retaining personal and political memory under authoritarianism, has proven resonant with an international audience and awards bodies, garnering three additional Oscar nominati
"Frankenstein" And The Craft Category Juggernauts with Bilge Ebiri
This week we’re brooding, Victorian style, with Vulture’s Bilge Ebiri! Guillermo del Toro’s Frankenstein is a Best Picture nominee and is well represented in the craft categories, but it has only one acting nomination, for Jacob Elordi’s hulking monster. It’s of a piece with past craft-heavy Oscar contenders like Dune or The Lord of the Rings, but does Frankenstein actually stand a chance? We disc
"Bugonia" And The (Oscar) Favourites with Marie Bardi-Salinas
Honey, we’re buzzing about Bugonia with Marie Bardi-Salinas! The movie surprised us with its appeal to Oscar voters, but maybe it shouldn’t have: Director Yorgos Lanthimos and star, frequent collaborator Emma Stone, have proven themselves Oscar favorites with strong showings from their past films, especially The Favourite and Poor Things.
We discuss the film, but first, a Sundance report from
"Train Dreams" And Netflix’s Quest For Best Picture
On today’s show, Richard and Alison hop on a boxcar and stare wistfully as the 20th century passes them by with Best Picture nominee Train Dreams. They discuss director Clint Bentley’s lush, if somewhat sanded-down take on Denis Johnson’s novella about a lumberman haunted by his past, starring a very quiet Joel Edgerton.
Train Dreams is one of Netflix’s Best Picture nominees this year, but the fi
"The 2026 Oscar Nominations" And Also Some Talk About "F1"
It’s Hollywood’s biggest morning! Join Richard and Alison (plus a vacationing Producer Benjamin Frisch) as they pick apart the biggest snubs and surprises of the year: Sinners breaking the all-time nominations record! The Secret Agent surging out of Neon’s international power lineup! The complete collapse of would-be frontrunner Wicked: For Good! Plus we take a conversation detour with Apple’s F1,
"Hamnet" And The History Of Oscar Villains with David Sims
This week, we’re joined by David Sims as we orbit the Golden Globes and their Best Drama winner, Chloé Zhao’s Hamnet. In the vibes-based reality of awards season predictions, Hamnet has emerged as a potential spoiler to the season’s other favorites, including Paul Thomas Anderson’s One Battle After Another and Ryan Coogler’s Sinners. But what, exactly, makes something an Oscar villain? We also get
"Marty Supreme" And The Precursor Circuit with Griffin Newman
This week, we’re only slightly hung over from last night’s New York Film Critics Circle Awards! Griffin Newman joins the pod to discuss the event, where, among dry-run Oscar speeches from Amy Madigan, Rose Byrne, and Wagner Moura, we saw Ethan Hawke fall into a fountain beneath a towering Buddhist deity.
Then we turn to the precursor circuit, where Marty Supreme’s momentum has cemented Timothée
Introducing Critical Darlings
Welcome to Critical Darlings, a new podcast miniseries from Blank Check: A conversation about the awards season conversation, one contender at a time.
On Critical Darlings, critics and Blank Check alumni Richard Lawson and Alison Willmore guide you through the state of the Oscars race, from the precursors, to the campaigns, to the nominees themselves. To get things started, we begin with a dis
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