You'll Hear It: Full Album Deep Dives with Jazz Musicians
Jazz pianists Adam Maness and Peter Martin break down the greatest albums of all time, track-by-track, using their deep knowledge of music theory to uncover hidden qualities in harmony, groove, composition, and production. They demonstrate at the keys and play isolated stems, then perform their favorite track with an in-house band. A video podcast from Open Studio, the #1 online jazz education platform.
Episodes
Black Messiah - D'Angelo and the Vanguard
D'Angelo's Black Messiah is one of the greatest albums of the 21st century. You can hear his musical influences all over it: Prince's arrangements, the Bee Gees' falsettos, Jimi Hendrix's guitar, Sly's groove. But the alchemy that makes Black Messiah so powerful could only come from one mind: D'Angelo, the artist who gave us Voodoo and Brown Sugar.Jazz pianists Adam Maness and Peter Marti
The Ultimate Ahmad Jamal Playlist
Jazz pianists Adam Maness and Peter Martin play each other their favorite Ahmad Jamal tunes to build the ULTIMATE Ahmad Jamal playlist. Learn to play tracks from You'll Hear It. Join the You'll Hear It Players Club: https://yhi.link/players-club-------------------------------Learn to talk like a jazz musician. Download the Liner Notes FREE today: https://yhi.link/linernotes-5-------------
Waltz for Debby – Bill Evans Trio
Waltz for Debby is the sound that all "boring coffeehouse jazz" tries to imitate, but none can replicate. Featuring Bill Evans on piano, Scott LaFaro on bass and Paul Motian on drums, this 1962 live album has become the template for every AI jazz playlist. And yet, it stands apart as one of the greatest jazz piano trio albums of all time. Pianists Adam Maness and Peter Martin listen to th
The Ultimate Stank Face Challenge
Jazz pianists Adam Maness and Peter Martin take turns playing each other songs, and the goal is to get the biggest involuntary reaction out of the other guy. Along the way, they break down what's actually happening in the music. In a final round, they have to sit through their opponent's pick without cracking. Who gets the best reactions? You decide. Share your verdict in the comments.Lis
In Rainbows – Radiohead
Jazz pianists Adam Maness and Peter Martin unpack Radiohead's 2007 masterpiece 'In Rainbows', track-by-track. Hear about the harmonies, odd time signatures, Thom Yorke's singing technique and the production choices that give this album its sound. And learn why many of the musical choices made for 'In Rainbows' are strange for an album that hit #1 on the US and UK charts, and sold three mi
Best New Jazz In July 2026: Domi & JD Beck, Terri Lyne Carrington, Charles Lloyd and more
New albums all hand-picked from jazz pianist Adam Maness for your listening pleasure. 00:00 - Intro01:51- Epiphanie - Domi & JD Beckhttps://store.bluenote.com/products/domi-jd-beck-who-asked?srsltid=AfmBOoqy83sYVjg7gWOWEPzDP1lzL0qSN3BWoiNb80SR6foAtB1hFJUi 05:45 - Solidarity Song - Terri Lyne Carringtonhttps://terrilynecarrington.bandcamp.com/album/trip-the-night-fantastic08:01 - Eye L
Songs in the Key of Life – Stevie Wonder
Stevie Wonder's Songs in the Key of Life is all killer, no filler. Every track is a masterpiece. It's almost TOO easy for two jazz pianists in the business of reviewing history's greatest albums. So we're upping the stakes ... with a draft. Adam and Peter each present their top tracks from Songs in the Key of Life, compare and contrast, and see who comes out on top with the best lineup.Al
You'll Hear It Is Back! Season 15
You'll Hear It is a weekly listening party for people who love music ... a little too much. Every Monday, Jazz pianists Adam Maness and Peter Martin sit down with one great album and break it down track-by-track. They listen, demonstrate what they are hearing, and put words to the moments you have always felt and haven't been able to explain. You’ll never hear your favorite albums the sam
Purple Rain – Prince and the Revolution
Adam and Peter break down Prince and the Revolution's Purple Rain, the 1984 soundtrack that turned him into a global superstar. They go track by track, from "Let's Go Crazy" to the title song. With keyboards in hand, they break down the sophisticated music theory underneath this pop hit to reveal the hidden qualities that make this album great. You'll never hear Purple Rain the same way a
Our TOP Picks For Your Favorite Listens of July 2026
Our Top Picks of new jazz and jazz-adjacent releases from June 2026!
Heavy Weather – Weather Report
Weather Report's Heavy Weather became one of the best-selling jazz albums of all time. But there's so much more to it than "Birdland", Heavy Weather's radio hit. In fact, Peter makes the case that it might just be the weakest moment of the entire record.Jazz pianists Adam Maness and Peter Martin break it down track-by-track: From Jaco Pastorius's fiery fretless bass, to Joe Zawinul's beau
Court and Spark – Joni Mitchell
With her 1974 masterpiece Court and Spark, Joni Mitchell transforms from folk singer into something harder to define.Her piano playing matures. Her songwriting blossoms into one of the richest harmonic and melodic color palettes we've ever heard up to this point. Not to mention her incredible lyricism and melodies. And she brings a new production sensibility from her backing band: a group
The BEST Moments from MJ's Greatest Run, Ranked
Jazz musicians Adam Maness and Peter Martin review their three favorite songs from Michael Jackson's most iconic albums: Bad, Thriller and Off the Wall. And their choices aren't what you might expect. Plus - Adam, Peter and the Open Studio band play their jazzy interpretation of Michael Jackson's Smooth Criminal. -------------------------------Start your free Open Studio trial for ALLLLL
Oh, Jeff Parker? He Gets It.
Adam Maness brings you the freshest releases of May 2026!0:00 Intro0:50 Jeff Parkerhttps://intlanthem.bandcamp.com/album/happy-today3:45 Greg Hutchinsonhttps://www.allmusic.com/album/kind-of-now-mw0004778588 6:15 Chris Potterhttps://chrispotterjazz.bandcamp.com/album/alive-with-ghosts-today9:09 New Jazz Undergroundhttps://www.allmusic.com/album/hoodies-mw000479189111:04 Virginia MacDonald
Sonny Rollins (1930-2026)
Sonny Rollins passed away this week at 95. Jazz pianists Peter and Adam are listening through the recordings that defined his career and made him one of the most influential musicians in jazz history. From his earliest bebop tunes to Saxophone Colossus to A Night at the Village Vanguard, they trace the arc of a player who kept raising the bar on himself even when the rest of the world tho
Kind of Blue – Miles Davis
Miles Davis's Kind of Blue is one of the greatest albums of all time - possibly THE greatest. But it's not perfect. In this special episode of You'll Hear It, jazz pianists Peter Martin and Adam Maness break down this classic record, track-by-track, to uncover why it has become so legendary. They dig into what's really going on in the music during this album's best moments: Miles's trumpe
Thrust – Herbie Hancock
Herbie Hancock's Thrust (1974) is one of the most influential jazz-funk records ever made. Peter Martin and Adam Maness break down the full album, track-by-track: Mike Clark's displaced backbeats, why Paul Jackson is such an unusual bass player and possibly the greatest Rhodes solo of all time. Plus - Adam shares a story about learning "Spank-A-Lee" at 16, and Peter tells us about meeting
Mothership Connection – Parliament
Could Parliament be the most important band of the 1970s? Jazz pianists Adam Maness and Peter Martin break down Parliament's 1975 masterpiece Mothership Connection track-by-track: Bootsy Collins bass lines that launched a thousand samples, grooves that lock you in and won't let go, and the New Orleans connection that George Clinton says started the whole thing. Plus: isolated bass and dru
WOAH: Angine de Poitrine Might Be It
Join Adam Maness as he delves into the best new music released in April 2026 (ish). This month we're featuring the incredible microtonal Angine de Poitrine and many more!
Genius + Soul = Jazz – Ray Charles
YHI + McBride = Ray Charles?! Christian McBride - bassist, Grammy winner and one of the greatest musical minds working today - joins Adam and Peter on You'll Hear It to share his desert island album.If you know Christian, you know that his musical hero is James Brown. But Christian isn't bringing a James Brown pick. Instead, he's bringing one from his hero's hero ... Ray Charles.This albu
Kid A – Radiohead
Check out Adam’s course for more on Kid A and the harmony of Radiohead: https://osjazz.link/radioheadYou've never heard Kid A like THIS. Jazz musicians Adam Maness and Peter Martin break down Radiohead's 2000 art rock MASTERPIECE track-by-track to uncover what's really happening in the music that makes this album so incredible. Why do we love Radiohead's Kid A so much? Watch to find out.P
Cookin', Relaxin', Workin', and Steamin' – Miles Davis Quintet
Cookin', Relaxin', Workin', and Steamin' capture Miles Davis on one of music history's most remarkable upswings. He had recently become clean after a years-long heroin addiction that led to his exclusion from major record labels and clubs. And now, in 1956, he had a deal with Columbia - the Cadillac of record labels - and a band he loved: Red Garland on piano, Philly Joe Jones on drums, P
I Want You – Marvin Gaye
Marvin Gaye's I Want You could be one of his greatest albums, and he didn't even write it. Producer Leon Ware wrote most of the songs for himself. Marvin Gaye was only supposed to record the title track. But he heard Leon playing a demo of the album one night and stayed up listening until morning. The next day, he asked Ware if he could have the whole thing.In this episode, Peter and Adam
Buena Vista Social Club
Buena Vista Social Club: The album so good it's life-affirming. And it almost didn't happen.In 1996, an American musician landed in Cuba to record a music project with Malian musicians. But when they didn't show up, Ry Cooder and his producer, Juan de Marcos González, went looking for replacements. That's when they found Compay Segundo, Ibrahim Ferrer and Rubén González, who had seen thei
"Money Jungle" – Duke Ellington, Charles Mingus, Max Roach
What happens when you put three of jazz's biggest personalities in a studio for a day? You get Money Jungle: Duke Ellington, Charles Mingus and Max Roach. Can it work? Miles Davis hated it. Others revere it. And the story behind this album is WILD.It's perhaps the most tense album we've ever listened to. And this episode of You'll Hear It is possibly the most we have ever disagreed about
Best New Jazz Of March 2026
We're looking at the best jazz releases of March 2026! Listen with pianist Adam Maness as he breaks down and reacts to these great tracks.Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi
"Thelonious Monk Plays Duke Ellington" – Thelonious Monk
Thelonious Monk Plays Duke Ellington: The musicians on this album were already legends when it came out in 1955. Each of them completely reinvented how people play their instruments. Drummer Kenny Clarke: the originator of so much of modern drumming language. Bass player Oscar Pettiford: possibly the greatest bass soloist in the history of the instrument. And then there's Monk, one of the
"Brown Sugar" – D'Angelo
D'Angelo's Brown Sugar sounded like nothing else in 1995. R&B was slick, polished, and built for clubs. D'Angelo later said the "deeper consciousness" had gone out of contemporary music. Questlove later wrote that contemporary R&B had become "trite" and "soulless" ... and then there was Brown Sugar, D'Angelo's debut album. It sounded more like the '70s than the '90s. More like chu
"The Shape of Jazz to Come" – Ornette Coleman
Ornette Coleman's The Shape of Jazz to Come (1959) may be the most controversial album in jazz history, and one of the most important.In 1959, a broke musician from Fort Worth, Texas arrived in New York City with a plastic saxophone and a band that didn't play by the rules. And EVERYONE had an opinion about it.Jazz legends hated it. Miles Davis said Ornette was "all screwed up inside." Ma
"Music of My Mind" – Stevie Wonder
Jazz pianists Adam Maness and Peter Martin dive into Music of My Mind, track-by-track, listening to isolated stems and breaking down the music theory behind the songs. Plus - we talk about TONTO, the one-ton synthesizer Stevie used to create this record. And we dig into the innovative ways Stevie and collaborators Malcolm Cecil and Robert Margouleff mixed the album.Music of My Mind was th
Best New Jazz In February 2026
We're looking at the best jazz releases of February 2026! Listen with pianist Adam Maness as he breaks down and reacts to these great tracks.Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi00:00 - Intro00:26 - In On It - Pat Metheny02:20 - Circlesz - GENA04:13 - Will You Walk A Little Faster - Holland, Stone, London Vocal Project06:31 - La Sente
"Charlie Parker with Strings" – Charlie Parker
Charlie Parker was punk rock before there was punk rock. His bebop was underground music: subversive, intellectual, and a major departure from popular music of the day (think: Nat King Cole, The Andrews Sisters, Perry Como). He was an intellectual heavyweight, nearly untouchable in his technical ability and pushing music to places no one else was daring to go. So where did Charlie Parker
"Gaucho" – Steely Dan
Is Steely Dan's Gaucho more perfect than Aja? Maybe even ... too perfect? Two years in the studio. The greatest session musicians alive asked to play take after take after take until it was exactly right. And sometimes that STILL wasn't enough for Donald Fagen and Walter Becker.On today's episode of You'll Hear It, jazz pianists Peter Martin and Adam Maness are breaking down the 1980 albu
"Bad" – Michael Jackson
The Impossible follow-up: Michael Jackson's 1987 album Bad. Five years after Thriller changed everything, Michael returned with a record that would become one of the best-selling of all time, win two Grammys, feature some of the greatest musicians in the world (hey, Stevie Wonder!) ... and somehow still gets called a letdown. We've covered two of Michael's albums produced by Quincy Jones:
"Tapestry" – Carole King
Carole King’s Tapestry is so cozy, you'll want to hug it; sit with it. It sounds simple, warm, and totally unassuming. But it’s way more impressive than it seems at first.Adam and Peter break down what’s actually going on beneath the surface of Tapestry ... and what most people miss. Carole King was already an elite songwriter long before this album. You know Aretha Franklin's “(You Make
Fresh Spin Fridays - January 2026
We're looking at the best jazz releases of January 2026! Listen with pianist Adam Maness as he breaks down and reacts to these great tracks.Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi 00:00 - Intro00:50 - Why Don't You - Sam Fribush, Corey Fonville, Charlie Hunter03:09 - Talking Drum - Julian Lage04:58 - Flim - Winderman, Colman, Kimock06
The Best New Jazz of 2025
We're looking back at the best jazz releases of 2025. Listen with pianist Adam Maness as he breaks down and reacts to these great tracks.This is a new segment from the team behind You'll Hear It, and we're looking to continue this music discovery pod as a weekly series in 2026. Help us shape this series and leave us a comment with your feedback.Start your free Open Studio trial for ALLLLL
How to Live a Musical Life in 2026
What does it really mean to live a musical life?As we look ahead to 2026, Adam and Peter talk about music as a way of being. Not a checklist, or a finish line, or something reserved for “professionals.” They share why they believe everyone is a musician, and why taste and curiosity matter more than optimization.Whether you're a musician, or a lover of music, anyone can lead a musical life
"Sign o' the Times" – Prince
Prince's Sign O' the Times is one of our most requested albums at You'll Hear It. But, there is a certain window of millennial that doesn't really "get" Prince. If that’s you, this episode is your on ramp into his music. We start with Prince's earliest albums, tracing his incredible run from 1978 through to 1986. By the time we hit 1987 (around the time our dear mid-millennials were born)
"Sinatra at the Sands" — Frank Sinatra with Count Basie and His Orchestra
Could this be peak Frank? Sinatra at the Sands captures the energy, the cool, and the incredible voice that made this crooner so iconic. Backed by the Count Basie Orchestra with arrangements by a young Quincy Jones, this live album still swings 60 years later!Sinatra at the Sands was recorded at a moment when Sinatra was emerging from a slump. Rock and roll dominated the airwaves, the Bea
The Peter Martin x Strong Songs Interview
How much do you know about Peter Martin? In this conversation with Kirk Hamilton of the Strong Songs podcast, Peter shares his musical influences and trajectory as a young jazz pianist. He brings us right back to the ’70s, ’80s, and ’90s with stories of meeting Wynton Marsalis, and playing with jazz legends like Betty Carter, Roy Hargrove and Joshua Redman.Plus, he shares his take on jazz
"The Miseducation of Lauryn Hill" – Lauryn Hill
The Miseducation of Lauryn Hill was one of the BIGGEST records of the 90s. When you sell 20 million records, like Lauryn Hill did, you're into mass market territory; you're selling records all over the world and reaching across genres. With Miseducation, Lauryn Hill struck a nerve with humanity. How did she do it?As you'll hear in this episode, the album sounded unlike other chart-toppin
"The Köln Concert" – Keith Jarrett
Keith Jarrett's "The Köln Concert" is the best selling solo piano album of all time. But why this album? Possibly because it sounded like nothing else in popular music at the time of its release in 1975. It is cinematic, genre-fluid and masterful – in many ways ahead of its time.Jazz musicians Adam Maness and Peter Martin listen to one of the most popular albums in the history of jazz, pu
"Songs in the Key of Life" – Stevie Wonder
Songs in the Key of Life stands apart, even next to the other four albums in Stevie Wonder's classic period. It resulted in the most hit singles: "I Wish", "Sir Duke", "As" and "Another Star". Chris Molanphy of the Hit Parade podcast leads us through this album's incredible charts story. Not only did it produce FOUR singles, but it inspired two other chart-topping hits: Coolio's "Gangsta'
"Mingus Ah Um" — Charles Mingus
1959 gave us Kind of Blue, Time Out ... and Mingus Ah Um. Adam and Peter dig into Charles Mingus’s most adventurous, soulful record: gospel, bebop, and pure Mingus genius. You’ve never heard it quite like this.Charles Mingus was one of jazz's greatest bass players AND composers. Listen with us as we break down the genius in every track of his best-selling record, and share stories of the
"At Town Hall" – Nina Simone
At Town Hall captures a pivotal moment in Nina Simone's story, when she left behind her dream of being a concert pianist and embraced her identity as an indefinable and remarkable talent.At Town Hall shows off Nina’s classical chops, infused with the jazz influences from working in nightclubs and mixed with the folk and gospel sounds of her youth. Adam and Peter pull apart the tracks to h
"Thriller" – Michael Jackson
In 1981, Michael Jackson and Quincy Jones set out on one of the most ambitious projects in pop music history: an album where every song was a hit. The result was Thriller. The record-breaking, chart-topping masterpiece produced six top-ten hits, became the best-selling album of all time, and propelled Black American music into global pop dominance.Watch as jazz musicians Peter Martin and
"Voodoo" – D'Angelo
In light of D'Angelo's passing, we're replaying our episode on Voodoo from June 2025. This Grammy-winning, genre-defying album changed the sound of R&B, soul, and hip-hop forever. And it has seriously influenced the playing of so many musicians, including our own Adam Maness. From Questlove’s behind-the-beat drumming to Roy Hargrove’s horn arrangements, Voodoo is packed with the kind
The Jazz Samples That Built Hip Hop
Hip hop wouldn’t sound the same without jazz. From A Tribe Called Quest to PinkPantheress, jazz provides the groove behind of some of the most iconic tracks of the genre.Diallo Riddle and Luxxury of One Song join Adam and Peter to geek out on deep cuts and the genius behind hip hop’s greatest jazz samples. We explore how sampling has shaped both genres, why the art of “borrowing” has alwa
"Hard Groove" – The RH Factor
The RH Factor’s Hard Groove might sound uncontroversial to modern ears, but in the early 2000s it was revolutionary. With this record, Roy Hargrove broke away from the straight-ahead jazz revival of the Young Lions era and created something entirely new. Hard Groove blended Roy’s trumpet with the voices of R&B and soul heavyweights like D’Angelo, Erykah Badu, and Common, artists whose
"Blue" – Joni Mitchell
Joni Mitchell’s Blue, a folk masterpiece, has inspired jazz musicians since its release in 1971. Is it because she sings like a horn player? Her improvisational melodies? Her unconventional chord structures? Her confessional songwriting?We dive into every song on Blue, breaking down her favorite chords and her vocal phrasing to understand what makes this album great. You’ll never hear thi
"A Love Supreme" — John Coltrane
John Coltrane's A Love Supreme: Some call it the greatest album of the 20th century. Others say it isn't even Coltrane's best album ... of 1965. No matter where you think it sits in the jazz music canon, Coltrane's love letter to God is a masterpiece. We break it down track-by-track, chord-by-chord to uncover what makes this album such a rewarding listen from front to back.This week marks
Why Jazz Musicians Love Hip Hop (ft. Switched On Pop)
We're talking jazz influences in hip hop today with Nate Sloan and Charlie Harding from Switched On Pop. We dig into tracks from Kendrick Lamar (there's that TPAB acronym!), Common, Cautious Clay and David Bowie to surface the musical qualities that explain why jazz musicians love these artists. Plus - we explore the striking similarities between jazz and hip hop, especially in the record
"Innervisions" — Stevie Wonder
We’re diving back into Stevie Wonder with Innervisions, right in the heart of his classic period from 1972 to 1976. There’s something magical about this stretch of music history, and Innervisions stands as one of the greatest albums to emerge from it.Stevie wrote every song on this album, and played every instrument on many tracks. From "Too High" to "Living For The City" to "Don't You Wo
"Someday My Prince Will Come" — Miles Davis
There is no more important relationship in this era of music than that of Miles Davis and John Coltrane; two masters ever-present in the musical and cultural landscape. Someday My Prince Will Come marks the last time Coltrane and Davis played together, and it couldn't be more perfect.We dive into how their partnership played out on stage and in the recording studio over the years, and how
"Afro Blue" — Robert Glasper
When does Afro Blue and Smells Like Teen Spirit belong on the same record? When it's a Robert Glasper album! In 2012, Glasper's Black Radio brought together artists like Erykah Badu to bring a jazz standard, Afro Blue, back into the popular music canon. Black Radio hit #1 on the jazz charts, while simultaneously reaching #4 on the hip-hop R&B charts and #15 on the Top 200. The Blue No
"Rumours" — Fleetwood Mac
Fleetwood Mac's Rumours is undoubtedly one of the best pop rock albums ever. But the story behind its creation reads like a soap opera. Everyone -- Stevie Nicks, Lindsey Buckingham, Christine McVie, John McVie, and Mic Fleetwood -- were enduring heartbreak during its recording. Stevie and Lindsey were breaking up. The McVies had already split, but John wasn't ready to let go. Even Mic Fle
"Maiden Voyage" — Herbie Hancock
Today we're going on an aquatic journey with Herbie Hancock's Maiden Voyage. Herbie calls the title track the best tune he's ever written. We dive deep into the music to explore what makes this tune, and this album, great. The roots of Maiden Voyage date back in 1963, when Herbie began hearing rumors that Miles Davis wanted to hear him play. He didn't believe it at first -- Miles was at
"Still Crazy After All These Years" — Paul Simon
Broken Record's Justin Richmond joins us to talk Still Crazy After All These Years. Paul Simon's Grammy-winning album was born out of divorce, and produced some of his greatest songs of all time, like 50 Ways To Leave Your Lover, My Little Town and I Do It For Your Love.We dive into the story behind this remarkable album, including Steve Gadd's famous drum beat and how Stevie Wonder's Inn
Season Finale: Testing Our Show Against Our Own Rules
We turn our own categories back on ourselves! We're looking back on the past 20 epiosdes, which we're calling You'll Hear It Season 12, and ask:- What are our apex moments? - What are our desert island tracks?- Is season 12 better than Kind of Blue?! And - we hear from you, dear listeners. You sent in your questions on Speakpipe, and we answer them. Plus - look ahead at what's coming up n
From Sonata to Stank Face
The ultimate musical showdown: jazz vs classical. We bring in conductor Josh Weilerstein from the Sticky Notes podcast to compare, contrast and find the common ground among these two very different schools of music. From Duke Ellington's swinin' take on Peer Gynt to George Gershwin's Rhapsody in Blue, we explore the tunes and the musicians blurring the line between jazz and classical. Jos
The Best Thing To Ever Happen In 1960
John Coltrane’s Giant Steps isn’t just a jazz classic — it’s a rite of passage. Peter Martin and Adam Maness dig into what makes the album so technically punishing and emotionally electrifying. From the iconic solo on the title track to the symmetrical harmonies, the lightning-fast chord changes, the fiery swing of Cousin Mary, and the full-throttle chaos of Countdown, they unpack the bri
Jazz Organ LEGEND Reveals Favorite Tracks
We’re sitting down with one of the greats! Organist Larry Goldings is in the house to spin the B3 tracks that shaped him – from Jimmy Smith’s revolutionary runs to Billy Preston’s blending brilliance behind Aretha Franklin. Along the way, Larry breaks down the nuts and bolts (err… drawbars and percs) behind his favorite players, offering expert insights into Larry Young’s pedal-less playi
The Genius of D'Angelo's Voodoo
We’re finally digging into “Voodoo” - D’Angelo’s Grammy-winning album that changed the sound of R&B, soul, and hip-hop forever. And the album a young Adam Maness had on repeat, seriously influencing his playing as well as countless musicians since.With Questlove’s “Dilla-drag” drumming, Pino Palladino’s funky bass lines, Roy Hargrove’s jazzy horn arrangements, and Charlie Hunter’s chi
90's Jazz At Its Finest
You can’t deliver a performance like Shirley Horn’s “Here’s to Life” unless you’ve lived a little – or a lot. It’s an album only an artist with decades of love, loss, and resilience could create. In this episode, we break down Horn’s unmatched ability to accompany herself, the elegance of Johnny Mandel’s string arrangements, and the quiet confidence that defines every track. Whether you’r
It’s Time: Joshua Redman’s Spirit of the Moment
For the first time ever, we’re digging into an album Peter actually played on. In this episode, we go deep on Spirit of the Moment, saxophonist Joshua Redman’s 1995 double-CD live album, recorded at the legendary Village Vanguard, with Peter on piano, drummer Brian Blade, and bassist Chris Thomas. We explore how Redman rose to stardom in the ’90s, stories from Peter’s New Orleans trio day
Miles’ First Masterpiece: Birth of the Cool
Before Kind of Blue, a 21-year-old Miles Davis was already reshaping jazz with Birth of the Cool. In this episode, we explore how Miles teamed up with arranger Gil Evans and a chamber-like nonet to craft a sound full of singable melodies, tightly arranged horns, and forward-thinking restraint. With French horn in the mix, Gerry Mulligan and John Lewis’ arranging touch, and Lee Konitz’s ly
The “Love Supreme” of Soul Music?
Learn what makes Marvin Gaye’s protest album a timeless masterpiece. Adam and Peter go deeper than deep—layer by layer—using stems to find out. Listen to the full arrangement in a way you’ve probably never experienced, even if you’ve heard it a thousand times. Strings, bass, background vocals, Marvin’s multi-tracked leads, percussion, vibes—it’s all here, isolated and exposed.We also dig
What Genre Is Tower Of Power??
We hand the mic to Kirk Hamilton from the Strong Songs podcast to help us break down the groovy 1973 self-titled release: Tower of Power. We unpack what makes this Oakland funk outfit a generational institution – from David Garibaldi’s precision drum fills and Rocco Prestia’s machine-gun bass lines to what may be the tightest horn section of all time. We dig into standout tracks like “Wha
Did Chick Corea Perfect Midi Jazz?
Stack a DX7, a keytar, and enough rack-mount synths to power a small city, and you get one of the most iconic – and polarizing – jazz fusion albums of the ’80s. This week, we dive into The Chick Corea Elektric Band (1986), the record that inspired a thousand copycats and split the jazz world. From the jaw-dropping virtuosity of “Got a Match?” to the neon-lit grooves of “Rumble,” we ask: d
Best Oscar Peterson Trio - Guitar or Drums?
Who swings harder: Oscar Peterson with guitar or drums? In this jazz piano trio showdown, Adam and Peter go head-to-head with seven scorching tracks spanning OP’s career. Team Guitar brings Barney Kessel, Herb Ellis, and Joe Pass, while Team Drums is anchored by the ever-swinging Ed Thigpen. We break down comping chemistry, shifting textures, virtuosic solos, and how each setup shaped th
Stevie's Greatest Album?
What happens when a 21-year-old Stevie Wonder gets the keys to the Motown kingdom? You get Talking Book, a no-filler masterpiece. Adam and Peter go track-by-track through Stevie’s first fully self-driven album, where he played nearly everything himself. From the sticky funk of “Superstition” to the guitar-like tones of “Big Brother,” we break down Stevie’s best clav sounds, synth bass lin
Is Keith Jarrett The Greatest Solo Pianist Ever?
One afternoon in Oslo changed the course of jazz piano history! In this episode, Adam and Peter dive into Facing You, the hit 1971 ECM release where a 26-year-old Keith Jarrett – torn between Miles Davis’ electric band and his own acoustic instincts – walked alone into a studio and recorded eight completely improvised masterpieces. From the gospel-tinged “In Front” to the apex moment in “
Herbie Hancock's Greatest Era Is Not Even Jazz?
Does it get any better than that ARP bass line on “Chameleon”? That’s right, it’s Herbie time! Join Peter and Adam as we explore Herbie Hancock’s explosive breakout from Blue Note jazz man to platinum-selling Headhunter. Transport your ears to an afro-futuristic daydream as we dissect Herbie’s funk-jazz era – and the cast of characters that helped push jazz records back onto the Pop chart
The Ten Most Important Years In Jazz
Take a trip with us to the most revolutionary decade in jazz (1923-1933), when a young Louis Armstrong was creating a new improvisational vocabulary in real-time. This isn’t the “Wonderful World” Satchmo most know, but the young gunner whose genius trumpet solos on “West End Blues” and “Tight Like This” were toppling trumpet kings. We break down Pops’ evolution from King Oliver’s second t
Why Do Jazz Pianists LOVE Roberta Flack?
Tune in as we pay tribute to the incomparable Roberta Flack, who we sadly lost last month. From her 1969 debut album First Take (featuring Open Studio artist Ron Carter on bass) to her iconic collaborations with Donny Hathaway – we dissect why what Flack didn’t play was just as important as what she did. We’ll explore how this classical piano prodigy, who entered Howard at 15 and didn’t w
Miles' Greatest Album - You're Welcome
Could Miles Davis’ peak performance come alongside a bunch of kids who weren’t even getting paid? In this episode, Peter and Adam dive into one of the greatest live albums ever captured, My Funny Valentine: Live at the Philharmonic (1964). We explore how Miles Davis, sideman George Coleman, and a young rhythm section (Herbie Hancock, Ron Carter, and teenage Tony Williams) made jazz histor
Is "Off The Wall" Michael's True Masterpiece?
When Epic Records told Michael Jackson “no” to Quincy Jones, he fought back and changed music forever. Join Adam Maness and Peter Martin as they dive into Jackson’s 1979 masterpiece Off The Wall – the album that planted MJ’s flag as a solo artist. We explore how a young Michael partnered with Quincy Jones, created magic with studio legends Louis Johnson and Greg Phillinganes, and transfor
Bill Evans and The Trio That Changed Trios
Can you believe the most celebrated Bill Evans Trio was only together for 18 months? In this episode, we’re looking at early 60's Bill alongside Scott LaFaro and Paul Motian, and the four albums they recorded together before LaFaro’s tragic death at just 25 years old. From Portrait in Jazz and its cross-over with Miles Davis’ Kind of Blue through Sunday at the Village Vanguard and Waltz f
Greatest FUNK Band Of All Time?
What makes New Orleans funk hit so different? In this episode, we dive into the swampy funk of The Meters, the iconic quartet that’s left its mark on everything from Wu-Tang to Whitney Houston and beyond. We break down Leo Nocentelli’s chicken-scratch guitar, Art Neville’s genius riff comping, Zigaboo’s “direct assault” on the high hat, and the thumping George Porter Jr. bass lines that d
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