New Books in Sound Studies
This podcast is a channel on the New Books Network, an academic audio library dedicated to public education. In each episode, scholars discuss their recently published research with another expert in their field. The channel focuses on sound studies, covering topics related to sound, music, listening, and acoustic culture. It also directs listeners to the network's extensive catalog of over 150 channels and 28,000 episodes, along with its newsletter and social media.
Episodes
Michelle Bigenho and Henry Stobart, "Heritage Fever: Law and Cultural Politics in a Decolonizing State" (Oxford UP, 2025)
The
early twenty-first century ushered in a period of change in Bolivia.
The country welcomed its first Indigenous president, a new constitution,
and a profusion of laws that recognized individual music and dance
expressions as intangible cultural heritage. Using cultural heritage
lawmaking as a window through which to view the de-centered workings of the Indigenous-focused Plurinational Boli
Stacey Copeland, "Lavender Sounds: From Lesbian Radio to Queer Feminist Soundwork" (U Michigan Press, 2026)
Stacey Copeland, Assistant Professor of Cultural Heritage and
Identity at the Centre for Media and Journalism Studies at the
University of Groningen, joins Jana Byars to talk about Lavender Sounds: From Lesbian Radio to Queer Feminist Soundwork
(University of Michigan Press, 2026) delves into lesbian radio history
and its evolution into queer feminist podcasting today, ex
Carola E. Lorea, "Communities of Sound: Religion, Displacement, and Caste in the Bay of Bengal" (Wesleyan UP, 2026)
Communities of Sound: Religion, Displacement, and Caste in the Bay of Bengal (Wesleyan University Press, 2026) brings
together insights from religion, anthropology, sound, and migration
studies to explore the sonic traces of untouchability and forced
migration across the Bay of Bengal. Based on an immersive, multi-sited
ethnography with Matua devotees—a low-caste, Bengali-speaking Dalit
reli
Shikha Jhingan, "The Female Playback in Bombay Cinema: Voice, Body, Technology" (Wayne State UP, 2025)
How the sound of the female playback voice impacts Bollywood's cultural, musical, and cinematic environment.
Drawing on sound studies and performance theory, scholar Shikha Jhingan explores the discursive nature of the female playback voice in Bombay film songs in The Female Playback in Bombay Cinema: Voice, Body, Technology (Wayne State UP, 2025). Mapping the production, circulation, and recept
Ginger Dellenbaugh, "Maria Callas's Lyric and Coloratura Arias" (Bloomsbury, 2021)
More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring wit
Ralph Jones, "Microphone" (Bloomsbury, 2026)
Since its invention more than 150 years ago, the microphone transformed the world in an instant. Yet its evolution and integration into our daily
lives has been comparatively gradual – so gradual, crucially, that it is easy to
forget just how much we take it for granted. As explored in Microphone (Bloomsbury, 2026) by Ralph Jones, every phone has a microphone. Every laptop has a microphone. We a
Petal Kimberly Samuel, "The Quiet Zone: Caribbean Expressive Cultures and the Feminist Aesthetics of Disturbance" (Rutgers UP, 2026)
A serene beach. The classroom of an elite private school. The still nights in an upscale residential neighborhood. An acclaimed poet with a quiet, dignified mode of address. The sonic etiquette and experience of quiet is integral to each of these scenes. The Quiet Zone: Caribbean Expressive Cultures and the Feminist Aesthetics of Disturbance (Rutgers UP, 2026) examines what the emergence of quiet
The YIVO Sound Archive at 40: A Celebration
The YIVO Sound Archive houses over 20,000 recordings (including 78, 45, and 33rpm discs, open-reel and cassette tapes, piano rolls, and compact discs and other digital formats) as well as various artifacts related to sound recordings. It is is one of the most extensive and frequently consulted Jewish music collections in the world, embracing Yiddish and Hebrew folk, pop and theater music, Holocaus
Mariam Goshadze, "The Noise Silence Makes: Secularity and Ghana's Drum Wars" (Duke UP, 2025)
In The Noise Silence Makes: Secularity and Ghana's Drum Wars (Duke UP, 2025) Mariam Goshadze traces the history of noise regulation in Accra, Ghana, showing how the 1990s and 2000s conflicts between the Ga people and Pentecostal/Charismatic churches during the annual city-wide ban on drumming illuminates the inner workings of Ghanaian secularity and the importance of "traditional religions" to Afr
The World According to Sound: Chris Hoff and Sam Harnett on Audio Art, Wonder, and Humanistic Reasoning
Peoples & Things host, Lee Vinsel, and special guest host, Melanie Kiechle (Associate Professor of History, Virginia Tech), chat with radio producers Chris Hoff and and Sam Harnett about their sound production project, The World According to Sound. Hoff and Harnett came to Virginia Tech to put on their octophonic sound show, Ways of Knowing. We recorded this special livestream edition of Peoples &
Deirdre Loughridge & Thomas Patteson, "The Museum of Imaginary Musical Instruments" (Reaktion, 2026)
The Museum of Imaginary Musical Instruments (Reaktion, 2026) by Dr. Deirdre Loughridge & Dr. Thomas Patteson is a guided tour through centuries of instruments that never existed. From ancient myths to futuristic media, these imagined devices appear in literature, theory, video games and art, at times echoing real instruments, other times pushing far beyond the bounds of technology. This book prese
Philip Abbott, "Sounds for a New World: The Christianizing Soundscapes of Late Antiquity" (Oxford UP, 2026)
In the Greco-Roman world, gods were known to tame soundscapes, or acoustic landscapes. Zeus, Apollo, Orpheus, and other Classical deities demonstrated their power by bringing order to chaotic sound worlds, replacing cacophony with harmony. In late antiquity, Christians took up this archetype and applied it to Jesus. For many early Christians, the advent of Christ resembled the modern phenomenon of
Christina Schwenkel, "Sonic Socialism: Crisis and Care in Pandemic Hanoi" (U California Press, 2025)
In an era dominated by visual information, what can the sounds of a pandemic reveal about crisis and care? How might attuning to sonic atmospheres uncover new dimensions to states of emergency and their implications for collective life? In Sonic Socialism: Crisis and Care in Pandemic Hanoi (U California Press, 2025), Christina Schwenkel examines the use of sound in COVID-19 response efforts in urb
P. Thirumal and K. A. Nuaiman eds., "Inhabiting Technologies/Modernities: Media and Cultural Practices in South Asia" (Orient BlackSwan, 2025)
Studies of forms of media have focused on either political or cultural histories of media. Political histories study media growth and literacy, and the emergence of liberal democratic institutions in Western and postcolonial societies. Cultural histories study the multiple origins of media technologies, seek lost or marginalised cultural objects, and examine how artefacts are connected to earlier
Podcast Intellectuals Panel #3 with Joy Connolly, Barry Lam, and Aurora Hutchinson
This is a special edition of the New York Institute for the Humanities’ Vault podcast. On October 10, 2025, NYU’s Journalism Institute hosted a day-long conference titled Podcast Intellectuals: Producing Original Scholarship with Audio. Over the course of three panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their resear
Podcast Intellectuals Panel #2 with Ellen Horne, Chenjerai Kumanyika, Barry Lam, and Julia Barton
This is a special edition of the New York Institute for the Humanities’ Vault podcast. On October 10, 2025, NYU’s Journalism Institute hosted a day-long conference titled Podcast Intellectuals: Producing Original Scholarship with Audio. Over the course of three panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their resear
Podcast Intellectuals Podcast Panel #1 with Benjamen Walker and Fanny Gribenski
This is a special edition of the New York Institute for the Humanities’ Vault podcast. On October 10, 2025, NYU’s Journalism Institute hosted a day-long conference titled Podcast Intellectuals: Producing Original Scholarship with Audio. Over the course of three panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their resear
S2. E10. Sharon White Rewires Disco
At the center of 1970s New York's most iconic clubs—from the celebrity-studded Studio 54 to the premiere lesbian discotheque Sahara—stood a queer Black woman on the turntables: Sharon White. With a sound she describes as "edgy, deep, aggressive, tech, synthy, percussive and lush," White became the first woman resident DJ at the Saint and the only woman to ever play Paradise Garage, breaking barrie
James Brown's War on Disco
In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial
Eduardo Mercado III, "Why Whales Sing" (JHU Press, 2025)
With breathtaking complexity and haunting beauty, the songs of whales have long fascinated scientists. Whales are the only mammals that can sing continuously for ten hours or more, changing the unique songs they sing every year. In Why Whales Sing (JHU Press, 2025), bioacoustician and cognitive scientist Eduardo Mercado transforms our understanding of these enigmatic sounds and proposes a ground
Mattin, "Social Dissonance" (MIT Press, 2022)
We are not what we think we are. Our self-image as natural individuated subjects is determined behind our backs: historically by political forces, cognitively by the language we use, and neurologically by sub-personal mechanisms, as revealed by scientific and philosophical analyses.
Under contemporary capitalism, as the gap between this self-image and reality becomes an ever greater source of soci
Birgit Abels and Patrick Eisenlohr, "Atmospheric Knowledge: Environmentality, Latency, and Sonic Multimodality" (U California Press, 2025)
How do we know through atmospheres? How can being affected by an atmosphere give rise to knowledge? What role does somatic, nonverbal knowledge play in how we belong to places? Atmospheric Knowledge takes up these questions through detailed analyses of practices that generate atmospheres and in which knowledge emerges through visceral intermingling with atmospheres. From combined musicological and
Anand, "The Notbook of Kabir: Thinner than Water, Fiercer than Fire" (India Viking, 2025)
Kabir is the most alive of all dead poets. He is a fabric without stitches. No centres, no edges. Anand threads his way in. Over the years, as a publisher and editor, Anand immerses himself in the works of Babasaheb Ambedkar and other anticaste thinkers. He gives up his practice of music and poetry, blaming his disenchantment on caste. One day in Delhi, Anand starts looking for Kabir. He finds him
Disco's Revenge
In the wake of Disco Demolition Night in 1979—a cultural bonfire that seemed to signal the end of disco—something unexpected began to rise from Chicago’s underground. This episode traces the story of Frankie Knuckles, the Bronx-born DJ who became known as the “Godfather of House.” After the backlash against disco pushed the genre out of the mainstream, Knuckles found refuge in Chicago’s Black, Lat
Disco Sucks
On July 12, 1979, Chicago’s Comiskey Park erupted into chaos during what was supposed to be a quirky baseball promotion. Shock radio jock Steve Dahl’s “Disco Demolition Night” incentivized listeners to bring disco records to a White Socks doubleheader, where, between games Dahl promised to blow them up in center field. Instead, the event descended into a riot, forcing the team to forfeit. On the s
From Stonewall to Studio 54
In the fifth episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with the legendary DJ Nicky Siano. The history of dance music in 1970s New York is synonymous with the life and work of Siano. He was among the early attendees of David Mancuso’s Loft dances, where he learned to organize parties and DJ for an audience. Siano transposed Mancuso’s informal gathering
Michaela Vieser and Isaac Yuen, "The Sound Atlas: A Guide to Strange Sounds Across Landscapes and Imagination" (Reaktion, 2025)
In The Sound Atlas: A Guide to Strange Sounds across Landscapes and Imagination (Reaktion, 2025), nature writers Michaela Vieser and Isaac Yuen set out in search of sounds beautiful and loathsome, melodious and disturbing, healing, strange and intimate. The phenomena of sound may be fleeting and evanescent, but the memory of it can open a window into the soul, deepening our connections with time,
Disco's "Latin Tinge"
In the 1930s, musical Ferdinand “Jelly Roll” Morton identified the influence of Latin American rhythms like the habanera in jazz, as a sonic “tinge” that fundamentally shaped his style as a stride pianist. In the Seventies, disco presented its own Latin tinge. The Latin American and Latino influence on 1970s New York disco extended far beyond the familiar narratives of the Paradise Garage and Stud
Kate Herrity, "Sound, Order and Survival in Prison: The Rhythms and Routines of HMP Midtown" (Bristol UP, 2024)
The soundscape of prison life is that of constant clangs, bangs and jangles. What is the significance of this cacophonous din to those who live and work with it? Sound, Order and Survival in Prison: The Rhythms and Routines of HMP Midtown (Bristol UP, 2024) tells the story of a year spent with a UK prison community, bringing its social world vividly to life for the first time through aural ethnogr
A Spatial History of Disco
In the third episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares take you on an immersive journey through the hot nights and wild streets of Lower Manhattan during the Seventies. For this episode, Jesse Rifkin, a New York-based music historian and the owner and sole operator of Walk on the Wild Side Tours NYC, designed a specialized tour for Soundscapes NYC that explore
S1.E7. Greetings from Asbury Park, NJ
Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen’s sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell ta
Sounds of the City Collapsing
In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max’s Kansas City and lesser-known haunts like the Mercer Arts Center and Mother’s that shed light on hidden meanings behind punk rock. The
Simon Stjernholm, "Sensing Islam: Engaging and Contesting the Senses in Muslim Religiosity" (Bloomsbury Publishing, 2025)
Simon Stjernholm's new book Sensing Islam: Engaging and Contesting the Senses in Muslim Religiosity (Bloomsbury Press, 2025) considers specific case studies of embodiment and oratory productions by Muslims in Denmark, Sweden, and Cyprus. In the chapter on approaching God, we learn how rituals such as du‘a (intercessory prayers) or dhikr (remembrance of God) informs sensorial experiences of the div
Pooja Rangan, Akshya Saxena, Ragini Tharoor Srinivasan, Pavitra Sundar eds., "Thinking with an Accent: Toward a New Object, Method, and Practice" (UC Press, 2023)
Everyone speaks with an accent, but what is an accent? Thinking with an Accent: Toward a New Object, Method, and Practice (UC Press, 2023) introduces accent as a powerfully coded yet underexplored mode of perception that includes looking, listening, acting, reading, and thinking. This volume convenes scholars of media, literature, education, law, language, and sound to theorize accent as an object
Colleen Renihan, John Spilker, and Trudi Wright eds., "Sound Pedagogy: Radical Care in Music" (University of Illinois Press, 2024)
Sound Pedagogy: Radical Care in Music (University of Illinois Press, 2024) is a collected edition about Pedagogies of Care edited by Colleen Renihan, John Spilker-Beed, and Trudi Wright are experienced music history educators working in the United States and Canada. They have curated a collection of essays that explore what it means to prioritize care when teaching, interacting with students, deve
Noise and Affect Theory
Feminist sound scholar and musician Marie Thompson is a theorist of noise. She has also been one of the key thinkers in integrating the study of sound with the study of affect. Dr. Thompson is Senior Lecturer in Popular Music at the Open University in the UK. She is the author of Beyond Unwanted Sound: Noise, Affect, and Aesthetic Moralism (Bloomsbury, 2017) and the co-editor of Sound, Music, Affe
From Hal to Siri: How Computers Learned to Speak
Today we learn how computers learned to talk with Benjamin Lindquist, a postdoctoral researcher at Northwestern University’s Science in Human Culture program. Ben is the author “The Art of Text to Speech,” which recently appeared in Critical Inquiry, and he’s currently writing a history of text-to-speech computing.
In this conversation, we explore:
the fascinating backstory to HAL 9000, the spe
Noise and Information in the Office
Ever wonder who’s to blame for the noise and distraction of the open office? Our guest has answers.
Joseph L. Clarke is a historian of art and architecture and an associate professor at the University of Toronto. His 2021 book Echo’s Chambers: Architecture and the Idea of Acoustic Space won a 2022 CHOICE Award for Outstanding Academic Title. It’s a fascinating history of how architects have concei
Robin Miles: Talking Books
Today we bring you a masterclass in audiobook narration and acting with acclaimed actor, casting director, audiobook narrator and audiobook director, Robin Miles. Miles has narrated over 500 audiobooks, collecting numerous industry awards and, in 2017, was added to the Audible Narrator Hall of Fame. She’s the most recognizable voice in literary Afrofuturism, having interpreted books by Octavia E.
Radiophilia
Today’s guest is Carolyn Birdsall, Associate Professor of Media Studies, University of Amsterdam. If you’re a scholar of sound or radio, you likely know her work, particularly her monograph Nazi Soundscapes (AUP, 2012) which was the recipient of the ASCA Book Award in 2013. Her new book, Radiophilia (Bloomsbury, 2023), examines the love of radio through history. It will be a great value to anyone–
Cosmic Visions in Sound
Today we share a podcast episode on the visual epistemology of astronomy by our friends at The World According to Sound. What kind of knowledge do we really gain when we look at images from space?
Longtime listeners to this show will remember The World According to Sound. As we referred to them two years ago, WATS is a team of two rogue audionauts who rebelled against the NPR mothership: Chris Hof
Your Devotee in Rags
NBN host Hollay Ghadery speaks with cultural icons, Anne Waldman (The Iovis Trilogy: Colors in the Mechanism of Concealment) and Andrew Whiteman (Broken Social Scene) who have collaborated to create Your Devotee in Rags—a metamorphic sonic poetry LP released by Siren Recordings in 2025 and is available from Spotify.
The conversation starts with a discussion of Anne’s epic, The Iovis Trilogy (Coffe
Tinnitus Stories
Today Mack talks about one of his oldest companions, the tinnitus that lives rent-free in his head. Tinnitus can be annoying, for sure–and for some people it’s much worse than annoying–but it also has a lot to say of interest, if we’re willing to listen: “Tinnitus has been my guide in sound studies, my Virgil, leading me through a shadow world of sound. It’s taught me how high the stakes can be wh
Warren Zanes: Rockstar Biographer
Warren Zanes is a “rockstar biographer” in more ways than one: he has experienced life as a rockstar, a biographer, and a biographer of rockstars. When Mack first met Warren in New Orleans sometime in the late 80s or early 90s, Zanes was then emerging from the wreckage of meteoric success. He’d been the teenage guitarist in critically acclaimed band The Del Fuegos, who briefly broke into the natio
Making Radio History
Elena Razlogova is an Associate Professor of History at Concordia University. She is the author of The Listener’s Voice: Early Radio and the American Public (University of Pennsylvania Press, 2011) and co-editor of “Radical Histories in Digital Culture” issue of the Radical History Review (2013). She has published articles in American Quarterly, Radical History Review, Russian Review, Journal of C
The Audiobook's Century-Long Overnight Success
Today we present the first episode of a miniseries on audiobooks by getting into the history and theory of the medium. Audiobooks are having a moment—and it only took them over a century to get here. Dr. Matthew Rubery, a Harvard PhD and Professor of Modern Literature at Queen Mary University of London, pioneered the study of the audiobook, its history, and its affordances.
Among his other works,
Radha Kapuria and Vebhuti Duggal, "Punjab Sounds: In and Beyond the Region" (Routledge, 2024)
Punjab Sounds (Routledge, 2024) nuances our understanding of the region's imbrications with sound. It argues that rather than being territorially bounded, the region only emerges in 'regioning', i.e., in words, gestures, objects, and techniques that do the region. Regioning sound reveals the relationship between sound and the region in three interlinked ways: in doing, knowing, and feeling the reg
A Philosophy of Echoes
We spend our 50th episode (the last of this season) with communication theorist Amit Pinchevski. Amit’s recent book Echo (MIT Press) explores its topic through mythology, etymology, history, technology, and philosophy. The book challenges the notion that echo is mere repetition. Instead, Pinchevski argues, echo is a generative medium that creatively expresses our relations to others and the world
Lauren E. Osborne, "Hearing Islam: The Sounds of a Global Religious Tradition" (Routledge, 2024)
In Hearing Islam: The Sounds of a Global Religious Tradition, Lauren Osborne delves into the sonic dimensions of Islam, exploring how the tradition’s rich soundscape offers deep insights into culture, identity, and spirituality. In this innovative work, Osborne shifts the focus from the written word to the auditory, asking, "What can we learn about Islam when we enter through its sounds, instead o
Karl Berglund, "Reading Audio Readers: Book Consumption in the Streaming Age" (Bloomsbury, 2024)
What is the future of reading? In Reading Audio Readers: Book Consumption in the Digital Age (Bloombury, 2024), Karl Berglund, Assistant Professor in Literature at Department of Literature and Rhetoric at Upsala University, examines the rise of audiobooks as a new mode of reading books. The analysis draws on digital humanities methods and a detailed industry case study to show who are the readers
John Cage: Echoes of the Anechoic
Today we explore the mythology around John Cage’s visit to the anechoic chamber. The chamber was designed to completely eliminate echoes. Ironically, the tale of Cage’s experience in that space has echoed through history, affecting our understanding of silence, sound, and the self. But what do we really know about what happened there? And what could we ever know about such an event? In this audio
Eric Dienstfrey, "Making Stereo Fit: The History of a Disquieting Film Technology" (U California Press, 2024)
Surround sound is often mistaken as a relatively new phenomenon in cinemas, one that emerged in the 1970s with the arrival of Dolby. Making Stereo Fit: The History of a Disquieting Film Technology (University of California Press, 2024) reveals that, in fact, filmmakers have been creating stereo and surround-sound effects for nearly a century, since the advent of talking pictures, and argues that t
Sonic AI
Today we hear two scholars reading their recent work on artificial intelligence. Steph Ceraso studies the technology of “voice donation,” which provides AI-created custom voices for people with vocal disabilities. Hussein Boon contemplates the future of AI in music via some very short and thought-provoking fiction tales. And we start off the show with Mack reflecting on how hard the post-shutdown
Tiziano Manca, "Before Sound: Re-Composing Material, Time, and Bodies in Music" (Transcript Verlag, 2023)
In Before Sound: Re-Composing Material, Time, and Bodies in Music (Transcript Verlag, 2023), composer Tiziano Manca investigates the premises for and consequences of a major change in his compositional practice: this change emphasizes the temporality of sound and, more recently, the relationship between sounding body and musician. It calls into question the traditional conception of composition an
Words and Silences: The Thomas Merton Hermitage Tapes
Brian Harnetty’s recent record, Words and Silences, takes voice recordings made by the famed American Trappist monk Thomas Merton and sets them within Harnetty’s musical compositions. The meditative and revealing result has been lauded by critics in The Wire, MOJO, and Aquarium Drunkard.
In this episode, we share a Phantom Power exclusive: a brand new narrative piece that Brian created about the
The Soundworld of Harriet Tubman
Just in time for Black History Month, we share an episode we’ve been excitedly working on for a number of months now. Ethnomusicologist Maya Cunningham brings us “The Sound World of Harriet Tubman.” Maya Cunningham is an activist and jazz singer currently completing a Ph.D. at the University of Massachusetts, Amherst, in Afro-American studies with a concentration in ethnomusicology.
We first came
Hildegard Westerkamp: A Life in Soundscape Composition
Today we speak to Hildegard Westerkamp, the pioneering composer, radio artist and sound ecologist. The centerpiece of all of her work is a close attention to the sonic environment and its relation to culture. We will listen to excerpts of six soundscape compositions made between 1975 and 2005, all of which reward the close listener–conceptually and aesthetically–with a deeper relationship to the s
Carola Lorea and Rosalind Hackett, "Religious Sounds Beyond the Global North: Senses, Media and Power" (Amsterdam UP, 2024)
What makes sounds “religious”? How are communities shaped by the things they hear, play, or listen to? This book foregrounds connections between sounds, bodies, and media in the private and public life of communities beyond the Global North, analyzing diverse configurations of the category of sound and various sonic ontologies to usher in a more inclusive global anthro-history of religious sounds.
Spacing Out with Dallas Taylor of 20,000 HZ
Today we talk to Dallas Taylor, host of the most popular sound podcast on the planet, Twenty Thousand Hertz. I like to think our show sounds pretty good, but Twenty Thousand Hertz is next-level audio production, some of the very best in the podcasting business. And Dallas prides himself on making a podcast for absolutely everyone. As he told me, he tries to make a show that’s just as mainstream an
Listening in the Afterlife of Data
If you walk into David Cecchetto‘s classroom, you might find people wearing audio devices that simulate hearing with a thousand-foot wide head. Or gadgets that swap their ears so that the left ear hears what the right should and vice versa. David is a media theorist who draws on his background as an artist/musician, to create what he calls “engagements,” strange sonic experiments that help him—and
(Re)Making Radio with the Shortwave Collective
The Shortwave Collective describe themselves as “an international feminist group using the radio spectrum as artistic material.” I was first intrigued by their piece Receive-Transmit-Receive, an exquisite corpse of audio, in which members each contributed their own recordings of sounds from across the radio spectrum. But what really affected me was their ongoing public education project of teachin
Rebecca Charbonneau, "Mixed Signals: Alien Communication Across the Iron Curtain" (Polity, 2024)
In the shadow of the Cold War, whispers from the cosmos fueled an unlikely alliance between the US and USSR. The search for extraterrestrial intelligence (or SETI) emerged as a foundational field of radio astronomy characterized by an unusual level of international collaboration—but SETI’s use of signals intelligence technology also served military and governmental purposes.
In this captivating ne
In One Ear, Out The Other
On today’s show, we address a performer’s nightmare—the nightmare of not being able to hear yourself onstage. My guest is ethnomusicologist Jacob Danson Faraday, who takes us behind the scenes of the famed Cirque du Soleil to learn how even Cirque’s world-class musicians struggle with technology when they want to hear themselves.
Building on his international career as a touring sound technician,
Fela Kuti and the Black Atlantic
This summer, sound artist and “guerrilla academic” Ben Coleman got in touch to say how much he enjoys Phantom Power. He also suggested we check out another podcast he’s into called Love is the Message.
We’re glad we did! Love is the Message: Music, Dance & Counterculture is a fantastic show from Tim Lawrence and Jeremy Gilbert, both of them authors, academics, DJs and audiophile dance party organ
Awfully Viral
It’s summer and we are busy working on episodes for our fourth season. We’ve also rebuilt our website–check out the the fabulous new phantompod.org. There’s other great stuff in store for the podcast, so stay tuned!
But today, I want to share one of my favorite podcasts with you: Will Robin’s Sound Expertise. For those of you into musicology or popular music studies, there’s a great chance you’re
Voices Part 3: Dork-O-Phonics
Jonathan Sterne is one of the most influential scholars working on sound and listening. His 2003 book, The Audible Past: Cultural Origins of Sound Reproduction, had a formative influence on the then-nascent field of sound studies. His 2012 book, MP3: The Meaning of a Format, was both a fascinating cultural history and a deep meditation on the purpose of compression technology in capitalism. Today,
Voices Part 2: The Sound of My Voice
In part two of our three-part series “Voices,” we feature an exciting new voice in the world of sound studies, Stacey Copeland.
In part one last month, we examined the role voices play in professional sports and unpacked some of the understandings of ability and masculinity that inform the sound of the quarterback’s voice in the NFL. Copeland’s audio documentary, “This is the Sound of My Voice,”
Voices Part 1: Hut-Hut-Hike
In this first episode of a three-part series called Voices, we’re listening to the sound of American football—specifically the role of voices in the NFL. We start with a rather quirky story from NFL history that speaks to how the voice intersects with our ideologies around both disability and gender. It’s about a player whose voice stopped working the way it once did, revealing that football isn’t
How Our Sonic Sausage Gets Made
This episode, we take you behind the scenes of Phantom Power. Producer/host Mack Hagood was invited by Dario Llinares and Lori Beckstead to be a guest on their show, The Podcast Studies Podcast. As you may or may not know, there are a lot of academics out there not only making podcast themselves but also studying podcasts and podcasting as a genre and an industry–and Dario and Lori are in that cam
Fiona Smyth, "Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century" (Manchester UP, 2024)
On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument?
Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University
The World According to Sound
The World According to Sound is the brainchild of two rogue audionauts who rebelled against the NPR mothership: Chris Hoff and Sam Harnett. It began as a micro podcast that held one unique sound under the microscope for 90 seconds each episode. Then it became something much more ambitious: a live sonic Odyssey in 8-channel surround sound. Starting January, Harnett and Hoff bring their realtime sou
R. Murray Schaffer (1933-2021), Part 2
How to think about the contradictory figure of R. Murray Schafer? A renegade scholar who used sound technology to create an entirely new field of study, even as he devalued the very tools of its trade. A gifted composer who claimed a sincere appreciation for indigenous cultures, yet one who, perhaps, could only love them on his own terms, only as they fit into his sweeping vision for Canadian musi
Anette Hoffmann, "Knowing by Ear: Listening to Voice Recordings with African Prisoners of War in German Camps (1915–1918)" (Duke UP, 2024)
During World War I, thousands of young African men conscripted to fight for France and Britain were captured and held as prisoners of war in Germany, where their stories and songs were recorded and archived by German linguists. In Knowing by Ear: Listening to Voice Recordings with African Prisoners of War in German Camps (1915–1918) (Duke University Press, 2024), Anette Hoffmann demonstrates that
R. Murray Schafer (1933-2021), Part 1
R. Murray Schafer recently passed away on August 14th 2021. If you’re someone who works with sound or enjoys sound art or experimental music–or you’ve just thrown around the word “soundscape”–you’ve probably engaged with his intellectual legacy. Schafer was one of Canada’s most influential avant-garde composers. He was also the creator of acoustic ecology, the founder of the World Soundscape Proje
On Listening In
Today, in honor of World Listening Day, we rebroadcast our story on renowned Australian sound composer, media artist and curator Lawrence English.
This episode of gets deep into English’s own listening practices as an artist, specifically a technique he calls Relational Listening. In fact, as you’ll hear, he describes himself not as a sound maker but as a professional listener—that’s how central t
Emotional Rescue
What can sound technologies tell us about our relationship to media as a whole? This is one of the central questions in the research of Phantom Power‘s host, Mack Hagood. To find its answer, he studies devices that get little attention from media scholars: noise-cancelling headphones, white noise machines, apps that make nature sounds, tinnitus maskers–even musical pillows. The story these media t
Lightning Birds
Today we present the first episode of Jacob Smith’s new eco-critical audiobook, Lightning Birds: An Aeroecology of the Airwaves. In this audio-only book, Smith uses expert production to craft a wildly original argument about the relations between radio and bird migration. The rest of the book is available, free of charge, from The University of Michigan Press, but this introduction is a great stan
For Some Odd Reason
Today’s guest, Kate Carr, is an accomplished sound artist and field recordist whose recent work grapples with issues of communication and longing—themes we can all relate to in the Covid era.
In part one of the show, we mark Phantom Power’s three-year anniversary and 25th episode. Mack does a little thinking out loud about the different kinds of audio work that we’ve featured over the past three
Voice of Yoko
Today, Phantom Power‘s Amy Skjerseth brings us the story of perhaps the most famous vocal performance artist and avant-garde musician whose actual work probably doesn’t get the attention it deserves: Yoko Ono. Collaborator with the Fluxus group in the early 60s, creator of performances such as Cut Piece and her Bed In with John Lennon in the late 1960s, director of experimental films such as 1970’
Jason Weiss, "Listenings" (Spuyten Duyvil, 2023)
Listenings (Spuyten Duyvil, 2023) is a collection of meditations on the art of experiencing sound. The writings reflect Jason Weiss's passion for illuminating details, momentary experiences, and the most subtle and brief of auditory stimulations to consider their role in thought and emotion. The chapter-sections, each on a particular subtheme, invite us to visit concerts, to analyze music, to inte
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