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Working Class Audio

Working Class Audio

Working Class Audio 599 Episodes Aug 17, 2026

Working Class Audio is a podcast that pulls back the curtain on the professional recording world. Hosted by audio engineer Matt Boudreau, it features guests from music, film, games, restoration, and more, sharing their real experiences including wins, losses, working with others, money, and career advice. The show offers a working-class perspective on navigating the recording industry.

Episodes

WCA #609 with Eric M Lichter – Martha's Vineyard, New York, Connecticut, and the Beauty Marks That Make a Record
WCA #609 with Eric M Lichter – Martha's Vineyard, New York, Connecticut, and the Beauty Marks That Make a Record Aug 17, 2026 01:13:35 For episode 609, Matt talks with Eric M Lichter — multi-instrumentalist, producer, and owner of Dirt Floor Recording in Connecticut, where he’s been in business for twenty years. Eric came up singing in chorus, spent time on Martha’s Vineyard playing the Hot Tin Roof and landing in Carly Simon’s living room with Danny Kortchmar and Jerry Marotta in the liner notes, then moved to New York, recorded
WCA #608 with Julian Kindred – Canada, America, England, and Thirty-Five Years of Making Records
WCA #608 with Julian Kindred – Canada, America, England, and Thirty-Five Years of Making Records Aug 10, 2026 01:19:28 For episode 608, Matt talks with Julian Kindred — Canadian producer, engineer, and songwriter based in London, where he runs Nonsuch Park Studio in Epsom, Surrey. Julian grew up in St. John, New Brunswick — a working-class port city he describes as a place where people punched in all week and played blues in bars on the weekend — and found his way into recording through a part-time job at a music
WCA #607 with Dana Nielsen – Jazz School, System of a Down, SZA, and the Money Side of a Long Career
WCA #607 with Dana Nielsen – Jazz School, System of a Down, SZA, and the Money Side of a Long Career Aug 3, 2026 01:31:02 For episode 607, Matt talks with Dana Nielsen — Grammy-nominated producer, mixer, engineer, multi-instrumentalist, and founder of Mix Protégé in Los Angeles. Dana came up as a jazz saxophonist at Loyola University in New Orleans, where a Brian Blade album and a set of studio keys changed his direction. After chasing Daniel Lanois all the way to a phone call with Teatro and eventually moving to LA
WCA #606 with Neil Rogers – Eighteen Years of Half-ton Studios, Bootstrapping in Cambridge, and Writing for Sound on Sound
WCA #606 with Neil Rogers – Eighteen Years of Half-ton Studios, Bootstrapping in Cambridge, and Writing for Sound on Sound Jul 28, 2026 01:07:46 For episode 606, Matt talks with Neil Rogers — recording engineer, owner of Half-ton Studios in Cambridge, and longtime reviewer for Sound on Sound. After a decade of gigging as a drummer with no payoff, Neil found a music tech degree at 26 that rebuilt his confidence, then answered a group email about a ramshackle unit next to a brewery and built a studio there on about £7,000 and favors. Eightee
WCA #605 with Chris Mara – Building Welcome to 1979, Restoring Tape Machines, and Saying Yes to Everything
WCA #605 with Chris Mara – Building Welcome to 1979, Restoring Tape Machines, and Saying Yes to Everything Jul 20, 2026 01:03:40 Chris Mara owns Welcome to 1979, one of the larger recording studios in Nashville, along with his wife Yoli. He joins Matt for episode 605 to talk about moving to Nashville at 20, building Mara Machines and a vinyl mastering department alongside the studio, and running it for 18 years with no partners and almost no borrowed money.In This Episode, We Discuss:Growing Up in an 800-Person Wisconsin To
WCA #604 with Alec Ness – Mastering in Minneapolis, Resisting Homogenization, and Putting the Art First
WCA #604 with Alec Ness – Mastering in Minneapolis, Resisting Homogenization, and Putting the Art First Jul 12, 2026 01:04:18 For episode 604, Matt talks with Alec Ness, a mastering engineer in Minneapolis and the owner of Ness Mastering. Alec joins to tell an unusual origin story: born with partially amputated fingers, he was steered from guitar to drums, caught the recording bug on Cakewalk in a Dakotas high school, and chased music through a now-defunct college (McNally Smith), the San Francisco and LA beat scenes as
WCA #603 with Lorenzo Wolff – Building a Brooklyn Studio, Session Bass to Taylor Swift, and Working for Ms. Lauryn Hill
WCA #603 with Lorenzo Wolff – Building a Brooklyn Studio, Session Bass to Taylor Swift, and Working for Ms. Lauryn Hill Jul 5, 2026 01:01:43 For episode 603, Matt talks with Lorenzo Wolff — a Grammy-winning engineer, producer, musician, and owner of Restoration Sound in Brooklyn. Lorenzo joins on a Saturday from New York to trace a path from a hip-hop-obsessed kid in Nyack, chasing the basslines on Fugees and Wyclef records, to a session bassist, to interning under engineer Scott Lehrer at Second Story Sound, to building one of Brookly
WCA #602 with Luke Burgoyne – Seven Years Assisting a Top UK Mixer, Mix Prep, and Going Solo in London
WCA #602 with Luke Burgoyne – Seven Years Assisting a Top UK Mixer, Mix Prep, and Going Solo in London Jun 28, 2026 01:04:09 For episode 602, Matt talks with London mix engineer Luke Burgoyne, who joins from his room at Pony Studios in East London. Luke grew up in Winchester with two violinist parents, fell for the studio side of music at sixteen, and studied performance and recording at the University of West London before spending the last seven years assisting one of the UK's busiest mixers, Dan Grech-Marguerat (Lana
WCA #601 with Gert Keunen – Immersive Audio, "Stereo Was a Nice Try," a Dozen Careers, and Brewing His Own Beer
WCA #601 with Gert Keunen – Immersive Audio, "Stereo Was a Nice Try," a Dozen Careers, and Brewing His Own Beer Jun 21, 2026 01:18:37 For episode 601, Matt sits down with Belgian musician, mastering engineer, and sociologist of music Gert Keunen — recommended to the show by past guest John Greenham. Gert has spent 35 years saying yes to nearly everything music: seven albums of his own, the nu-jazz project Briskey, a PhD in the sociology of music, four books on pop history, stints as a record-label staffer and newspaper critic, t
WCA #600 with Andrew Scheps – Atmos, Imposter Syndrome, Coding Plugins with AI, Climbing Walls, and 600 Episodes
WCA #600 with Andrew Scheps – Atmos, Imposter Syndrome, Coding Plugins with AI, Climbing Walls, and 600 Episodes Jun 14, 2026 01:19:47 Matt celebrates episode 600 of Working Class Audio with a guest who's been there since the beginning — mixer and producer Andrew Scheps, who first appeared back on episodes 009 300 & 477. Andrew joins from his home in rural England to talk about winning MPG Atmos Mixer of the Year for his work on Low Roar, how he approaches Dolby Atmos delivery and client approval, why he switched from Sony he
WCA #599 with Alex Newport – Three Decades of Production, a Studio in the Desert, Engineering at Tiny Telephone, and Why Unique Always Beats Good
WCA #599 with Alex Newport – Three Decades of Production, a Studio in the Desert, Engineering at Tiny Telephone, and Why Unique Always Beats Good Jun 7, 2026 01:31:07 Matt welcomes producer, engineer, and mixer Alex Newport for his first appearance on Working Class Audio. Alex grew up in the UK Midlands with few music resources, and found his way into production after his band got signed to a UK label with an upstream deal to Columbia, and ended up recording at Sawmills, a legendary residential studio on a tidal island at the tip of Cornwall. Working there with
WCA #598 with Dante Fumo – Harmonic Content, Independent Film Sound, DIY Publishing, and Making a Living on Your Own Terms
WCA #598 with Dante Fumo – Harmonic Content, Independent Film Sound, DIY Publishing, and Making a Living on Your Own Terms Jun 1, 2026 01:05:56 In this return visit to Working Class Audio, Matt welcomes back Dante Fumo — freelance sound designer, writer, and the creator behind Harmonic Content, a screen-printed audio zine now in its seventh issue. Dante talks about building a sustainable freelance life that spans independent film post-production, writing for Vintage King and Pro Sound Effects, and self-publishing a physical zine inspired

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