Working Class Audio
Working Class Audio is a podcast that pulls back the curtain on the professional recording world. Hosted by audio engineer Matt Boudreau, it features guests from music, film, games, restoration, and more, sharing their real experiences including wins, losses, working with others, money, and career advice. The show offers a working-class perspective on navigating the recording industry.
Episodes
WCA #616 with Sylvia Massy: Microphone History, the Bob Paquette Collection, and The Great Book of Vintage Microphones
Sylvia Massy returns to Working Class Audio for the first time since Episode 14 back in 2015. She joins Matt from her studio in Ashland, Oregon to talk about her new book, The Great Book of Vintage Microphones, co-authored with Chris Johnson. To write it, Sylvia and Chris acquired the entire estate collection of Milwaukee radio legend Bob Paquette: 3,500 microphones kept together rather than cherr
WCA #615 with Michael Frondelli, Part 2: Los Angeles, Capitol Records, Big Bad Voodoo Daddy, and the Long View on Audio
For episode 615, Matt concludes his two-part conversation with Michael Frondelli, picking up in Los Angeles where Keith Forsey and Richie Zito brought him west. Michael landed at Giorgio Moroder’s Oasis Studios, where he worked on the Breakfast Club soundtrack, Beverly Hills Cop, and the world premiere digital playback of Moroder’s restored Metropolis. He went on to eleven years as Vice President
WCA #614 with Michael Frondelli, Part 1 – Astoria, R&B Days, Salsa Nights, and Electric Lady
For episode 614, Matt talks with Michael Frondelli, producer, engineer, and former Vice President of Capitol Records Studios, where he ran the facility for eleven years before going independent in 2001. Michael grew up in Astoria, Queens. Tony Bennett took vocal lessons with his Uncle Sal. The Walken family ran the bakery on Steinway Street. He came up playing guitar in soul bands and rock bands i
WCA #613 with Ben Mellott – Northern Virginia, Church Sound, Farm Festivals, and Profit First
For episode 613, Matt talks with Ben Mellott — recording engineer, mixer, and owner of Nothing but Noise studio in Northern Virginia. Ben has been freelance since 2014, balances studio work with live production at churches, farms, and local venues, and runs every dollar through the Profit First system. They talk about building a career on curiosity, the alternative path through cassette manufactur
WCA #612 with Brian Starley – Utah, Cartage, Building a Studio in LA, and Relationships Before Gear
For episode 612, Matt talks with Brian Starley recording and mixing engineer based in North Hollywood, California, and owner of Bergatron Music Studio. Brian grew up in Salt Lake City with a dad who transferred vinyl to cassette for the car, chased a hockey career to Ontario, came home to Utah without a plan, and found recording through a coworker who'd interned at the Blasting Room. After learnin
WCA #611 with Scott McDowell – Berklee, California vs New York, Getting Fired, Becoming a Studio Partner, and Getting Hit by a Car
Scott McDowell is a producer, engineer, and co-owner of Wally's Hydeout at Hyde Street Studios in San Francisco. In episode 611 they talk about getting fired from his first SF internship, becoming a studio partner at Wally’s Hydeout, surviving COVID, getting hit by a car in March 2026, recovering from a TBI, and why every freelancer in California needs to sign up for state disability insurance bef
WCA #610 with Stephen Shirk – Bloomington, New York, Chicago, and Twenty Years of SHIRK Studios
For episode 610, Matt talks with Stephen Shirk — engineer, producer, guitarist, and owner of SHIRK Studios in Chicago's West Town neighborhood. Stephen grew up in Bloomington, Illinois, studied business at Miami University, moved to New York in 1998 with a friend's couch as his launch pad, and worked his way through the Hit Factory and a jingle house where he built Pro Tools systems, got his SAG c
WCA #609 with Eric M Lichter – Martha's Vineyard, New York, Connecticut, and the Beauty Marks That Make a Record
For episode 609, Matt talks with Eric M Lichter — multi-instrumentalist, producer, and owner of Dirt Floor Recording in Connecticut, where he’s been in business for twenty years. Eric came up singing in chorus, spent time on Martha’s Vineyard playing the Hot Tin Roof and landing in Carly Simon’s living room with Danny Kortchmar and Jerry Marotta in the liner notes, then moved to New York, recorded
WCA #608 with Julian Kindred – Canada, America, England, and Thirty-Five Years of Making Records
For episode 608, Matt talks with Julian Kindred — Canadian producer, engineer, and songwriter based in London, where he runs Nonsuch Park Studio in Epsom, Surrey. Julian grew up in St. John, New Brunswick — a working-class port city he describes as a place where people punched in all week and played blues in bars on the weekend — and found his way into recording through a part-time job at a music
WCA #607 with Dana Nielsen – Jazz School, System of a Down, SZA, and the Money Side of a Long Career
For episode 607, Matt talks with Dana Nielsen — Grammy-nominated producer, mixer, engineer, multi-instrumentalist, and founder of Mix Protégé in Los Angeles. Dana came up as a jazz saxophonist at Loyola University in New Orleans, where a Brian Blade album and a set of studio keys changed his direction. After chasing Daniel Lanois all the way to a phone call with Teatro and eventually moving to LA
WCA #606 with Neil Rogers – Eighteen Years of Half-ton Studios, Bootstrapping in Cambridge, and Writing for Sound on Sound
For episode 606, Matt talks with Neil Rogers — recording engineer, owner of Half-ton Studios in Cambridge, and longtime reviewer for Sound on Sound. After a decade of gigging as a drummer with no payoff, Neil found a music tech degree at 26 that rebuilt his confidence, then answered a group email about a ramshackle unit next to a brewery and built a studio there on about £7,000 and favors. Eightee
WCA #605 with Chris Mara – Building Welcome to 1979, Restoring Tape Machines, and Saying Yes to Everything
Chris Mara owns Welcome to 1979, one of the larger recording studios in Nashville, along with his wife Yoli. He joins Matt for episode 605 to talk about moving to Nashville at 20, building Mara Machines and a vinyl mastering department alongside the studio, and running it for 18 years with no partners and almost no borrowed money.In This Episode, We Discuss:Growing Up in an 800-Person Wisconsin To
WCA #604 with Alec Ness – Mastering in Minneapolis, Resisting Homogenization, and Putting the Art First
For episode 604, Matt talks with Alec Ness, a mastering engineer in Minneapolis and the owner of Ness Mastering. Alec joins to tell an unusual origin story: born with partially amputated fingers, he was steered from guitar to drums, caught the recording bug on Cakewalk in a Dakotas high school, and chased music through a now-defunct college (McNally Smith), the San Francisco and LA beat scenes as
WCA #603 with Lorenzo Wolff – Building a Brooklyn Studio, Session Bass to Taylor Swift, and Working for Ms. Lauryn Hill
For episode 603, Matt talks with Lorenzo Wolff — a Grammy-winning engineer, producer, musician, and owner of Restoration Sound in Brooklyn. Lorenzo joins on a Saturday from New York to trace a path from a hip-hop-obsessed kid in Nyack, chasing the basslines on Fugees and Wyclef records, to a session bassist, to interning under engineer Scott Lehrer at Second Story Sound, to building one of Brookly
WCA #602 with Luke Burgoyne – Seven Years Assisting a Top UK Mixer, Mix Prep, and Going Solo in London
For episode 602, Matt talks with London mix engineer Luke Burgoyne, who joins from his room at Pony Studios in East London. Luke grew up in Winchester with two violinist parents, fell for the studio side of music at sixteen, and studied performance and recording at the University of West London before spending the last seven years assisting one of the UK's busiest mixers, Dan Grech-Marguerat (Lana
WCA #601 with Gert Keunen – Immersive Audio, "Stereo Was a Nice Try," a Dozen Careers, and Brewing His Own Beer
For episode 601, Matt sits down with Belgian musician, mastering engineer, and sociologist of music Gert Keunen — recommended to the show by past guest John Greenham. Gert has spent 35 years saying yes to nearly everything music: seven albums of his own, the nu-jazz project Briskey, a PhD in the sociology of music, four books on pop history, stints as a record-label staffer and newspaper critic, t
WCA #600 with Andrew Scheps – Atmos, Imposter Syndrome, Coding Plugins with AI, Climbing Walls, and 600 Episodes
Matt celebrates episode 600 of Working Class Audio with a guest who's been there since the beginning — mixer and producer Andrew Scheps, who first appeared back on episodes 009 300 & 477. Andrew joins from his home in rural England to talk about winning MPG Atmos Mixer of the Year for his work on Low Roar, how he approaches Dolby Atmos delivery and client approval, why he switched from Sony he
WCA #599 with Alex Newport – Three Decades of Production, a Studio in the Desert, Engineering at Tiny Telephone, and Why Unique Always Beats Good
Matt welcomes producer, engineer, and mixer Alex Newport for his first appearance on Working Class Audio. Alex grew up in the UK Midlands with few music resources, and found his way into production after his band got signed to a UK label with an upstream deal to Columbia, and ended up recording at Sawmills, a legendary residential studio on a tidal island at the tip of Cornwall. Working there with
WCA #598 with Dante Fumo – Harmonic Content, Independent Film Sound, DIY Publishing, and Making a Living on Your Own Terms
In this return visit to Working Class Audio, Matt welcomes back Dante Fumo — freelance sound designer, writer, and the creator behind Harmonic Content, a screen-printed audio zine now in its seventh issue. Dante talks about building a sustainable freelance life that spans independent film post-production, writing for Vintage King and Pro Sound Effects, and self-publishing a physical zine inspired
WCA #597 with Tchad Blake, Dr. Will Sedley, Jack Rubinacci & Hazel Goedhart – Tinnitus Quest: Breaking the Silence on the Music Industry's Most Common Occupational Condition
In this episode of Working Class Audio, Matt welcomes a panel of four guests united by a common cause: Tinnitus Quest, a patient-driven nonprofit pushing to fund and accelerate tinnitus research. Tchad Blake — 7-time Grammy Award-winning producer, mixer, and engineer with credits including Paul Simon, Peter Gabriel, Paul McCartney, and Pearl Jam — opens up about living with tinnitus since age eigh
WCA #596 with Will Kennedy – Dolby Atmos Focus, Selling Recording Gear, Hidden Coffee Shops, and Mixing Rock in Surround
In this episode of Working Class Audio, Matt welcomes back producer, mixer, and engineer Will Kennedy. Will shares an update on his journey since his last appearance, focusing on his partnership with Matt Wallace and their deep dive into immersive and Dolby Atmos mixing from their Los Angeles studio. They discuss the strategic decision to sell off their traditional recording gear, the evolution of
WCA #595 with Steve Kitch – Classical Roots, Sound On Sound, Supermarket Shifts, and Online Mastering Success
In this episode, Matt welcomes mastering engineer Steve Kitch. Steve shares his journey from early music programming on home keyboards and classical piano training to building a worldwide mastering practice from his studio in Devon, UK. They discuss the transition from transferring DAT tapes to CDs, being an early adopter of online file delivery, and the evolution of a professional audio career th
WCA #594 with Amar Lal – Experimental Roots, Corporate Transitions, Mastering Room Acoustics, and Macro Sound
In this episode, Matt welcomes mastering engineer and artist Amar Lal of Oakland’s Macro Sound. Amar shares his journey from the New York DIY scene and touring with Big Ups to a corporate role at Sennheiser and his eventual return to independent studio ownership. They discuss the benefits of an all-digital mastering workflow, the "Active Listening Club" philosophy, and how Amar maintains career lo
WCA #593 with Katie Marie Richards – Self-taught Foundations, Four-track Experiments, Blue Rock, and The Human Experience
In this episode of Working Class Audio, Matt welcomes producer, engineer, and multi-instrumentalist Katie Marie for a deep dive into her 30-year career journey, moving from a rural UK trailer to world-class studios. They discuss the transition from solo artistry to a supportive production role, the philosophy of professional growth, and maintaining a healthy mindset around the business of music.In
WCA #592 with Ronan Chris Murphy – Falling Trees, World Travel, Anchor Points, and Being a Respectful Human
In this episode of Working Class Audio, Matt welcomes back producer, engineer, mixer Ronan Chris Murphy (King Crimson, Steve Morse, Terry Bozzio, Tony Levin) to talk about being a pro audio nomad, falling trees, and and anchor points.In This Episode, We Discuss:World TravelFalling TreesLanguageBeing a Respectful HumanAnchor POintsDebtLinks and Show Notes:Ronan's SiteMatt's Rant: Passion for AudioC
WCA #591 with Tyrone "Cross Bone T" Harris – Curiosity and Learning, Building a Client Base, Health Challenges, Overcoming Obstacles, and The Importance of Small Wins
In this episode of Working Class Audio, Matt welcomes mixing and mastering engineer Tyrone "Cross Bone T" Harris who shares his journey from a young music enthusiast in London to a professional mixing and mastering engineer.In This Episode, We Discuss:Musical Roots and Early InfluencesThe Journey into Music ProductionCuriosity and Learning in MusicEarly Experiences with TechnologyFirst Steps in Ra
WCA #590 with Phillip Broussard –Gulf Coast, Kingsway, Teatro, Rick Rubin, and Prioritizing Vibe
In this episode of Working Class Audio, Matt welcomes producer/engineer/mixer and archivist, Phillip Broussard who has worked with the Red Hot Chili Peppers, Slipknot, System of a Down, and many moreIn This Episode, We Discuss:Texas upbringingJobs in Gulf Coast refineriesFirst studio internships in AustinHouston and AustinKingsway Studio in New OrleansPrioritizing vibe over gearRelocating to Los A
WCA #589 with Mitch Easter – R.E.M., Drive-In Studio, Don Dixon, North Carolina, and Fidelatorium Recordings
In this episode of Working Class Audio, Matt welcome musician/songwriter/producer/engineer Mitch Easter known for his work on the early R.E.M. records as well as his work with the db's, Game Theory, and Marshal Crenshaw as well as his own band Let's Active.In This Episode, We Discuss:Background and UpbringingEarly Interest in RecordingDrive-In StudioFidelatorium RecordingsBalancing Multiple RolesC
WCA #588 with Joe Costa– Ordering Lunch with William Shatner, Berklee School of Music, Mixing from Home, and Reading the Room
In this episode of Working Class Audio, Matt welcomes engineer/mixer Joe Costa who has worked with Ben Folds. Sara Bareilles, William Shatner and many more.In This Episode, We Discuss:Ordering Lunch with William (Bill) ShatnerWorking with Ben FoldsMixing from HomeMoving to NashvilleBerklee School of MusicReading the RoomLinks and Show Notes:Joe On Instagram @costa71Watch the Interview on YouTubeMa
WCA #587 with Willie Green – The Green House, Physical Media, Business Strategy, Daily Patterns, and Innovation
Producer, engineer, artist, and professor Willie Green returns to WCA to chat with Matt about about his new studio adventure and much more! Willie has worked with renowned artists such as Armand Hammer, The Roots, The Alchemist, and Wiz Khalifa.In This Episode, We Discuss: The Green House Expands! Physical Media Marketing Strategies for Creative Spaces Daily Patterns and Balancing Responsibilities
WCA #586 with Richard Chycki Part 2– Management, Networking, Cultural Transition, Future Plans, and The Rush Connection
This is part 2 of a discussion Matt had with multi-platinum mixer and engineer Richard Chycki whose clients include such rock royalty as Rush, Aerosmith, Dream Theater, Skillet, Mick Jagger, Alice Cooper, Pink and many more.In This Episode, We Discuss:ManagementNetworking: Building Relationships for SuccessCultural Transition: From Canada to the U.S. Music SceneThe Rush Connection: Networking and
WCA #585 with Jade Alysse Berry – Passion for Music, Overcoming a Health Crisis, Navigating Industry Politics and Client Communication
In this episode of Working Class Audio, Matt welcomes mixing engineer, producer and composerJade Alysse Berry, whose path to mixing was sparked by a life‑changing health event and a deep love for music. Jade shares practical insights on creativity, collaboration, and setting clear boundaries with clients.In This Episode, We Discuss:How a health crisis redirected Jade’s career toward audio engineer
WCA #584 with Tom Camuso – Preserving Les Paul's Legacy, Education, Los Angeles vs. New York, Cracking the Preservation Code, and Weather
Matt is joined by grammy winning engineer Tom Camuso who has worked with Lenny Kravitz, Blondie, Steve Earl as well as a number of commercial, television and film projects. Tom is also the Chief Engineer at The Les Paul Recording Studio in Holly wood.In This Episode, We Discuss:Preserving Les Paul's LegacyLos Angeles vs. New YorkCracking the Preservation CodeWeatherEducationLibrary of CongressLink
WCA #583 with Richard Chycki Part 1– Networking, Finances, ATMOS, Learning from Major Artists, and Adapting to Technological Changes in Audio
Matt is joined by multi-platinum mixer and engineer Richard Chycki whose clients include such rock royalty as Rush, Aerosmith, Dream Theater, Skillet, Mick Jagger, Alice Cooper, Pink and many more.In This Episode, We Discuss:NAMM ExperienceCurrent State of Immersive AudioMoving to Nashville: Reasons and PlansEarly Musical Journey and Transition to EngineeringThe Shift from Musician to EngineerAdap
WCA #582 with Joel Weldon Willis – Church to indie music, Freelancing, Grammy Nominations, Remote Mixing, and The Importance of Collaboration Over Competition
Matt welcomes Grammy Nominated producer /engineer/mixer Joel Weldon Willis.In This Episode, We Discuss:Building a Home StudioEarly Experiences in Music ProductionTransitioning to Freelance and Indie Music SceneCreative Approaches to Music ProductionNavigating Financial Challenges in the StudioRecording Techniques and Live SessionsLessons Learned in the StudioFreelancing and Renting Studio SpacesCo
WCA #581 with Sanford Parker – Chicago Music Scene, Independent Artists, Managing Overhead, and Getting out of Florida.
Matt welcomes Producer /engineer/mixer and film composer Sanford Parker. As an artist he’s performed and released albums with extreme heavy and industrial bands like Black Cross Hotel, Corrections House, Mirrors for Psychic Warfare and Minsk. Throughout the years he’s collaborated with members of Sonic Youth, Ministry, Napalm Death and Neurosis as well as producing and mixing albums for Darkthrone
WCA #580 with Steve Chadie – LIVE FROM NAMM 2026
In this episode of Working Class Audio, Matt welcomes back GRAMMY-winning recording engineer and producer Steve Chadie live from the AudioScape booth at NAMM 2026 to talk about recording bands. Steve has worked with WIllie Nelson, Los Lonely Boys, Wilco, and the Supersuckers.In This Episode, We Discuss:Mic placement and monitoring.The bleedBand dynamicsFood and energy levelsExpectationsCreative ru
WCA #579 with Fran Cathcart – Studio Ownership, Herbie Hancock, Stress, and Moving to the Bay Area
Matt welcomes producer/engineer/composer Fran Cathcart. Fran having just moved to the Bay Area from New York recounts his journey in studio ownership, working with Herbie Hancock, and facing down serious challenges that would make most throw in the towel, yet he still keeps going.In This Episode, We Discuss:Studio OwnershipHerbie HancockEarly Digital RecordingDivorceCovidGetting SuedStressMoving t
WCA #578 with Joe Caithness – Pro Audio Minimalism, Finding Balance, Decluttering, Embracing Whimsy, and The Bell Curve
In this episode of Working Class Audio, Matt welcomes back Mastering Engineering Joe Caithness. Joe has worked on mastering the soundtrack music for games such as Borderlands, and Tekken, the soundtracks for the Netflix movie Close, bands such as Don Martin 3 and Palooka 5.In this episode we discuss Pro Audio Minimalism.In This Episode, We Discuss:Pro audio minimalism focuses on efficiency and wor
WCA #577 with Justin Gray – Immersive, Balancing Family Support, Belief In Your Work, Early Surround, & Being Engineer and Artist
In this episode of Working Class Audio, Matt welcomes back Producer, Mixer & Mastering Engineer Justin Gray. Based in Toronto, Canada, Justin has worked on projects for Snoop Dogg, Brandy, Nicky Youre, Mother Mother, Arkells, Jamie Fine, Lola Brooke, Upsahl, and The Sheepdogs.In this conversation, Justin Gray discusses his album 'Immersed', exploring the creative process, technical aspects of
WCA #576 with Alan Evans – Health, Creativity, Reflections, Client Interactions, and 2026
In this episode of Working Class Audio, Matt welcomes back producer, engineer, mixer, multi-instrumentalist, singer and, songwriter, Alan Evans. Alan is of course well known as a member of his band Soulive. He's also been a past guest on WCA #133 and 328.Matt Boudreau and Alan Evans reflect on the past year and share insights on creativity, health, and the music industry. They discuss the importan
WCA #575 with Michael Beinhorn – Remote Production, Artist Development, Risk Taking, High-End Listening, and Unique Voices
In this episode of Working Class Audio, Matt welcomes back producer Michael Beinhorn who has worked with The Red Hot Chili Peppers, Soundgarden, Herbie Hancock, Korn, Marilyn Manson, Weezer, Ozzy Osbourne, Hole, Cuco, Aerosmith & Violent Femmes. Michael originally appeared on WCA #029 back in 2015. In This Episode, We Discuss:Music productionRemote productionPre-productionMusic critiqueMainstr
WCA #574 with Stephen DeAcutis –Owning Your Time, Getting It Right At The Source, Solving Audio Problems, and Performing Live
In this episode of Working Class Audio, Matt welcomes mixer, producer, engineer, writer, and performer Stephen DeAcutis. Stephen has worked with Vanilla Fudge, Gladys Knight, Travers and Appice, Corey Glover, and Cyndi Lauper.In This Episode, We Discuss:Owning Your TimeEmbracing Old and NewCelebrating the New GenerationSolving Audio ProblemsWorking From HomeCommunicating with MusiciansGetting It R
WCA #573 with Natalie Bibby – AIR Studios, Direct to Disc, Attended Sessions, MPG, and Connecting with Others
In this episode of Working Class Audio, Matt welcomes mastering and lathe cutting engineer Natalie Bibby who works at AIR Studios in the U.K.. Natalie has worked with Kraftwerk, Bring Me The Horizon, Lola Young, Jimmy Eat World, The Vaccines, Lewis Capaldi, GIRLI, and CATTYShe's also led a world-class mastering workshop at Peter Gabriel’s Real World Studios, UK.In This Episode, We Discuss:Early mu
WCA #572 with Alex Crescioni - Extreme Metal, Techniques, Clients, Survival, and Letting Go.
In this episode of Working Class Audio, Matt welcomes back guitarist, producer, and mixing/mastering engineer Alex Crescioni to talk about Extreme Metal production. Alex is known for his work with Burton C. Bell, Deverauxx, and Siglos.In This Episode, We Discuss:Extreme MetalTechniquesSoundsRoom ToneBusinessSurvivalLetting GoLinks and Show Notes:Alex’s SiteAlex on LinkedinAlex on InstagramAlex on
WCA #571 with Don Setaro –DEEP DIVE - Gary Young Hospital For The Chemically Insane
In this episode of Working Class Audio, Matt welcomes back producer/engineer/mixer and record label owner Don Setaro. Matt and Don get into a deep dive discussion of the re-issue process for former Pavement drummer, Gary Young's album "Hospital For The Chemically Insane". Former WCA guests Dan Johnson and Justin Perkins chime in to talk about their role in the process. Enjoy.In This Episode, We Di
WCA #570 with Ken Sluiter – A deep dive into stereo rebuilds for Atmos mixing.
In this episode of Working Class Audio, Matt welcomes back producer/engineer and mixer Ken Sluiter to delve into the intricate process of stereo rebuilds for Atmos mixing. They discuss the challenges of finding and organizing original material, the importance of matching to comparison masters, and the unique aspects of each project. Ken shares insights on the ingestion process, the role of researc
WCA #569 with Dan Johnson & Catherine Vericolli – Audio Restoration/Archive Deep Dive
In this episode of Working Class Audio, Matt welcomes back Dan Johnson of Audio Archiving Services and Catherine Vericolli of Central Audio Archiving to do a deep dive into the world of audio archiving, preservation, and restoration. In This Episode, We Discuss:Analog TapesAnalog MachinesModular Digital MultitracksDAT MachinesDASH MachinesPro DigiRetrospectMezzoLinks and Show Notes:Links to Danhtt
WCA #568 with John Cuniberti – OneMIc, Dynamics, Acoustics, Placement, and 2 Tracks
In this episode of Working Class Audio, Matt welcomes back John Cuniberti who produces, engineers, mixes and masters records for many artists including most notably Joe Satriani, Sammy Hagar, The Dead Kennedys, and Chicken Foot. John originally appeared WCA #005 back in 2014 and returns to do a deep dive into his OneMic recording concept. -EnjoyIn This Episode, We Discuss:OneMic SeriesDynamicsAcou
WCA #567 with Gena Johnson – Listening to Artists, Keeping Overhead Low, Career Champions, and Glitter Walls
In this episode of Working Class Audio, Matt welcomes Grammy Winning producer/engineer/mixer Gena Johnson who has worked with Chris Stapleton, Jason Isbell, Brandi Carlile, and John Prine. Enjoy.In This Episode, We Discuss:Leave your ego at the doorMake people feel comfortableListen to the artistLabels are business partnersWord of mouth workFeminine energy in productionWomen in the industryClassic
WCA #566 with Mike Blodgett – Isolated Ground, Ground Rods, Isolation Transformers, Power Conditioners, and Electrical Safety
In this episode of Working Class Audio, Matt welcomes back engineer/producer electrician, Mike Blodgett to discuss electricity and pro audio! Enjoy.In This Episode, We Discuss:Isolated GroundsIsolation TransformersGround RodsPower ConditionersApartment PowerHome Studio PowerElectrical SafetyLinks and Show Notes:Mike on WCA #348Matt's Rant: How You ListenCredits:Guest: Mike BlodgettHost/Engineer/Pr
WCA #565 with Hans-Martin Buff – Tearjerkers, Peter Gabriel, Real World, Binaural, and ATMOS
In this episode of Working Class Audio, Matt welcomes back engineer/producer and 3D audio geek, Hans-Martin Buff to discuss mixing Peter Gabriel's I/O as well as his own project Tearjerkers. In This Episode, We Discuss:TearjerkersPeter GabrielReal Word StudiosBinaural MixingATMOSFormat HatersLinks and Show Notes:Pure Audio Streaming:Immersive Audio Album:Link tree Album:Youtube Siren Video:Audiomo
WCA #564 with Steve Dierkens – Career Path Shift, Joy in Work, Financial Balance, Global Collaborations, and Redefining Success
In this episode of Working Class Audio, Matt welcomes Engineer, Producer, Mixer Steve Dierkens. In this conversation, Steve shares his journey from as a succesful enginer working in film in California to a professional audio engineer and producer living in Canada. He discusses his early influences, the transition to a professional career, and the lifestyle changes that came with moving to Canada.
WCA #563 with Jon Rezin– Working Remotely in Ohio, Mixing, Saving Time, Skills and Network
In this episode of Working Class Audio, Matt welcomes Grammy winning Mixer, Producer, & Mastering Engineer Jon Rezin who has worked with Natalia Jimenez, One Direction, Andy Grammer, BoA, and Santana.In This Episode, We Discuss:Working Remotely in OhioMixingSaving TimeSkillsNetworkBuilding RelationshipsThe Masked SingerAmerican IdolLinks and Show Notes:Jon's SiteJon on InstagramMatt's Rant: St
WCA #562 - STEVE GENEWICK talks SPINAL TAP
In this episode of Working Class Audio, Matt welcomes back Recording and Mixing Engineer Steve Genewick. Steve gives us the full behind the scenes look into the making of the new Spinal Tap record "The End Continues". From the initial phone call to the release of the record and movie we get into the details. In This Episode, We Discuss:Initial Phone CallWhere to RecordSetupMics, Preamps, etc..Mixi
WCA #561 with Jordan Lonn – FOH, Paying Dues, Failing Kidney's, Home Town Gig, and Sustained Energy
In this episode of Working Class Audio, Matt welcomes Jordan Lonn, Head Audio Engineer at the Gallo Center for the Arts in Modesto, California. The venue hosts a wide range of performances, including musical acts such as Joss Stone, Joan Osborne, and the Count Basie Orchestra, as well as musical theater and stand-up comedy.In This Episode, We Discuss:Guitar CenterDropping Out Of CollegePaying Dues
WCA #560 The Backup Episode – 3-2-1 System, Nevada City Fire Scare, Altadena Fire Experience, and Best Practices & Considerations
In this episode of Working Class Audio, Matt welcomes back Grammy Nominated producer, engineer, and mixer Travis Ference as well as multi-instrumentalist, sound designer and audio engineer Kerry Rose to talk all about backing up and archiving audio. Enjoy.In This Episode, We Discuss:3-2-1 SystemBest Practices & ConsiderationsInsurance & LiabilityPersonal ExperiencesTravis's Altadena Fire E
WCA #559 with Moses Schneider – Hansa Studios, Disco Powder, Obscuring Audio, The Wall, and No Sandwich Recording
In this episode of Working Class Audio, Matt welcomes engineer and producer Moses Schneider. The Berliner is responsible for some of the most successful records of recent years. The Beatsteaks achieved their breakthrough in the German charts under his direction. His other productions include Tocotronic, Fehlfarben, Dendemann, Kreator and others. In 2008, Schneider was nominated for the German musi
WCA #558 with Ady Parzentny – Barcelona, Artist Support, Studio Connections, and the Audio Nomad Book
In this episode of Working Class Audio, Matt welcomes back Ady Parzentny. Adrian Parzentny is a German‒Polish music producer, audio engineer, and creative adventurer. With over 13 years of travel and music production experience, Adrian has recorded traditional musicians across Morocco, the Sahara Desert, and beyond — often in remote villages, mountain ranges, and DIY setups built inside vans and h
WCA #557 with Assaad Lakkis– Bullfunk Studios, Financial Realities, Continuous Learning, Perseverance, and Mental Health
In this episode of Working Class Audio, Matt welcomes producer, engineer, and musician Assad Lakkis, the creative force behind Bull Funk Zoo and owner of Bull Funk Studios in Dubai. Assad’s career blends boundary-pushing rock, funk, and experimental sounds with his work producing and recording artists from around the world, making him a central figure in the Middle Eastern music scene.In This Epis
WCA #556 with Toby Lloyd– Working in Film, Returning to Music, New Zealand Scene, Being a Good Dad, and The Morning Cold Plunge
In this episode of Working Class Audio, Matt welcomes producer, engineer, mixer, Toby Lloyd who runs Tiny Triumph Recordings in Wellington, New Zealand. Toby's career spans working in film (The Hobbit Trilogy, Avatar, Mortal Engines) as well as music by playing a central role in the New Zealand Music world. In This Episode, We Discuss:Producing And Mixing MusicRooftop Recording StudioMeditation An
WCA #555 with Pierre de Reeder – Rilo Kiley, LA Survival, 64 Sound, and A New Studio Business Model
In this episode of Working Class Audio, Matt welcomes producer/engineer/musician Pierre de Reeder. Pierre owns and runs 64 Sound and is a member of the band Rilo Kiley. In This Episode, We Discuss:Rilo KileyLA Survival64 SoundDave TrumfioRecording on 8 Track CassetteNew Studio Business ModelBonding with the LandlordThe HuntLinks and Show Notes:64 SoundKing Size Sound LabsRob Schnapf on WCAProfit F
WCA #554 with Mark Pistel – Sampler Revolution, Disposable Heroes, Consolidated, Union Work, and Adapting to Industry Changes
In this episode of Working Class Audio, Matt welcomes engineer and producer Mark Pistel. His extensive credits include influential work with Disposable Heroes of Hiphoprisy and Consolidated, as well as notable collaborations with artists such as Meat Beat Manifesto, Grace Jones, Hercules and Love Affair, Chuck Prophet, Rykarda Parasol, Machines of Loving Grace, Holly Herndon, Los Mocosos, and many
WCA #553 with Stefan Bock – Being Too Early, Inventions, Immersive Audio, Pure Audio Streaming, and the Value of Good Acoustics Spaces.
In this episode of Working Class Audio, Matt welcomes Engineer & Producer Stefan Bock. His credits include productions for Peter Maffay, Herbert Grönemeyer, Sarah Brightman, Yello, 2L, Berliner Philharmoniker and Deutsche Grammophon.Due to his expertise in the field of immersive audio, Stefan Bock is a renown speaker at international congresses, including those of the Audio Engineering Society
WCA #552 with Daniel Holter – Studio Aesthetics, Hospitality, Presentation, Relationships, and Cashflow
In this episode of Working Class Audio, Matt welcomes back producer, mixer, composer and songwriter Daniel Holter. Daniel first appeared in 2018 on WCA Episode #179. Over the years, Daniel has mixed music by artists such as Nick Lowe, Field Report, Over The Rhine, Amos Lee, Blitzen Trapper, Collections of Colonies of Bees, Phil Keaggy, Crowded House, Dead Horses, WebsterX, and Ryan Higa. He’s also
WCA #551 with Dane Giordano – Sun Studio, Steve Albini's Kindness, Financial Discipline, and Diversifying Services
In this episode of Working Class Audio, Matt welcomes Engineer and Composer Dane Giordano who has engineered artists for Warner, Sony and Universal Music Group. Dane has composed music for Film, Video Games, Television and more! He is also one of the House Engineers at Young Avenue Sound & Sun Studio.In This Episode, We Discuss:First Studio ExperienceTouring Survival MethodsBad Engineer Experi
WCA #550 with Justin Francis – Remote Studio Benefits, Nashville Efficiency, Beyond Music Row, and Navigating Payment Ethics
In this episode of Working Class Audio, Matt welcomes Grammy WInning Producer/engineer/mixer, Justin Francis who has worked alongside artists like Sheryl Crow, Kacey Musgraves, Tyler Childers, Lake Street Dive, Justin Timberlake, Madison Cunningham, Gary Clark Jr, Sarah Jarosz and Lauren Daigle. Enjoy!In This Episode, We Discuss:Early Music PassionAudio Production PathStudio ImmersionFormal Audio
WCA #549 with Ian Shepherd – Mastering Democratized, AI, Physical or Virtual Gear, and Empty Nests
In this episode of Working Class Audio, Matt welcomes back mastering engineer and host of The Mastering Show, Ian Shepherd. They dive into the current state of mastering, AI’s growing role, work/life balance, and in-the-box vs. out-of-the-box mastering. Enjoy!In This Episode, We Discuss:Companion podcast episodeAdvances in mastering technologyThe rise of AI masteringShift toward releasing singlesI
WCA #548 with Dan Malsch – Touring Guitarist to Full-Time Engineer, Building a Studio Career, Mixing Ghost, Working with Andy Wallace, and Running a Successful Studio Outside the Big Cities
In this episode of Working Class Audio, Matt welcomes producer and mixer Dan Malsch to discuss his journey from guitarist to studio owner, working with bands like Ghost and Avenged Sevenfold, building studios with his own hands, and maintaining a no-ego approach to recording at the highest level. Enjoy!In This Episode, We Discuss:Dan Malsch’s Journey From Guitarist to Music ProducerExplore how Dan
WCA #547 with Lij Shaw – Friendship, Communication, Collaboration, Mixing, and Time Management
In this episode of Working Class Audio, Matt welcomes back producer, engineer, songwriter and host of Recording Studio Rockstars Lij Shaw.In This Episode, We Discuss:Friendship & CommunicationStudio & WorkspaceCosta Rica TripMusic & ProductionCollaboration & MixingIdentity & RolesTime ManagementLinks and Show Notes:Recording Studio RockstarsChris Chamness (Matt & Lij colab
WCA #546 with Elad Marish –Surf Culture, The Magic of KISS, Guitar Obsession, Post Production Powerhouse, and The Growth of Swell
In this episode of Working Class Audio, Matt welcomes Elad Marish, co-founder and producer at Swell Music + Sound, a leading creative audio agency based in San Francisco. Elad and his team at Swell have brought music, sound design, and audio branding to high-profile clients including Apple, Nike, Google, and Uber, working on everything from global ad campaigns to immersive brand experiences.In Thi
WCA #545 with Howie Beck - Musician to Producer, 4 Tracks to Pro Tools, Independence, Polishing Turds, and Saving the Day
In this episode of Working Class Audio, Matt welcomes Howie Beck who is a multi Juno nominated Mixer, Producer and musician located in Toronto who has mixed or produced music by artists as diverse as Feist, Charlotte Day Wilson, Barenaked Ladies, Chilly Gonzales, Ron Sexsmith, and the Weather Station amongst many more. Enjoy!In This Episode, We Discuss:Musician to Producer4 Tracks to Pro ToolsChal
WCA #544 with Benedikt Hain – Helping Bands Record Better, Mixing in Bavaria, Revisions, and Client Filter
In this episode of Working Class Audio, Matt welcomes mixing engineer and podcaster Benedikt Hain. Benedikt discussed his journey from growing up in Bavaria to becoming a full-time mixing engineer and running a studio called Outback Recordings . Benedikt has worked with with bands like Pulley and Swallow's Rose and labels like Warner Music and SBÄM Records. Enjoy!In This Episode, We Discuss:• Remo
WCA #543 with Sarah Register –Mastering, 10,000 Hours at Once, NYC & The Nervous System, Avant Garde, and PLaying with Kim Gordon
In this episode of Working Class Audio, Matt welcomes Mastering engineer, Composer, and Guitarist Sarah Register. Her mastering clients include Faye Webster, Channel Tres, Jeffrey Lewis, Alice Longyu Gao, Lee "Scratch" Perry, S.G. Goodman, Wye Oak and many more. In This Episode, We Discuss:Identity & BalanceAvant GardeEgoic Attachment to Past MethodsHealth and SanityNYC & The Nervous Syste
WCA #542 with Emre Ramazanoglu – ATMOS For Brian Eno, Session Drumming, Fashion Shows, Family Balance, and ADHD
In this episode of Working Class Audio, Matt welcomes producer, engineer, mixer, drummer, and composer Emre Ramazanoglu who has worked on projects for Brian Eno, David Bowie, Noel Gallagher Nova Twins and many more. In This Episode, We Discuss:ATMOS for Brian EnoZiggy Stardust. & Ken ScottPlaying on PillowsMimicking ReverbFashion ShowsSession DrummingGiving a ShitATMOS SuccessApple IssuesDolby
WCA #541 with Michael Roache – Producing Game Sound, Blizzard, Formosa, Mental Health, and Storytelling Across Mediums
In this episode of Working Class Audio, Matt welcomes Producer Michael Roache who has worked for Halo/KDA, Blizzard, Formosa, Rebound, and TNM. Now he is launching a new company called Broken Stick. Enjoy.In This Episode, We Discuss:PyramindProducing Game SoundBlizzardFormosaMental HealthStorytelling Across MediumsConsultingLinks and Show Notes:Broken Stick ProductionsMatt's Rant: Staying Well Rou
WCA #540 with Max Dearing – Struck by Lightening, Building a Studio, Pounding Sand, Inflation, and Fasteners.
In this episode of Working Class Audio, Matt welcomes recording and mix engineer at Dark Pine Studios, Max Dearing, to discuss his brush with being struck by lightening, the healing nature of music, and building a studio. Enjoy!In This Episode, We Discuss:North Carolina TalentJourney Into Music and RecordingRecording Studio DesignStudio Building ExperienceCritical MeasurementConstruction Challenge
WCA #539 with Mixerman –New Book, Five Planes of Space, Studio Design & Monitoring, Budgeting & The Punter
In this episode of Working Class Audio, Matt welcomes back Mixerman (aka Eric Sarafin) to talk about his new book MIXERMAN'S Ultimate Guide to PRODUCING Records, Music & Songs. Enjoy!In This Episode, We Discuss:Studio Design & MonitoringMixerman's New BookProducing Philosophy & ProcessFive Planes of SpaceThe PunterBudgeting & MoneyMusic Business LandscapeLinks and Show Notes:New Bo
WCA #538 with Greg Norman – Steve Albini, Electrical Audio, Community, Family, & Institutional Knowledge
In this episode of Working Class Audio, Matt welcomes Greg Norman of Electrical Audio to the show to talk about his journey, Steve Albini, the future of Electrical Audio and much more. In This Episode, We Discuss:State of Electrical AudioSteve Albini's InfluenceGreg's Interest in SoundInternship with SteveGrowth and IndependenceThe Financial AspectLegacy and The FutureLinks and Show Notes:Electric
WCA #537 with Peter Craft – Napa Destination Studio, Bonding Experiences, Life in Tech, Songwriters as Magicians, and Inspiration of Scenes
In this episode of Working Class Audio, Matt Boudreau chats with Peter Craft of Boxer Lodge Studio in Napa. From a tech career to full-time audio engineering, Peter shares his inspiring path back to music. Hear about his early recording dreams, building a destination studio, recording philosophy, and working with the vibrant Bay Area Americana scene. A journey of passion, creativity, and community
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