The Director’s Cut - A DGA Podcast
Brought to you by the Directors Guild of America, this podcast features in-depth conversations between directors about the making of today's most talked-about films. Each episode pairs a director with one of their peers, revealing the challenges and rewards of bringing a film to life.
Episodes
Misty Green with Chris Rock and Spike Lee (Ep. 624)
Director Chris Rock discusses his new film, Misty Green, with fellow Director Spike Lee in a Q&A at the DGA theater in New York. In the conversation, he discusses how lead Actor Rosalind Eleazar was selected for the part, finding which scenes worked and what didn’t through his rehearsal process, and approaching the edit of the film like he would a standup special.
The film tells the story of M
The Brittney Griner Story with Alex Stapleton and Laura Belsey (Ep. 623)
Director Alex Stapleton discusses her new film, The Brittney Griner Story, with fellow Director Laura Belsey in a Q&A at the DGA theater in New York. In the conversation, she discusses her process of shooting master interviews first to find a foundation for her story, interviewing former President Joe Biden, and how she obtained footage of Russian prisons.
Screened as part of the DGA’s Documen
The Brink of War with Michael Russell Gunn and Rawson Marshall Thurber (Ep. 622)
Director Michael Russell Gunn discusses his new film, The Brink of War, with fellow Director Rawson Marshall Thurber in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses using transcripts from the real event as reference for the film, utilizing the authentic locations and furniture that were used by the figures depicted in the film, and casting Actor Jeff Daniels as th
Teenage Wasteland with Amanda McBaine, Jesse Moss and Alice Gu (Ep. 621)
Directors Amanda McBaine and Jesse Moss discuss their new film, Teenage Wasteland, with fellow Director Alice Gu in a Q&A at the DGA theater in Los Angeles. In the conversation, they discuss poring through 500 hours of archival footage to find the film’s heart, recreating the school’s classroom from the 1990s to make a “portal of recollection”, and taking consideration into finding era-appropr
Coyote vs. Acme with Dave Green, Phil Lord and Christopher Miller (Ep. 620)
Director Dave Green discuss his new film, Coyote vs. Acme, with fellow Directors Phil Lord and Christopher Miller in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses the story behind the film’s distribution, his on-set tactics for shooting a mixed live action/animation film, and working with animators from a variety of backgrounds to capture the energy of the Looney T
Stop! That! Train! with Adam Shankman and Nzingha Stewart (Ep. 619)
Director Adam Shankman discuss his new film, Stop! That! Train!, with fellow Director Nzingha Stewart in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how films like Airplane! and Hot Shots! influenced the style of comedy, how shooting limitations led to inventive workarounds, and finding opportunities for a joke in every corner of the film.
The film tells the stor
The Death of Robin Hood with Michael Sarnoski and Drew Pearce (Ep. 618)
Director Michael Sarnoski discuss his new film, The Death of Robin Hood, with fellow Director Drew Pearce in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses juxtaposing themes of violence and serenity for a fresh take on the Robin Hood myth, how he worked with Actor Hugh Jackman when filming gritty setpieces and action scenes, and discovering Composer Jim Ghedi who s
The Invite with Olivia Wilde, Matt Duffer and Ross Duffer (Ep. 617)
Director Olivia Wilde discuss her new film, The Invite, with fellow Directors Matt and Ross Duffer in a Q&A at the DGA theater in Los Angles. In the conversation, she discusses choosing the project from a want to tell a stripped down story with no gloss, her roles Directing and Acting in the film, and the origin of Actor Edward Norton’s memorable monologue.
The film tells the stories of Joe an
In the Hand of Dante with Julian Schnabel and Benny Safdie (Ep. 616)
Director Julian Schnabel discuss his new film, In the Hand of Dante, with fellow Director Benny Safdie in a Q&A at the DGA theater in New York. In the conversation, he discusses his spontaneous approach to his directing style, casting Actors in double roles between the film’s two time periods, and his choice to shoot the two settings in a mixture of black and white and color film.
Based on the
Mortal Kombat II with Simon McQuoid and David Sandberg (Ep. 615)
Director Simon McQuoid discuss his new film, Mortal Kombat II, with fellow Director David Sandberg in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he worked with the stunt team to make the action scenes advance the story, his preference for practical sets and effects where he could use them, and referencing the video game to fill in little details in the lore
The Sheep Detectives with Kyle Balda and Jonathan Goldstein (Ep. 614)
Director Kyle Balda discuss his new film, The Sheep Detectives, with fellow Director Jonathan Goldstein in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses making the jump from animation directing to live-action directing for the first time, carefully balancing the tone with humor while handling themes of grief, and studying the movement of real sheep to recreate body
Give Me The Ball! with Liz Garbus, Elizabeth Wolff and Ondi Timoner (Ep. 613)
Directors Liz Garbus and Elizabeth Wolff discuss their new film, Give Me The Ball!, with fellow Director Ondi Timoner in a Q&A at the DGA theater in Los Angeles. In the conversation, they discuss collaborating with Billie Jean King to open up about some of the more intimate and uncomfortable moments of her life, reflecting on Billie Jean’s impact through her 1970s archival materials compared t
My Mom Jayne with Mariska Hargitay, Trish Adlesic and Lisa Cortés (Ep. 612)
Director Mariska Hargitay and Producer Trish Adlesic discuss their new film, My Mom Jayne, with fellow Director Lisa Cortés in a Q&A at the DGA theater in New York. In the conversation, they discuss how Mariska knew she was ready to take on the film, working with 18,000 photos and 2,500 videos worth of archival materials, and how Mariska came to learn more of the mother who was gone too soon.
Project Hail Mary with Phil Lord, Christopher Miller and Guillermo del Toro (Ep. 611)
Directors Phil Lord and Christopher Miller discuss their new film, Project Hail Mary, with fellow Director Guillermo del Toro in a Q&A at the DGA theater in Los Angeles. In the conversation, they discuss finding depth in their characters by trying to see the good intentions is everyone including antagonists, the casting and puppeteering processes that helped realize the alien character of Rock
Shame and Money with Visar Morina and Valerie Weiss (Ep. 610)
Director Visar Morina discusses his new film, Shame and Money, with fellow Director Valerie Weiss in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he experiments with scenes and leaves time for discovering natural moments on set, some of his filmic influences that contributed to specific scenes, and his strategic use of staging and tension in the film.
Screened
Mother Mary with David Lowery and Antonio Campos (Ep. 609)
Director David Lowery discusses his new film, Mother Mary, with fellow Director Antonio Campos in a Q&A at the DGA theater in New York. In the conversation, he discusses how the project was born from a desire to shoot a one-room film, the choreography behind the seance scene, and his influences in costume and production design that set the groundwork for the film.
The film tells the story of i
Ready or Not 2: Here I Come with Matt Bettinelli-Olpin, Tyler Gillett and Jorma Taccone (Ep. 608)
Directors Matt Bettinelli-Olpin & Tyler Gillett discuss their new film, Ready or Not 2: Here I Come, with fellow Director Jorma Taccone in a Q&A at the DGA theater in Los Angeles. In the conversation, they discuss casting Actor Kathryn Newton alongside Samara Weaving, how they film a lot of coverage in the kill sequences for story options in the edit, and their intentional methods of direc
The Bride! with Maggie Gyllenhaal and Greta Gerwig (Ep. 607)
Director Maggie Gyllenhaal discusses her new film, The Bride!, with fellow Director Greta Gerwig in a Q&A at the DGA theater in New York. In the conversation, she discusses the influence of 1930s cinema on the film’s themes, using dance sequences as a medium for her characters to express complicated emotions, and working with her Costume Designer to create striking looks for the cast.
Set in a
Steal This Story, Please! with Carl Deal, Tia Lessin, Amy Goodman and Ondi Timoner (Ep. 606)
Directors Carl Deal, Tia Lessin and the film’s subject, Amy Goodman discuss their new film, Steal This Story, Please!, with fellow Director Ondi Timoner in a Q&A at the DGA theater in Los Angeles. In the conversation, the filmmakers discuss the structure of the film as a way to get to know Amy before her work, how the filmmakers originally met Amy, and the relevance of Democracy Now! in a mode
Scream 7 with Kevin Williamson and Paul Feig (Ep. 605)
Director Kevin Williamson discusses his new film, Scream 7, with fellow Director Paul Feig in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how the original concept of Scream came to be, how he balanced horror and comedy to establish the tone, and the importance and careful use of score needed to maintain the film’s tension.
In the newest installment of the Scream
Peaky Blinders: The Immortal Man with Tom Harper and Mary Harron (Ep. 604)
Director Tom Harper discusses his new film, Peaky Blinders: The Immortal Man, with fellow Director Mary Harron in a Q&A at the DGA theater in New York. In the conversation, he discusses working with Actor Cillian Murphy, how making a Peaky Blinders film differed from an episode of the series, and working closely with his composer to find a soundtrack befitting the tone.
A sequel to the award-w
How to Make a Killing with John Patton Ford and Kobi Libii (Ep. 603)
Director John Patton Ford discusses his new film, How to Make a Killing, with fellow Director Kobi Libii in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses inspirations and early iterations of the film, managing the tone as over-the-top events happening in a grounded and believable world, and the importance of sound design to the construction of the film.
Loosely ins
Good Luck, Have Fun, Don’t Die with Gore Verbinski and Sacha Gervasi (Ep. 602)
Director Gore Verbinski discusses his new film, Good Luck, Have Fun, Don’t Die, with fellow Director Sacha Gervasi in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he wanted to approach the story with a modern take on AI, how Actor Sam Rockwell’s costume was made from scrap technology found in surplus stores, and finding a delicate balance for the film's tone i
Wuthering Heights with Emerald Fennell and J.J. Abrams (Ep. 601)
Director Emerald Fennell discusses her new film, Wuthering Heights, with fellow Director J.J. Abrams in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses her approach to adapting the original text, working with her Production Design team to create surreal landscapes and environments reminiscent of human features, and collaborating with musical artist Charli XCX to cre
Meet the 2026 Nominees for Theatrical Feature Film - Part 2 of 2 (Ep. 600)
Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Guillermo del Toro (Frankenstein), Josh Safdie (Marty Supreme) and Chloé Zhao (Hamnet) engage in a conversation with moderator Jeremy Kagan for the 35th Annual DGA Meet the Nominees: Theatrical Feature Film Symposium.
Please note: spoilers are included.
See photos and a summary of this event below:
https://www.dga.org/Events/
Meet the 2026 Nominees for Theatrical Feature Film - Part 1 of 2 (Ep. 599)
Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Guillermo del Toro (Frankenstein), Josh Safdie (Marty Supreme) and Chloé Zhao (Hamnet) engage in a conversation with moderator Jeremy Kagan for the 35th Annual DGA Meet the Nominees: Theatrical Feature Film Symposium.
Please note: spoilers are included.
See photos and a summary of this event below:
https://www.dga.org/Events/
The Housemaid with Paul Feig and Lesli Linka Glatter (Ep. 598)
Director Paul Feig discusses his new film, The Housemaid, with fellow Director Lesli Linka Glatter in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses the intentional casting of Actors Amanda Seyfried and Sydney Sweeney opposite one another, finding the house that served as the main location and how its architecture led to the discovery of scenes, and balancing the fi
Is This Thing On? with Bradley Cooper and Bennett Miller (Ep. 597)
Director Bradley Cooper discusses his new film, Is This Thing On?, with fellow Director Bennett Miller in a Q&A at the DGA theater in New York. In the conversation, he discusses the true story circumstances that inspired the film, how he envisioned and cast Will Arnett and Laura Dern in the leading roles, and utilizing his cinematography to emphasize the vulnerability of performing stand up co
Song Sung Blue with Craig Brewer and Taylor Hackford (Ep. 596)
Director Craig Brewer discusses his new film, Song Sung Blue, with fellow Director Taylor Hackford in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he cast Actors Hugh Jackman and Kate Hudson for the lead roles, his care in handling a film that frequently changes tones, and getting the blessing from Neil Diamond to make the film.
Based on a true story, the film
The Testament of Ann Lee with Mona Fastvold and Darius Marder (Ep. 595)
Director Mona Fastvold discusses her new film, The Testament of Ann Lee, with fellow Director Darius Marder in a Q&A at the DGA theater in New York. In the conversation, she discusses how her background in movement and dance contributed to the choreography, the logistics of shooting the barn burning scene, and how she aimed to show authentic moments of womanhood to sympathize with the journey
Wake Up Dead Man: A Knives Out Mystery with Rian Johnson and Jon Watts (Ep. 594)
Director Rian Johnson discusses his new film, Wake Up Dead Man: A Knives Out Mystery, with fellow Director Jon Watts in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses finding and casting Actor Josh O’Connor, the effort behind crafting and lighting the sets, and how his relationship with faith influenced the film.
The film finds Blanc teaming up with an earnest young
Marty Supreme with Josh Safdie and Ben Affleck (Ep. 593)
Director Josh Safdie discusses his new film, Marty Supreme, with fellow Director Ben Affleck in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he uses his casting process to select Actors that make every character feel like a fleshed-out person, his attention to minute details in recreating the time period and texture of 1950s New York, and the process of workin
Avatar: Fire and Ash with James Cameron and Guillermo del Toro (Ep. 592)
Director James Cameron discusses his new film, Avatar: Fire and Ash, with fellow Director Guillermo del Toro in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses his experiences of shooting in performance capture and how they compare to real-world shoots, coming up with the concept for the fire clan and the complex characters that stray from their expected alignments,
Ella McCay with James L. Brooks and Albert Brooks (Ep. 591)
Director James L. Brooks discusses his new film, Ella McCay, with fellow Director Albert Brooks in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses his process of casting and how he found Actor Emma Mackey for the lead role, shares how he works with his Cinematographers and Actors, and takes time to reflect on his storied career and history with Albert Brooks.
The fil
Rental Family with Hikari and Nicole Holofcener (Ep. 590)
Director Hikari discusses her new film, Rental Family, with fellow Director Nicole Holofcener in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses working with Actor Brendan Frasier to capture a character out of their element, working with her Cinematographer to capture the beauty of Japan, and how she wanted to use this film to address the real life loneliness epidem
I Was Born This Way with Daniel Junge, Sam Pollard and Jade Jenise Dixon (Ep. 589)
Directors Daniel Junge and Sam Pollard discusses their new film, I Was Born This Way, with fellow Director Jade Jenise Dixon in a Q&A at the DGA theater in Los Angeles. In the conversation, they discuss trying to paint an honest, human portrait of Carl Bean, how they manage the collaborative directorial process in their creative partnership, and working with figures such as Lady Gaga, Billy Po
Wicked: For Good with Jon M. Chu and Rob Marshall (Ep. 588)
Director Jon M. Chu discusses his new film, Wicked: For Good, with fellow Director Rob Marshall in a Q&A at the DGA theater in New York. In the conversation, he discusses the process of assembling the sequel having filmed both installments at the same time, how he chose to favor great Actor performances over interesting setups when they clashed, and how he strove to make the films relevant to
Nouvelle Vague with Richard Linklater and Jason Reitman (Ep. 587)
Director Richard Linklater discusses his new film, Nouvelle Vague, with fellow Director Jason Reitman in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses the challenges of making a French film without being fluent in the language, how he recreated the shooting of the original Breathless by researching the documentation left behind by the original production, and the c
Hamnet with Chloé Zhao and Barry Jenkins (Ep. 586)
Director Chloé Zhao discusses her new film, Hamnet, with fellow Director Barry Jenkins in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses working with Writer Maggie O’Farrell and their different experiences with Shakespeare, collaborating with Cinematographer Lukasz Zal and how they captured images invoking the void, and her process of working with Actors to channel
The Running Man with Edgar Wright and Daniel Scheinert (Ep. 585)
Director Edgar Wright discusses his new film, The Running Man, with fellow Director Daniel Scheinert in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses the vast number of locations where the film was shot, how he favored practical effects work and his attitudes on computer generated effects, and his vision for a dystopian future where technology simultaneously regres
Soul on Fire with Sean McNamara and Dean Alioto (Ep. 584)
Director Sean McNamara discusses his new film, Soul on Fire, with fellow Director Dean Alioto in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses finding a balance in humor throughout the story as a reflection of the real John’s personality, how he works with his Actors and puts emphasis his rehearsal process, and incorporating the real John O’Leary with some creative
Stiller & Meara: Nothing is Lost with Ben Stiller and Ethan Hawke (Ep. 583)
Director Ben Stiller discusses his new film, Stiller & Meara: Nothing is Lost, with fellow Director Ethan Hawke in a Q&A at the DGA theater in New York. In the conversation, he discusses how the project began as a reaction after his father passed, how the title originated from some of his mother’s personal philosophies, and how interviewing his family members and going through archives rev
Jay Kelly with Noah Baumbach and Todd Field (Ep. 582)
Director Noah Baumbach discusses his new film, Jay Kelly, with fellow Director Todd Field in a Q&A at the DGA theater in New York. In the conversation, he discusses finding inspiration in Fellini, Bergman and other self-reflective cinema, the technical process behind filming the flashback sequences, and how he tailored the lead roles to Actors George Clooney and Adam Sandler.
The film tells th
Hedda with Nia DaCosta and Daniel Scheinert (Ep. 581)
Director Nia DaCosta discusses her new film, Hedda, with fellow Director Daniel Scheinert in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses her philosophies on adaptations and how that played into making this film, the importance of party, drug and gun cultures to the making of this story, and how she visually tied the themes of the film into Hedda’s appearance.
Th
Peter Hujar’s Day with Ira Sachs and Bette Gordon (Ep. 580)
Director Ira Sachs discusses his new film, Peter Hujar’s Day, with fellow DirectorBette Gordon in a Q&A at the DGA theater in New York. In the conversation, he discusses discovering the story beats from the original 35-page writing, being inventive with blocking for a feature about a sit-down interview, and shooting in a style reminiscent of films of that era.
Based on the book by Linda Rosenk
Christy with David Michôd and John Lee Hancock (Ep. 579)
Director David Michôd discusses his new film, Christy, with fellow Director John Lee Hancock in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses making a sports movie with the shadowing story of an abusive relationship ever present, the process of helping Actor Sydney Sweeney get into shape for her fighting scenes, and working with Sweeney and Actor Ben Foster to capt
My Father’s Shadow with Akinola Davies and Rachel Raimist (Ep. 578)
Director Akinola Davies discusses his new film, My Father’s Shadow, with fellow Director Rachel Raimist in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses shooting on celluloid film to capture the beauty of Lagos, the exhaustive process behind casting the two young leading Actors, and finding ways to show the people of Nigeria in a dignified manner that he felt repre
The Perfect Neighbor with Geeta Gandbhir and Yance Ford (Ep. 577)
Director Geeta Gandbhir discusses her new film, The Perfect Neighbor, with fellow Director Yance Ford in a Q&A at the DGA theater in New York. In the conversation, she discusses the process of discovering how she would tell the story through police body cam footage, editing the body cam footage into a cohesive narrative that develops the players and events leading up to the shooting, and findi
A House of Dynamite with Kathryn Bigelow and James Gray (Ep. 576)
Director Kathryn Bigelow discusses her new film, A House of Dynamite, with fellow Director James Gray in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses working with journalist and Screenwriter Noah Oppenheim to discover the best way to turn this hypothetical into a story, collaborating with her Cinematographer and Actors to capture an unblocked and naturalistic fee
Springsteen: Deliver Me from Nowhere with Scott Cooper and David O. Russell (Ep. 575)
Director Scott Cooper discusses his new film, Springsteen: Deliver Me from Nowhere, with fellow Director David O. Russell in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses his vision for the film to stray from the typical biopic formula, using Springsteen’s story as a wider conversation to address topics of therapy and self-reflection, and working with Actor Jeremy
Frankenstein with Guillermo del Toro and Bradley Cooper (Ep. 574)
Director Guillermo del Toro discusses his new film, Frankenstein, with fellow Director Bradley Cooper in a Q&A at the DGA theater in New York. In the conversation, he discusses the consideration he took in the multiple perspective structure of the story, the research and detail behind crafting intricate props and capturing authentic settings, and what he looked for in an Actor when casting the
Sentimental Value with Joachim Trier and Frank Oz (Ep. 573)
Director Joachim Trier discusses his new film, Sentimental Value, with fellow Director Frank Oz in a Q&A at the DGA theater in New York. In the conversation, he discusses working with his Writer to establish just enough of the characters for his Actors to fill in the rest, how he goes about his rehearsal process to get the right performances in the shoot, and taking time in the edit to find th
Eleanor the Great with Scarlett Johansson and Frank Oz (Ep. 572)
Director Scarlett Johansson discusses her new film, Eleanor the Great, with fellow Director Frank Oz in a Q&A at the DGA theater in New York. In the conversation, she discusses how she sees table reads as essential to getting her Actors on the same wavelength, characteristics she looks for in a Directorial Team, and some of the lessons she learned from Directors when working with them as an Ac
Burden of Dreams with Werner Herzog and Ondi Timoner (Ep. 571)
Director Werner Herzog discusses Les Blank’s film Burden of Dreams, with fellow Director Ondi Timoner in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses the value he saw in Blank documenting the making of Fitzcarraldo, shares further insight into aspects of the shoot the documentary didn’t cover, and reflects on his memories of the late Actor Claudia Cardinale.
Scree
The Smashing Machine with Benny Safdie and Christopher Nolan (Ep. 570)
Director Benny Safdie discusses his new film, The Smashing Machine, with fellow Director Christopher Nolan in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses working with Actors Dwayne Johnson and Emily Blunt to summon the performances he wanted, collaborating with his composer to craft a jazz score that followed the film’s emotional beats, and how he used his cinema
Roofman with Derek Cianfrance and David Gordon Green (Ep. 569)
Director Derek Cianfrance discusses his new film, Roofman, with fellow Director David Gordon Green in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses his process of researching the story by consulting with the real Jeffrey Manchester in prison, working with production to recreate a period accurate Toys”R”Us from 2004, and how he aimed to capture the nostalgia of the
The Roses with Jay Roach and Jason Reitman (Ep. 568)
Director Jay Roach discusses his new film, The Roses, with fellow Director Jason Reitman in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses working with his Actors to find the right balance of dark comedy and drama in the film, collaborating with his spouse and many other musical artists to craft a soundtrack that fit the film’s tone, and how he approached remaking a
One Battle After Another with Paul Thomas Anderson and Steven Spielberg (Ep. 567)
Director Paul Thomas Anderson discusses his new film, One Battle After Another, with fellow Director Steven Spielberg in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he worked with his Actors to bring to life the distinct characters they inhabited, why Vistavision was the best format to capture the story, and how he discovered the ending sequence by exploring
Spinal Tap II: The End Continues with Rob Reiner and Paul Feig (Ep. 566)
Director Rob Reiner discusses his new film, Spinal Tap II: The End Continues, with fellow Director Paul Feig in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses his process of discovering the story in the edit through the Actors’ many improvisational takes, how he aims for a documentary-style feel by forgoing blocking and letting crew appear in the shots, and using re
Code 3 with Christopher Leone and Etan Cohen (Ep. 565)
Director Christopher Leone discusses his new film, Code 3, with fellow Director Etan Cohen in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses collaborating with his co-Writer - who was once a real paramedic - to maintain accuracy, working with his effects team to create realistic wound portrayals, and finding the tone of the film having pulled inspiration from comedy
Kiss of the Spider Woman with Bill Condon and Greg Berlanti (Ep. 564)
Director Bill Condon discusses his new film, Kiss of the Spider Woman, with fellow Director Greg Berlanti in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how the interpretations from previous adaptations influenced his vision, how he approached shooting the dream sequences in contrast to the prison scenes, and the complex choreography that went into staging the mu
Him with Justin Tipping and Jennifer Kaytin Robinson (Ep. 563)
Director Justin Tipping discusses his new film, Him, with fellow Director Jennifer Kaytin Robinson in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses working with his VFX team to create the x-ray scenes and their thematic function, the mixture of rehearsals and sports training he had his Actors go through to prepare for their roles, and putting consideration into the
The History of Sound with Oliver Hermanus and Mike Mills (Ep. 562)
Director Oliver Hermanus discusses his new film, The History of Sound, with fellow Director Mike Mills in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses working with his Actors to find little character details that speak to bigger aspects of their selves, how he walks his sets early in the days to discover opportunities for shots, and how working on his first Americ
We Strangers with Anu Valia and Janicza Bravo (Ep. 561)
Director Anu Valia discusses her new film, We Strangers, with fellow Director Janicza Bravo in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses using the story to explore themes of power, class and loving oneself, working with Actor Kirby Howell-Baptiste to flesh out the protagonist, and collaborating with her Cinematographer to discover opportunities for shots while
Americana with Tony Tost and Mimi Cave (Ep. 560)
Director Tony Tost discusses his new film, Americana, with fellow Director Mimi Cave in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how the story structure was influenced by Westerns and nonlinear narratives like Pulp Fiction, how he worked with his cinematographer to achieve an analog 1970s aesthetic, and what he learned making this film as a first-time Director
Freakier Friday with Nisha Ganatra and Adele Lim (Ep. 559)
Director Nisha Ganatra discusses her new film, Freakier Friday, with fellow Director Adele Lim in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses the uniquely complex rehearsal process involved in a body swap comedy, giving background characters prominent scenes so that every character is memorable, and filming in LA to utilize locations across the city while keepin
Highest 2 Lowest with Spike Lee and Jim Jarmusch (Ep. 558)
Director Spike Lee discusses his new film, Highest 2 Lowest, with fellow Director Jim Jarmusch in a Q&A at the DGA theater in New York. In the conversation, he discusses working with his longtime collaborator Denzel Washington and trusting him with his process, packing the film’s mis-en-scene with references to African American artists, and the utilization of his trademark double dolly shot in
She Rides Shotgun with Nick Rowland and Michael Mohan (Ep. 557)
Director Nick Rowland discusses his new film, She Rides Shotgun, with fellow Director Michael Mohan in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses deliberately casting a younger Actor in the role of the father to shape the narrative around coming into parenthood, his process for Directing the lead child Actor in the film to get the right performances, and aiming
The Fantastic Four: First Steps with Matt Shakman and Edward Zwick (Ep. 556)
Director Matt Shakman discusses his new film, The Fantastic Four: First Steps, with fellow Director Edward Zwick in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses favoring practical and 60’s-style effects to align with the retro futuristic style of the film, working with his storyboard artist for inspiration to come up with playful concepts for scenes, and starting
Folktales with Heidi Ewing, Rachel Grady and Ondi Timoner (Ep. 555)
Directors Heidi Ewing and Rachel Grady discusses their new film, Folktales, with fellow Director Ondi Timoner in a Q&A at the DGA theater in Los Angeles. In the conversation, they discuss the logistics of filming in the unpredictable daylight and wilderness of Norway, creating scenes by finding inspiration in the nature around them, and forging trust as well as capturing formative moments with
Life of Mike with Derick Halliman and Christine Swanson (Ep. 554)
Director Derick Halliman discusses his new film, Life of Mike, with fellow Director Christine Swanson in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses finding depth in a complex and disillusioned main character, favoring small casts and sets for tight control of his environment, and serving multiple roles as the Director, Co-Producer, Writer and Cinematographer of
Eddington with Ari Aster and Tim Blake Nelson (Ep. 553)
Director Ari Aster discusses his new film, Eddington, with fellow Director Tim Blake Nelson in a Q&A at the DGA theater in New York. In the conversation, he discusses finding inspiration for the film in the information spheres of Twitter, interviewing residents of New Mexico on their perspectives of events during the Covid-19 pandemic, and gradually progressing the sense of paranoia in the fil
O Último Azul with Gabriel Mascaro and Lily Mariye (Ep. 552)
Director Gabriel Mascaro discusses his new film, O Último Azul, with fellow Director Lily Mariye in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses crafting a dystopian future that speculates on change in societal practices over technological advancement, finding real-life inspiration for the film in his grandparents’ life, and the rigorous attention to detail that w
How to Train Your Dragon with Dean DeBlois and Phil Lord (Ep. 551)
Director Dean DeBlois discusses his new film, How to Train Your Dragon, with fellow Director Phil Lord in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses taking lessons from his background in animation to give his characters defining appearances, utilizing puppeteers to give life to the on-set dragon for stronger performances, and using the remake as an opportunity t
F1 The Movie with Joseph Kosinski and Dan Gilroy (Ep. 550)
Director Joseph Kosinski discusses his new film, F1 The Movie, with fellow Director Dan Gilroy in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses traveling the world for coverage of the real F1 race tracks, consulting with drivers to capture a faithful perspective during the racing sequences, and working with Composer Hans Zimmer for a soundtrack that could work in u
Fight or Flight with James Madigan and Rawson Marshall Thurber (Ep. 549)
Director James Madigan discusses his new film, Fight or Flight, with fellow Director Rawson Marshall Thurber in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses aiming for the right tonal mixture in action-violence and comedy, working with Actor Josh Hartnett on stunt choreography within a limited rehearsal period, and casting supporting Actors by feeling out their co
Materialists with Celine Song and Mona Fastvold (Ep. 548)
Director Celine Song discusses her new film, Materialists, with fellow Director Mona Fastvold in a Q&A at the DGA theater in New York. In the conversation, she discusses how the film was inspired by her own time as a matchmaker, the differences in dating culture values across countries that contributed to crafting the narrative, and how the process of casting the right Actors for her roles mir
On Swift Horses with Daniel Minahan and Mary Harron (Ep. 547)
Director Daniel Minahan discusses his new film, On Swift Horses, with fellow Director Mary Harron in a Q&A at the DGA theater in New York. In the conversation, he discusses establishing the 1950s time period while avoiding tropes from other films set in the 50s, utilizing gambling as a metaphor for queerness within the film’s language, and the choreography and rehearsal that went into creating
The Last Rodeo with Jon Avnet and Jason Reitman (Ep. 546)
Director Jon Avnet discusses his new film, The Last Rodeo, with fellow Director Jason Reitman in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses giving his Actors space to find their characters in emotionally-charged scenes, working with his Cinematographer and Editor to create captivating rodeo action scenes, and the logistics and stunt work that went into the bull
Lilly with Rachel Feldman and Amber Sealey (Ep. 545)
Director Rachel Feldman discusses her new film, Lilly, with fellow Director Amber Sealey in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses consulting the real Lilly Ledbetter in order to find the focuses of the film, utilizing archival footage to ground the story alongside the real events, and how her own filmmaking journey aligned with Lilly’s struggles in the fil
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