Platemark: prints and the printmaking ecosystem
Platemark explores the world of fine art prints and printmaking, from etchings and woodcuts to lithographs and screenprints. Host Ann Shafer, a curator and art historian, explains how prints have disseminated images since the 15th century and why printmaking attracts devoted practitioners and collectors. The podcast covers the roles of artists, printers, dealers, publishers, gallerists, and scholars in the print ecosystem. Series one examines prints in museums and the market, series two offers a Western history of prints, and series three features interviews with people in the field. It aims to turn listeners into fans of this niche art world.
Episodes
s3e113 Parasol Press deep dive with curator Rachel Vogel
What happens when a visionary publisher collaborates with minimalist and conceptual giants like Chuck Close, Agnes Martin, and Dorothea Rockburne? In this episode, host Ann Shafer sits down with Rachel Vogel, Assistant Curator at the Addison Gallery of American Art, to explore the monumental legacy of Parasol Press. Rachel shares the behind-the-scenes stories of curating the exhibition Parasol Pr
s3e112 the business and heart of Lower East Side Printshop with Executive Director Marie Tennyson
In this episode of Platemark, host Ann Shafer sits down with Marie Tennyson, Executive Director of the Lower East Side Printshop who shares her inspiring journey from starting at Universal Limited Art Editions (ULAE) at age 22 to championing one of New York City's most vital artistic hubs. Discover the rich history of the Lower East Side Printshop—born during a 1968 teachers' strike—and learn how
s3e111 history, art, and social change with Jenny Schmid
In this episode of Platemark, we sit down with exceptional artist, printmaker, animator, and educator Jenny Schmid for a thought-provoking discussion on the intersections of history, art, and activism. We explore how historical figures like Käthe Kollwitz and José Posada influence Jenny's contemporary practice, delve into her fascinating project "Disembodied Reembodied," and celebrate the vital r
s3e110 engraving currency and stamps with Tom Hipschen
Ever wonder about the incredible artistry hiding in your wallet? In this episode, Ann sits down with Tom Hipschen, a former master engraver at the Bureau of Engraving and Printing who spent nearly four decades crafting the very banknotes and postage stamps we handle every day. Tom takes us behind the scenes of his extraordinary career—from his grueling decade-long apprenticeship and serving as th
s3e109 building a global print community with Reinaldo Gil Zambrano
In this episode, host Ann Shafer sits down with Venezuelan-born artist and educator Reinaldo Gil Zambrano. Based in Spokane, Washington, Reinaldo is a relief printmaking specialist whose work explores themes of home, heritage, and the universal human experience. As an Assistant Professor at Gonzaga University and co-founder of the Spokane Print and Publishing Center, Reinaldo discusses his commit
s3e108 casting metal type with Val Lucas
In this episode, host Ann Shafer sits down with Val Lucas, the artist and master printer behind Bowerbox Press. From her early shift from painting to printmaking at MICA to her current work casting custom metal type and ornaments, Val shares her journey through the tactile, meticulous world of letterpress. We dive into the technical evolution of the craft—balancing traditional handset type with m
s2e38 History of Prints The Venetians (part three) the Tiepolos
In s2e38, Ann and Tru continue their History-of-Prints conversation about Venice in the 18th century. This is part three of three in which we talk about father and son, Giovanni Battista Tiepolo and Giovanni Domenico Tiepolo. Shift your gaze from the canals to the clouds as we explore the whimsical, light-filled world of Giovanni Battista Tiepolo. A master of the Rococo, Tiepolo brought a sense o
s3e107 building an alternative art school with Nato Thompson
What happens when you trade a job at Kinko's for a career as one of the art world's most provocative curators? In this episode, Ann sits down with the legendary Nato Thompson to explore how he navigates the complex intersections of community, culture, and the "art ecosystem." They dive into his latest mission—The Alternative Art School—where he is dismantling the myth of the solitary genius and b
s2e37 History of Prints The Venetians (part two) Canaletto
In s2e37, Ann and Tru continue their History-of-Prints conversation about Venice in the 18th century. This is part two of three in which we talk about Canaletto. While often remembered as a topographical painter of postcards, Canaletto was, in fact, a master of curated reality. In this segment, they examine how Canaletto transformed the ordinary streets and canals of Venice into grand, cinematic
s3e106 wheatpasting and engraving with David Barthold
David Barthold's journey as a printmaker began at age 13, took him through the legendary studio of Atelier 17 in Paris, and eventually led to a hiatus that ended in a burst of lino-cut street art during the pandemic. In this episode, we explore the life and work of a native New Yorker who refuses to stay in one lane. We dig into his early start learning under Ruth Leaf as a teenager and honing h
s2e36 History of Prints The Venetians (part one) Preamble
Step into the sun-drenched world of 18th-century Venice as we explore the "theatrical splendor" that defined an era. In this episode, Ann and resident expert Tru Ludwig dive into the vibrant Venetian art scene, where the city itself served as both a stage and a muse. We set the scene by discussing the transition from the heavy Baroque style to the airy, spontaneous Rococo and the rise of the "Gra
S3e105 rare books meet heavy machinery with Amelia Hugill-Fontanel
What happens when a rare book library is also a working machine shop? This week, Ann sits down with the formidable Amelia Hugill-Fontanel, Associate Curator at the Cary Graphic Arts Collection at RIT. Amelia isn't just a keeper of history; she's a "press fixer" who maintains a fleet of functional 19th-century printing presses. We dive into the incredible legacy of Melbert B. Cary Jr., the interse
s3e104 carborundum collagraphy with Betty Winkler
In this episode of Platemark, Ann sits down with Betty Winkler to explore her dual career as a master of carborundum collagraphy and a dedicated art therapist. They dive into her technical innovations—such as her preference for plexiglass plates—and discuss her book, which aims to demystify this tactile, non-toxic printmaking method. Betty shares how her background in the collaborative world of t
s3e103 release the Wolfbat with Dennis McNett
Get ready to leave the white-cube gallery behind. In our latest episode, we're stepping into the wild, mythic world of Dennis McNett (AKA Wolfbat). For over 30 years, Dennis has been carving out a career that defies every "standard" artistic path. Dennis doesn't just make art—he builds universes. He is a modern-day storyteller who reminds us that when you combine woodcuts with community and a bit
s3e102 Seoul to West Texas with Sangmi Yoo
In this episode, Ann sits down with Sangmi Yoo—artist, educator, and Professor of Printmaking at Texas Tech—to discuss how she navigates the "in-between." Her work isn't just about ink on paper; it's about how we build our identities out of architecture, memory, and the ghosts of colonial history. www.sangmiyoo.com IG: @sangmiyooliving Show me the images!!
s3e101 the science and art of ink with Stephen Hoskins
What is the "secret sauce" that gives a print its soul? In this episode, Ann sits down with Professor Stephen Hoskins to decode the complex chemistry and 500-year history of printmaking inks. From Old Master soot to the cutting edge of 3D-printed textures, we're diving deep into the science, sustainability, and tactile future of our craft's most foundational element. Stephen Hoskins's website:
s3e100 celebrating 100 interviews
Celebrating her 100th interview in the third series, Ann is in the hotseat and is being interviewed by her friend Stacy Kincaid. The discussion covers the podcast's origins, challenges, and key moments. Ann reflects on her diverse career and shares insights into the technical and creative aspects of podcasting, including her commitment to providing visual references for listeners. The conversatio
s3e99 simultaneous color printing and Krishna Reddy's legacy with artist Mark Johnson
"It's not just about the mechanics; it's about the way the colors breathe together on the metal." — Mark Elliott Johnson In this episode of Platemark, host Ann Shafer talks with artist Mark Johnson who shares his extensive experiences working with Krishna Reddy, a master in simultaneous color printing (viscosity printing). The conversation reveals insights into Reddy's creative process, his phil
S3e98 the Society of American Graphic Artists with Diego Briceno, DeAnn Prosia, and Esther Schwalb
Since 1915, the Society of American Graphic Artists (SAGA) has survived world wars, the Great Depression, and the digital revolution by doing one thing: keeping the press rolling. In this episode of Platemark, we're going behind the scenes of the cornerstone of American printmaking with three powerhouses who have steered the ship—Diego Briceno, DeAnn Prosia, and Esther Schwalb. We dive into SAGA'
S3e97 the impulsivity and expressionism of artist Chuck Webster
Welcome to Platemark, where we dive into the creative minds shaping the art world. This week, we connect with Chuck Webster, an exceptional artist whose deep and impulsive connection to drawing is both therapeutic and transformative. From publishing his own childhood sketches to constantly finding inspiration in sources ranging from Russian folk art to urban graffiti, Chuck's work is a fascinatin
s3e96 directing David Krut Projects with Amé Bell
Ready to be globally inspired? On this episode of Platemark, Ann connects with the visionary Amé Bell, Director of David Krut Projects, who wears the hats of artist, historian, and curator. From the bustling print studios of Johannesburg, Amé brought South African voices to the world stage by curating the 2022 Venice Biennale Pavilion. They dive into the profound journey of collaborating with arti
s3e95 collaging identity with Yashua Klos
In this episode of Platemark, Ann converses with Yashua Klos, a passionate artist finding new connections through collaborative printmaking. They discuss his unique woodblock collage technique, his journey of self-discovery, and the impact of reuniting with family. We talk about the nuances of his artistic process, the emotional resonance of his work, and the importance of representation in the a
S3e94 art law with Yayoi Shionoiri
In this episode of Platemark, Ann talks with Yayoi Shionoiri, an arts lawyer and Vice President of External Affairs & General Counsel at Powerhouse Arts. Yayoi, who has over two decades of experience in art law, discusses her unique career path, from her initial interest in art history to working in law supporting artists and cultural workers. They talk about working together on the Brooklyn Fine
S3e93 printing Peter Milton etchings with Robert Townsend
In this episode of Platemark, Ann delves into the intricate world of prints and printmaking with master printer Robert Townsend. With over 55 years of experience, Bob shares his journey, techniques, and notable collaborations with artists like Peter Milton, Jim Dine, and Michael Mazur. They take a deep dive into plate wiping, steel facing, and other essential intaglio processes. Tune in to learn
s2e35 History of Prints James Gillray
In this History of Prints episode, Tru and Ann look at the considerable output of British satirist James Gillray (1756–1815). Younger than William Hogarth by nearly sixty years, Gillray took Hogarth's social commentary, its energy, and caustic approach, and used his skills to skewer politicians and kings, laugh at Napoleon and his empire building, point out the absurdity of the fear of vaccines,
s3e92 collagraph with artist Evan Summer
In this episode of Platemark, Ann talks with Evan Summer, who shares his journey from studying chemistry to becoming a printmaker and educator. We talk about the technical aspects and challenges of collagraph, a lesser-known printmaking technique, discussing its potential and common pitfalls. Evan also offers some essential hot tips on the technique. Evan explains the intersection of science and a
s3e91 watercolor monotypes with artist and printer Sue Oehme
In this episode of Platemark, Ann talks with Sue Oehme, owner of Oehme Graphics in Steamboat Springs, Colorado. Sue shares her journey into printmaking, starting with her initial foray into lithography before discovering her love for etching. We talk about the unique process and intricate technique behind her renowned watercolor monotypes, including how different surfaces and types of paper influe
s3e90 Printing Black America with William Villalongo and Shraddha Ramani
In this episode of Platemark, Shraddha Ramani and William Villalongo discuss their monumental project Printing Black America: Du Bois's Data Portraits in the 21st Century, which is being published in fall 2025. This modern update of W.E.B. Du Bois's data visualizations from 1900, which was created in response to the George Floyd protests, focuses on the lives of Black Americans today, incorporati
s3e89 monoprints with artist Nicholas Ruth
In this episode of Platemark, Ann talks with artist and educator Nick Ruth to discuss his multifaceted approach to art. Nick, who lives in Rochester and teaches at Hobart and William Smith Colleges, shares insights into his work across various media, including painting, drawing, and printmaking. They talk about his creative process, particularly his use of monoprints as a space for experimentatio
s3e88 art consulting X ministry with Quahana Hendree
In this episode of Platemark, Dr. Quahana Hendree, owner of Q Hendree Art Consulting in St. Louis, Missouri, shares her unique journey as an art consultant. Despite not being directly involved in the printmaking scene, Dr. Hendree brings a wealth of knowledge about art and its importance in various settings including corporate, commercial, and government spaces. She discusses the multifaceted rol
HoP deep dive on ONE PRINT: Peter Milton's The Train from Munich
In Platemark's history of prints series, Ann Shafer and Tru Ludwig present a second installment of their ONE PRINT series, this time on Peter Milton's The Train from Munich, 1991. In this episode, Ann and Tru take a single work considered to be a high point in the history of prints, and pull it apart to explore its subject matter, technique, style, and composition. It's a deep, deep dive into a si
s3e87 color printing in the 18th century with Meg Grasselli and Elizabeth Savage
In this episode Ann talks with Margaret Morgan Grasselli and Elizabeth Savage about their new, massive book, Printing Colour 1700–1830: Histories, Techniques, Functions, and Receptions (Oxford: Oxford University Press and the British Academy, 2025). The book, coming in at nearly 450 pages with 350 illustrations, is a landmark study blowing open a new field of study in print history. It offers a de
s3e86 opening a printshop in Chiang Mai with Miranda Metcalf and Tim Pauszek
In this episode of Platemark, Ann speaks with Miranda Metcalf and Tim Pauszek about their new venture, Hello, Print Friend Studios in Chiang Mai, Thailand. Listeners will recall Miranda hosts our sister pod, Hello, Print Friend. In addition to the podcast, she also is producing documentaries about printmaking hotspots, beginning with Oaxaca and Puerto Rico (with more to come). Together, Miranda an
s3e85 printing vintage semiconductors with artist Deb Puretz
In this episode of Platemark, Deb Puretz, an IT professional and artist, discusses her journey into the art world and navigating it as an outlier. Deb, originally from California and now based in South Carolina, shares her experiences of making connections, leveraging business skills, and adapting to new technologies in art. She talks about her early career in Hong Kong, the pivotal moments in he
s3e84 printing in plaster with artist Jonathan Beaumont Thomas
In this episode of Platemark, Ann talks with artist and teacher Jonathan Thomas who shares insights from his time at the Maryland Institute College of Art (MICA), the printmaking program he chairs, and his personal studio in Baltimore. We take a deep dive into his exploration of printing in plaster, detailing the technical process, historical context, and the challenges it presents compared to tr
s3e83 solarplate etching with Dan Welden
In this episode of Platemark, Ann sits down with the legendary artist and printmaker Dan Welden. The artist is known for his pioneering work in solarplate etching, a revolutionary, chemical-free printmaking process. Welden recounts his experiences and collaborations with significant artists like Eric Fischl and Elaine and Willem de Kooning. He also delves into his personal creative struggles, pr
s3e82 topology- and philosophy-imbued domestic scenes with Ellen Heck
In this episode of Platemark, I talk with Ellen Heck about her artistic journey and work. We talk about the intricacies of printmaking techniques, Ellen's various portrait series, and the conceptual ideas behind her work. Ellen shares her journey from studying philosophy at Brown, to printmaking at the School of the Art Institute of Chicago, and finally working at the Kala Art Institute in Berkel
s3e81 building and fixing presses with Mike Stark
In this episode of the Platemark, I interview Mike Stark, the co-founder and owner of Stark Press Company. The New Jersey-based company, run by Mike and his brother Tom, builds new presses, services old presses, and aids in moving them. They often collaborate with Perry Tymeson, a legendary press repairman. Mike shares insights into designing new presses, managing a small business, and balancing c
s3e80 melding printing and publishing with curatorial work with Mae Shore
In this episode of Platemark, I talk with Mae Shore, a collaborative printer and owner of Shore Publishing in Tuxedo Park, New York. Mae shares her experiences working at Pace Editions with notable artists like Jim Dine and Chuck Close. She discusses the history and evolution of her gallery and print shop, which she established to merge her love for printmaking and curating exhibitions. Mae touche
s3e79 contemporary Japanese prints with Michael Verne
In this episode of Platemark, I talk with Michael Verne, the owner of the Verne Collection in Cleveland, Ohio. Mike's gallery specializes in contemporary Japanese art and works by American artists residing in Japan. We talk about the challenges and rewards of running a small gallery amid larger competitors, and the importance of finding and promoting new artists. Mike shares insights about his jou
s3e78 electronic arts in printmaking with Myles Calvert
In this episode of Platemark, Myles Calvert, a printmaker and professor, shares his extensive journey from growing up in Ontario, Canada, to studying and working in the UK, and eventually returning to Alfred University in New York, to become director of the Institute of Electronic Arts. Myles discusses his experiences working at prestigious galleries in London, giving up a tenure-track position, a
s3e77 documenting the printmaking ecosystem with Susan Goldman
In this interview with the director and founder of Lily Press and the Printmaking Legacy Project, Susan Goldman shares her passion for printmaking and documentary film making. Susan discusses her journey from discovering printmaking at Indiana University, Bloomington, to founding Lily Press and creating impactful documentaries like Midwest Matrix. She highlights her educational experiences, mentor
s3e76 the print studio as sanctuary with Bryan Raymundo
In this episode, Ann talks with Bryan Raymundo, owner of the Black Fragment Press. They discuss their meeting at the Mid America Print Council conference and Bryan's background, from growing up in Mexico and Kansas to his love for Black Sabbath and printmaking. Bryan reveals his journey into art, inspired by comforting his sick grandmother with drawings, and his challenges in balancing his family'
s3e75 posters vs prints with Angelina Lippert
In this episode of Platemark, Ann sits down with Angelina Lippert, a poster historian and the curator and director of Poster House, to discuss the inception and growth of the first museum in the U.S. dedicated exclusively to the art and history of posters. They talk about what makes posters and fine art prints the same and different. And they discuss the challenges and processes of acquiring, pres
s3e74 Dürer's connection to the Islamic East with Susan Dackerman
In this episode of Platemark, Ann talks with Susan Dackerman, a curator and art historian specializing in Northern European print culture. They discuss Susan's recent book, Dürer's Knots: Early European Print and the Islamic East, which looks at the artist's relationship to the Islamic world, revealing groundbreaking insights about the intersection of early modern printmaking and contemporary hist
s3e73 seeking a higher meaning in art with artist-activist Art Hazelwood
In this interview I talk with artist and activist Art Hazelwood about art as political action versus politics as a subject. We start with his journey as a printmaker in San Francisco in the early 90s, where he engaged in political art through the Street Sheet newspaper. He elaborates on the distinction between social commentary and political action, emphasizing his active role in various causes i
s3e72 on color and abstraction with Jonathan Higgins, owner of Manneken Press
In this episode of Platemark, Jonathan Higgins discusses his journey as the owner and master printer of Manneken Press, established in 2000 in Bloomington, Illinois. We talk about his early life in Berkeley, California, his initial interest in art and ceramics, and his transition to printmaking. After exploring lithography and working for various artists and print workshops in New York, including
s3e71 double-drop printing with artist Art Werger
In this episode of Platemark, I interview Art Werger, a renowned printmaker and retired professor from Ohio University. We discuss Art's extensive experience and techniques in printmaking, focusing on his work in etching and mezzotint. Art shares his innovative approaches to color experimentation and his use of unique methods like double dropping, cut plates, and à la poupée inking. We also talk
s3e70 deep deep dive on screenprinting with Leslie Diuguid
In this episode Platemark, I talk with Leslie Diuguid, owner and founder of Do-Good Press in Bed-Stuy, Brooklyn. Leslie shares her journey as a screenprinter and discusses the intricacies of screenprinting, including processes, challenges, and the nuances of halftone and moiré patterns. We talk about how much math comes into the enterprise, especially about the relationship of mesh counts of scree
s3e69 on establishing non-and for-profit printmaking workshops with Cole Rogers
In this episode of Platemark, I interview Cole Rogers, a master printmaker who recently co-founded C&C Editions after his long tenure at Highpoint Center for Printmaking in Minneapolis. Cole talks about his journey into printmaking, his approach to the creative process, and the importance of experimental collaboration with artists. We talk about the mission-driven establishment of Highpoint Center
s2e34 History of Prints William Hogarth (part two)
In this History of Prints (HoP) episode, Tru and I finish talking about the life and work of William Hogarth, the father of Western sequential art. We look at and pick apart three series: Industry and Idleness, The Four Stages of Cruelty, and Humours of an Election. Timely, no? Hogarth continues to point out society's faults and baser instincts. He never stopped trying to teach the masses about c
s3e68 editioning digital embroidery with printer Judith Solodkin
In this episode of Platemark, I talk with Judith Solodkin, a renowned master printer and founder of SOLO Impression. Judith shares her extensive experience, from being the first woman to graduate from the Tamarind Master Printer program to her unique work in digital embroidery. She reflects on her collaborations with notable artists like Louise Bourgeois and Sonya Clark, and her teaching role at v
s2e33 History of Prints William Hogarth (part one)
In this History of Western Prints (HoP) episode, Tru and I begin to explore the life and work of William Hogarth, the first British artist featured on Platemark's HoP series. Hogarth, renowned as the father of Western sequential art, is discussed through detailed analyses of three of his best known series: A Harlot's Progress, A Rake's Progress, and Marriage A-la-Mode. The episode delves into 18th
s3e67 on being artist and curator with Amy N. Worthen
In s3e67 of Platemark, I talk with Amy Namowitz Worthen, a distinguished engraver and curator, about her lifelong journey in printmaking. Influenced early by her artist mother, she pursued art education at Smith College and the University of Iowa, honing her artistic skills under Leonard Baskin and Mauricio Lasansky. Amy's career is marked by multi-faceted contributions to printmaking, including p
s3e66 Contact: Art and the Pull of Print with Jennifer Roberts
In s3e66 of Platemark, host Ann Shafer talks with Jennifer Roberts, an art historian and professor at Harvard, about her latest book, Contact: Art and the Pull of Print, which explores the intersection of intellectual and technical richness in print. Jennifer's book offers a fresh perspective on printmaking, synthesizing simple maneuvers like reversal and pressure to account for the medium's expan
History of Prints Bonus Episode Our Art Origins
We're replaying a past bonus episode in which History of Prints SME Tru and Platemark host Ann talk about their art origins. They come from pretty different backgrounds, but they are in complete alignment about art, art history, prints, and print history. So, listen in as they talk about how they got to where they are.
s3e65 behind the scenes with conservator Alison Luxner
In this episode, go behind the scenes at the museum with Alison Luxner, a paper conservator at the Museum of Fine Arts in Boston. Alison shares her journey to becoming a conservator, the lengthy education and training process, and her diverse experiences working in various conservation roles. They also delve into the specifics of handling and conserving works on paper, the pros and cons of using g
s2e32 History of Prints Maria Sibylla Merian
In this History of Prints episode of Platemark, host Ann Shafer and subject matter expert Tru Ludwig explore the extraordinary life and legacy of Maria Sibylla Merian. Celebrated for her pioneering work on insect metamorphosis and her detailed illustrations of flora and fauna, Merian's journey took her to Suriname where she documented local species with the help of native people and slaves. Despit
s3e64 starting a printshop with Jenny Robinson
In this episode of Platemark, host Ann Shafer talks with renowned printmaker Jenny Robinson who recently opened up her eponymous print shop in Sydney, Australia. Jenny shares her experiences moving from America to Slovenia during the Trump era, integrating into Slovenia's printmaking community, and ultimately relocating to Sydney, Australia, to establish her print atelier. We talk about the chal
s3e63 multi-plate color etching with printer Peter Pettengill
In s3e63 of Platemark, podcast host Ann Shafer talks with collaborative printer Peter Pettengill. Peter founded Wingate Studio in 1985 on his family's dairy farm in Hinsdale, NH. Originally trained at Crown Point Press, Peter specializes in multi-plate color etchings. Now semi-retired, Peter's son James has taken over the operating of the shop, though Peter lends a hand when requested. They talk a
s3e62 the humanness of pattern with Teresa Cole
In this five-part mini-series, Ann is talking to five artists who were selected to be included in an exhibition called 5X5, that was part of Print Austin's winter festival this year in 2024. The juror of the show is Mysczka Lewis, who is a curator at Tandem Press. Next up is Teresa Cole, an artist and printmaker from New Orleans. She has taught at Tulane University for nearly thirty years. Teres
s3e61 artist Annalise Gratovich on chine collé
Wondering how far you can take chine collé in a project? Listen in as Annalise Gratovich tells us all about this method of adding thin pieces of hand-dyed papers to giant woodcuts. In s3e61 of Platemark, podcast host Ann Shafer continues talking to artists included in Print Austin's 5x5 exhibition, juried by Myzska Lewis, a curator at Tandem Press. Next up is artist Annalise Gratovich. Annalise wo
s2e31 History of Prints The Enlightenment (part two)
Enlightenment publications on human anatomy changed the way artists understood their place in the world. Check out these examples of life-changing images brought to you by prints in books! In s2e31 of Platemark's History of Prints series, Tru and Ann continue their discussion of the Enlightenment. This time they look at several publications that put forward new discoveries about human anatomy: W
s2e30 History of Prints The Enlightenment (part one)
In Platemark's History of Prints series, we are leaving the Baroque behind and are turning to the Enlightenment. The late seventeenth and eighteenth century is a fascinating time when social ideas focused on the value of knowledge in all sectors. Rationalism and empiricism led to the scientific revolution, the separation of church and state, literary salons, and for the purposes of this episode, a
s3e60 deep dive on Dox Thrash with dealer Ron Rumford
African-American artist Dox Thrash is in the spotlight on s3e60 of Platemark. Podcast host Ann Shafer speaks with Ron Rumford, director of Dolan/Maxwell, a private gallery in Philadelphia, which has a particular specialty in the prints of Stanley William Hayter and the associated artists of Atelier 17, as well as Black artists of the same era, such as Dox Thrash, Bob Blackburn, Norma Morgan, Eliza
s3e59 satirical etchings with artist David Avery
In s3e59, Platemark host Ann Shafer sits down with David Avery to talk shop. David is an etcher, who restrains his work in both size and palette, but manages to tackle big topics. His social commentary is stinging and remarkable in that it comes in such a small package. These etchings pack a punch. Ann and David talk about absurdist literature, standing on the shoulders of giants (Dürer, Max Kling
s3e58 marble lithography with artist Anna Trojanowska
In s3e59, Platemark host Ann Shafer continues talking to artists included in Print Austin's 5x5 exhibition, juried by Myzska Lewis, a curator at Tandem Press. Second up is Anna Trojanowska, an artist and lithographer from Wroclaw, Poland. Anna creates collages made from lithographs, which she creates on a single marble slab in her garage studio. The works included in 5x5 seek to give the feeling o
s3e57 unique reduction woodcuts with artist Karen Kunc
In s3e57, Platemark host Ann Shafer speaks with Karen Kunc, an artist who manipulates reduction woodcuts in an amazing and unique way. Karen is a retired professor from the University of Nebraska, and is owner of Constellation Studios in downtown Lincoln. At the studio, which opened ten years ago, Karen offers workshops, curates exhibitions, and makes her own work. The studio includes equipment f
s3e56 word-salad screenprints with artist Briar Craig
In s3e56, Platemark host Ann Shafer introduces a five-part miniseries with the artists in 5X5, an exhibition that was part of PrintAustin 2024. First up is Briar Craig, one of five artists selected for inclusion in 5X5 by juror J. Myszka Lewis, curator at Tandem Press, University of Wisconsin–Madison. Briar is an artist and professor at University of British Columbia, Kelowna. He primarily works i
s3e55 Mexican cartels and conceptual rigor with artist Miguel A. Aragón
In s3e55, Platemark host Ann Shafer speaks with Miguel A. Aragón, artist and professor at the City University of New York, Staten Island. They talk about CNC routers, drills as woodcutting tools, growing up in Juarez, Mexico, and that city's war on drugs as a subject in his art. He weaves a tight conceptual circle in prints that explore violence, death, perception, and memory in surprisingly subtl
s3e54 domesticity and wallpaper with artist/engraver Andrew Raftery
In s3e54, Platemark host Ann Shafer talks with Andrew Raftery, artist, professor, scholar, and wallpaper designer. Andrew works in several modes, most notably in engraving. The through line in the work is domesticity. An early print featured a young man suit shopping. Next was a portfolio of engravings detailing rooms during a real estate open house. Then engravings representing each month in the
s3e53 mezzotint technique and history with artist and author Carol Wax (part two)
In s3e53 of Platemark, hosts Ann Shafer and Tru Ludwig conclude their conversation with Carol Wax, artist and author of The Mezzotint: History and Technique. Carol recently published the second edition of The Mezzotint, expanding greatly in every area from the 1990 first edition. As she tells us, there is a better break down of rocking the copper plates, and of inking and printing them, plus there
s3e52 mezzotint history and technique with artist Carol Wax (part one)
In s3e52 of Platemark, hosts Ann Shafer and Tru Ludwig talk with Carol Wax, artist and author of The Mezzotint: History and Technique. Carol recently published the second edition of The Mezzotint, expanding greatly in every area from the 1990 first edition. As she tells us, there is a better break down of rocking the copper plates, and of inking and printing them, plus there are new chapters about
s3e51 inside Gemini G.E.L. at Joni Moisant Weyl with Chris Santa Maria
In s3e51, Platemark host Ann Shafer talks with Chris Santa Maria, artist and gallery director at Gemini G.E.L. at Joni Moisant Weyl. As director of the New York gallery, Chris is responsible for showcasing and selling the print output of the storied LA workshop to enable it to keep working with amazing artists and producing incredible editions. Chris and Ann touch on Gemini's history, the structur
s3e50 contemporary Japanese prints with dealer Allison Tolman
In s3e50, Platemark host Ann Shafer talks with Allison Tolman, a private dealer handling prints by contemporary Japanese artists. The Tolman Collection has branches in Tokyo and New York and works with a range of artists. Allison is a second-generation dealer—her father heads up the Tokyo branch while Allison is holding down the fort in New York. She enjoys personal relationships with her artists
s3e49 making lithographs at Tamarind with printer Valpuri Remling
In s3e49, Platemark host Ann Shafer talks with Valpuri Remling, collaborative printer and manager of the pro workshop at Tamarind Institute, University of New Mexico, Albuquerque, which was established in 1960 by the legendary June Wayne in order to preserve and promote the art of lithography. Valpuri, a native of Rovaniemi in Finnish Lapland, graduated from the program in 2009. After working at H
s3e48 lithography deep dive with printer/publisher Deb Chaney
In episode s3e48, Platemark host Ann Shafer speaks with Deb Chaney, Tamarind-trained master printer specializing in lithography. She has an eponymous imprint, Deb Chaney Editions and has started a new venture with Stéphane Guilbaud—D&S Fine Art Editions—to whom she is fairly recently married. They have studios in Upstate New York (studio to be built), Paris, and LaForce, France. Ann and Deb talk a
s3e47 behind-the-scenes at Rago Auctions with Adam McCoy
Leading off 2024's series three episodes is s3e47 in which Platemark host Ann Shafer speaks with Adam McCoy, Senior Specialist in Fine Art, Rago Auctions. Adam has worked in various auction houses for many years, including Christies and Artsy. Ann relished the chance to pepper Adam with questions. In the episode Adam and Ann talk about the business of the business including what to expect when y
s3e46 engraving deep dive with Latvian artist, Reinis Gailitis
In s3e46, Platemark host Ann Shafer speaks with Reinis Gailitis, an engraver from Riga, Latvia. The magic of the internet is fully on display today. Without it, finding Reinis's work would have been challenging. But his self-portrait in the style of Claude Mellan's Holy Face, the one with a single line emanating from the subject's nose, is a marvel. Ann and Reinis talk about how engraving is simul
s3e45 singer-songwriter Bob Schneider's etchings
In Platemark s3e45, host Ann Shafer talks with Bob Schneider, who is best known for his music but is a serious artist as well. You may know some of his best-loved songs like 40 Dogs (Like Romeo and Juliet), Honeypot, Deep Blue Sea, and Peaches, but you will be delighted to learn about his print output. These are gorgeous etchings primarily made with Katherine Brimberry at Flatbed Press in Bob's ho
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