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Audio Branding

Audio Branding

Jodi Krangle 300 Episodes Jul 1, 2026

Audio Branding explores the hidden gem of marketing: consistent sound in presenting your company. The podcast discusses how audio or sonic branding influences us in various ways and places in our lives. Host Jodi Krangle shares her own observations and interviews knowledgeable professionals in advertising, marketing, music, technology, and science. The show aims to educate listeners on the importance of sound in branding.

Episodes

Music in Film: Why the Wrong Score Changes Everything | Jayson Johnson Jul 1, 2026 25:17 “I guess that’s encouraging, and it’s scary at the same time, because, you know, there are a lot of people in the industry that depend on the creativity that they’ve worked years and years and years to kind of master and to get to this point. And then all of a sudden, someone says, I don’t want to pay this person. Let’s just have AI do it. And, you know, it does a comparable job, if not better. So
Film Sound Design: Why Bad Audio Makes Audiences Leave | Jayson Johnson Jun 24, 2026 24:36 “Sound is a really important part of how I make movies because I always tell people that if the sound is good and the picture is bad, then you’ll stick around to see what happens. However, if the sound is terrible and the picture is great, you’re out of there in like ten minutes. So sound is something that I always cherish. And I think that the right filmmaker who appreciates sound can really take
Sonic Branding: How Sound Shapes Customer Experience with Caitlyn Trevor Jun 17, 2026 37:17 “When I do see really powerful sonic branding, it’s impressive. It stands out, you know? There was one I looked at, it was a luxury airline, or it was a luxury-like experience, I want to say. They sold, like, really specific vacations to remote parts of the world that were really luxury experiences and really interesting, and they had a really cohesive sonic branding that wasn’t music. It was just
The Neuroscience of Sound: How Audio Shapes Emotion with Caitlyn Trevor Jun 10, 2026 32:24 “Our brain really prioritizes vocal signals. They’re super important to the brain because human communication is a really big priority for us as a species. It’s a deep signal in our brain, right? And so, we were seeing a stronger reaction to the screams than to the music, and that sort of makes sense. There were more intricacies to that, but I can’t really remember the exact brain areas and all th
AI in Sound Design: Human Creativity vs Technology | Rune Eskildsen – Part 2 Jun 3, 2026 31:34 “I grew up near the west coast here in Denmark, so yeah, the sea has always been there. And Aarhus is also a harbor city, so definitely there’s something relaxing about going down to the water and hearing the whistling. We implemented that in Necesse, actually. We have a water fountain that’s spatial, so that when you get near to it, you hear it rustling. You can sit by it and actually get the fee
Sound Design in Video Games: From Sci-Fi to Immersion | Rune Eskildsen – Part 1 May 27, 2026 30:58 “When I started on the project of Necesse, we had maybe thirty sound effects. I’ve made around 400, 350 sound effects, so it’s become much more immersive. You can hear animals when you wander around in the different environments. And just the feedback you get by playing the game, it’s quite nice compared to before, which were much more… maybe empty is the right word.” – Rune EskildsenThis week’s g
Sound Design Process: A Conversation with Kenneth Johnson May 20, 2026 29:26 “I think that sound drives the emotion of a scene, right? As much as dialogue, right? Sound and music, score in particular… I just think it helps to create emotion in a scene or augments the performances. Because you gotta have great performances, but great performance coupled with, you know, great sound design or a great score, it just makes you feel, it does something, it makes you tingle. It do
Sound Design Secrets: A Conversation with Kenneth Johnson May 13, 2026 31:45 This episode’s guest is an award–winning supervising sound designer whose groundbreaking work has shaped the sound of some of television and film’s most iconic projects, including Netflix’s hit series Forever and Kevin Hart’s animated comedy Lil Kev. Born and raised in South Central Los Angeles, he rose through the ranks of Hollywood post-production, breaking barriers as one of the few Black sound
AI in Business and Creativity: A Conversation with David Gielan May 6, 2026 26:14 “The reason why brands and companies should be thinking about audio is because all of their consumers are, whether they know it or not. I mean, to your point about people knowing when something doesn’t feel right but not necessarily knowing why, a lot of times it’s audio. Especially now too, with so much AI slop and the level of inauthenticity that is being broadcasted, a really great song jingle,
Audio Branding and Sound Design: A Conversation with David Gielan Apr 29, 2026 30:35 “To your point, like it can make or break campaigns, can make or break TV and film. I mean, you know, there’s mumblegate that’s happening, like with all the streamers where I can’t understand half the things that are being spoken... And in the interview, he was like, ‘Well, it’s just not important to me.’ I’m like, what?” – David GielanThis week’s guest is a six-time founder and creative strategis
How Audio Branding Transforms Marketing: A Conversation with David Courtier-Dutton – Part 2 Apr 22, 2026 29:22 “Live is always going to be great. Human connection is the only thing that will differentiate AI from people and from artists. And that is, I think, going to be the key lever that artists have left. So in the same way as you might go and buy a handmade coffee cup for $20 from an artisan stall when you can buy one for a dollar in Walmart, music will still hold great value.” – David Courtier-DuttonT
From Corporate Law to Sonic Branding: A Conversation with David Courtier-Dutton – Part 1 Apr 15, 2026 33:28 “When you hand it to the composer in sonic branding, at that point, it becomes an art, because the job of the composer, of course, is to translate those desired emotions into music. And it’s not [the] music that the composer feels, it is what it makes the audience feel when they hear it, and that is almost pure art. We have done some science around it, and we know what might help in terms of instr

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