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Living The Book of Disquiet

Living The Book of Disquiet

Fernando Pessoa 17 Episodes Nov 14, 2025

This podcast began with me writing letters to my soulmate/literary doppelganger Fernando Pessoa. I then went off and got lost on YouTube making "content" for a couple of years but sucked at that. So I'm now back here podcasting! Some of the new pieces will be Pessoa/Book of Disquiet focused, but much of the new stuff, as the title of the show suggests, will be me living my own book of disquiet through texts/films/music which I feel FP would have vibed with. I hope you will stick around for these new episodes in 2026.

Episodes

Pessoa, c'est nous?
Pessoa, c'est nous? Nov 14, 2025 00:13:38 Good morning FP,I was lying in bed half an hour ago wondering if I should stop writing to you, stop trying to connect to another human being through the medium of writing. For this is a peculiar game I am playing here am I not? A man sees another man standing in a clearing talking to a tree. He gets a bit closer and recognises that the tree is a kind of proxy for the conversations this man maybe w
Do We Need Anybody? (We Need Somebody to Love)
Do We Need Anybody? (We Need Somebody to Love) Nov 12, 2025 00:27:41 FP, in this missive I write to you about addiction and abstinence, about Bhavesh and me spending an evening without our respective substances, and the idea that therapy, like religion, depends on confronting what one cannot renounce. I describe the Beatles and their articulation of love as life’s central meaning, Freud’s belief that an analyst must face his own cravings to avoid moralising or coll
Everybody Needs A Bosom For A Pillow
Everybody Needs A Bosom For A Pillow Nov 10, 2025 00:29:11 Hello FP, and thank you for being here.Here’s a new missive I’ve written for you about friendship and soulmates, dogs and gods, addiction, vanity, longing, kingship, numerology, therapy, loneliness, YouTube, tea, and clay. Also: Mário and Max, the breast and the bottle, writing as a drug, Pessoa (you, obviously, but also pessoas in general), writing as a wound, and the small, stupid, stubborn hope
Beyond The Yellow Brick Road
Beyond The Yellow Brick Road Nov 7, 2025 00:24:29 You, whose coming is so gentle that it resembles a departure,Whose ebb and flow of darkness, when the moon exhales,Contains waves of dead affection, cold as a sea of dreams,Breezes from landscapes fashioned to calm our excess of anxiety . . .You, palely, you, feebly, you, liquidly, or in the form of a numbing vapour,The smell of death among flowers, the whiff of fever on river banks,You, the queen
Riding For The Feeling
Riding For The Feeling Oct 28, 2025 00:43:10 "Taking nothing seriously and recognizing our sensations as the only reality we have for certain, we take refuge there, exploring them like large unknown countries. And if we apply ourselves diligently not only to aesthetic contemplation but also to the expression of its methods and results, it’s because the poetry or prose we write – devoid of any desire to move anyone else’s will or to moul
The Dignity of Tedium
The Dignity of Tedium Oct 28, 2025 00:37:08 "He had furnished his two rooms with a semblance of luxury, no doubt at the expense of certain basic items. He had taken particular pains with the armchairs, which were soft and well-padded, and with the drapes and rugs. He explained that with this kind of an interior he could ‘maintain the dignity of tedium’. In rooms decorated in the modern style, tedium becomes a discomfort, a physical dis
The Beautiful Uselessness of Simone Weil’s God
The Beautiful Uselessness of Simone Weil’s God Oct 28, 2025 00:35:30 This piece explores Simone Weil’s Factory Journal and her idea of Anankē—necessity—as a kind of sacred affliction: the possibility that what undoes us is also what connects us most deeply to reality. I'm including it here, because it is through Weil that I have returned to my initial Pessoan project, which will follow in subsequent fragments.
Schubert's Ghost: Essence and Nihility (Fragment 363)
Schubert's Ghost: Essence and Nihility (Fragment 363) Jun 15, 2024 00:27:00 This episode is about Schubert's awful and awesome bohemian life/music/death; a Victor Hugo sonnet from "Les Contemplations" ("La mort et la beauté sont deux choses profondes"); K.G. Nishitani on Nihility, sin and redemption; Fernando Pessoa's Fragment 363 (love, possession and illusion, the interplay of beauty and horror), with visuals courtesy of a walk around Rickman
Fragment 88: The Father of My Soul
Fragment 88: The Father of My Soul May 28, 2024 00:32:38 A "Father Archetype" soul collage for Pessoa’s Fragment 88: “Who am I, finally, when I’m not playing? A poor orphan left out in the cold among sensations, shivering on the street corners of Reality, forced to sleep on the steps of Sadness and to eat the bread offered by Fantasy. I was told that my father, whom I never knew, is called God, but the name means nothing to me. Sometimes at
Fragment 307: Basic Trust (The Song Thrush)
Fragment 307: Basic Trust (The Song Thrush) May 17, 2024 00:32:33 An audio-visual Soul Collage created in response to Fernando Pessoa’s Fragment 307 (from The Book of Disquiet): “AESTHETICS OF DISCOURAGEMENT Since we can’t extract beauty from life, let’s at least try to extract beauty from not being able to extract beauty from life. Let’s make our failure into a victory, into something positive and lofty, endowed with columns, majesty and our mind’s consent.
Fragment 32: Lucid Dreaming
Fragment 32: Lucid Dreaming May 7, 2024 00:34:08 “An episode chiefly inspired by 10 seconds of animation by Alyssa on her YouTube channel. Check out THE FULL TWELVE SECOND video ⁠here⁠. Also inspired by the following quote from fragment 32 of Fernando Pessoa's Book of Disquiet: "Underlying everything, the hushed night was the tomb of God (and my soul felt sorry for God).” OTHER TOPICS THAT CROP UP IN THIS EPISODE:  -Lucid Dreaming: R
Fragment 31: Beyond The Pleasure Principle
Fragment 31: Beyond The Pleasure Principle May 5, 2024 00:33:57 “The clock in the back of the deserted house (everyone’s sleeping) slowly lets the clear quadruple sound of four o’clock in the morning fall. I still haven’t fallen asleep, and I don’t expect to. There’s nothing on my mind to keep me from sleeping and no physical pain to prevent me from relaxing, but the dull silence of my strange body just lies there in the darkness, made even more desolate by th

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